I have a BOSS ODB-3 that I just about almost like. It's crisp and defined without becoming fuzz, plenty of low end, smooth though almost too scooped. Overall really great. Except the high end is just way, way too brittle and harsh. If I dial it down with a high cut it loses it's edge. I just cannot seem to dial it into what I want.
I've tried a real vintage Rat and a Rat2 neither of which I much cared for. The Rat with the gain dialed down lost too much intensity, gain dialed up it gets into fuzz territory IMO. I haven't tried a lot of distortion boxes other than digital multieffects most of which never sound that good as distortion boxes.
I already have the light-ish overdrive covered with an Ultimate Tube Screamer and a Way Huge Pork Loin. And I run into a MESA 400+ which has plenty of warmth and general gain by itself. I have a Chunk Systems Octavius Squeezer which can do all sorts of fuzz and gated fuzz tones.
What I need is a cutting, distinct, somewhat bright (helps with the previous descriptors), but still smooth distortion.
Will be used with a Lakland jazz, picked, into the MESA 400+ for some high BMP punk-ish rock.
I've tried a real vintage Rat and a Rat2 neither of which I much cared for. The Rat with the gain dialed down lost too much intensity, gain dialed up it gets into fuzz territory IMO. I haven't tried a lot of distortion boxes other than digital multieffects most of which never sound that good as distortion boxes.
I already have the light-ish overdrive covered with an Ultimate Tube Screamer and a Way Huge Pork Loin. And I run into a MESA 400+ which has plenty of warmth and general gain by itself. I have a Chunk Systems Octavius Squeezer which can do all sorts of fuzz and gated fuzz tones.
What I need is a cutting, distinct, somewhat bright (helps with the previous descriptors), but still smooth distortion.
Will be used with a Lakland jazz, picked, into the MESA 400+ for some high BMP punk-ish rock.

