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need advice on portable stage monitors

NickFromNY

NickFromNY

Nov 2, 2010
1,903
2,244
Long Island, NY
#1
After many, many years of use, our trusty (but very heavy) Yamaha stage monitors are dying off. I am looking for input on lightweight, yet reliable stage monitors. We play a lot so they need to be able to take loading in and out several times a week. power wise we use amps in the 400-500 watts a side at 8ohms range. I have the opportunity to pick up 2 or 3 Peavey SP12m monitors at a reasonable price. Not familiar with them though. Not looking to go crazy on price, but not looking to use Behringers either. Peavey, Yorkville, Yamaha, Carvin, etc..
 
#2
The SP line from Peavey is a nicely built, good sounding monitor IMO. I have seen beat-to-death ones that still sound good even if they look like someone backed over them. Yamaha's also seem to hold up well over the long haul. But personally, I would look into going the IEM route if you need to replace many monitors at once. That would certainly solve load-in/load-out issues.
 
#3
I wouldn't consider the SP12m to be light weight....but anyway..
I have been running the Yamaha CM15V monitors for 5+ years now and they take a beating and have held up very well.
Although I am not a Carvin PA gear fan there new TRX monitor has peaked my interest a few times: [Invalid or Expired Link Removed]

Might be worth a look at, plus they are very small.
 
#5
The Yamaha Club Series CM12V is still my favorite passive monitor on a budget. Just be sure to get the "C" version instead of the "S" version. The "C" version has a duratex finish that looks and ages better than carpet IMO and the grill covers the entire face of the cabinet instead of just the woofer. At $359 they're a bargain.

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#7
Vocals and guitars ? Are you putting drums, keys, etc through them ?

For vocals and acoustic guitars and percussion I like the Mackie c200 (under 300 per unit in a bag). It is the passive version of the sm350. Keep sub 100 hz out of them and they will get very loud... If you need more low end extension, the c300 is the passive version of the sm450. $475 approx in the bag.

I've migrated away from passive floor monitors to Mackie Thump 12s. Light, loud, reasonably priced. I really like them a bunch for my uses. I am a tad quesy about dealing with Loud on amplifiers or electronics in general but so far so good...

I am not in general a Mackie fan. These three speakers I'm a fan of though. I still own the c200's I was using before the thumps. I rent them out with a Yamaha powered wedge mixer as a small system for parties. They've been troopers so far.
 
#9
4Mal said:
Vocals and guitars ? Are you putting drums, keys, etc through them ?

For vocals and acoustic guitars and percussion I like the Mackie c200 (under 300 per unit in a bag). It is the passive version of the sm350. Keep sub 100 hz out of them and they will get very loud... If you need more low end extension, the c300 is the passive version of the sm450. $475 approx in the bag.

I've migrated away from passive floor monitors to Mackie Thump 12s. Light, loud, reasonably priced. I really like them a bunch for my uses. I am a tad quesy about dealing with Loud on amplifiers or electronics in general but so far so good...

I am not in general a Mackie fan. These three speakers I'm a fan of though. I still own the c200's I was using before the thumps. I rent them out with a Yamaha powered wedge mixer as a small system for parties. They've been troopers so far.
Click to expand...

I guess if you consider 112dbs loud.:confused: Might work OK as a monitor if you are a quiet band.
 
#15
FWIW the Yamaha's sensitivity is rated at 97dB SPL at 1W, 1Meter which makes the max RMS (350W) SPL 122dB and the max Peak (700W) SPL 125dB.

Yamaha does not specify if these measurements are taken using a sine wave or bandpass pink noise but when it comes to speaker specifications there are no universally adopted standards so you shouldn't make purchasing decisions based solely on the specs.
 
#19
mis-matched montors - hope you have 2 mixes and separate EQ's for each. The BR by the way is not very good at all...

Thumps might not spec well but they can pin your hair back when they are at your feet looking up at you ... Then again my environments do emphasize 3 part harmonies and to do that it's either in ears or keeping the stage volume in line... so guitar amps are 15 to 30 watt tube amps (Fender Deluxe, Rivera Doce, Carr Rambler, Princeton Reverb, etc...) That 112 will get much larger by filtering rolling off in the low end as well..

I use a few different rigs but often it's an MB500 and fEarful 12.6 or an MB200 and 2 1x10 cabs as monitors - drums are mic'ed and everything is in the PA.
 
#20
Dump it all and go to In-Ear monitors. Light, portable, easy to use, way cheaper than floor wedges + amps.. Carvin sells great In-Ear monitors as does Nady (I think they are made by the same people) and they are not too expensive. A system from Carvin is $399 and you can add as many receivers to that as you would like, so you can buy one and a couple of receivers, then come up with another $400 buy a second and have 2 mixes and so on.. Cheap, super light weight, great sound, easy to work with and more room on stage!
 

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