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New Amps from Warwick - MC300/500

True, but unfortunately, most of the small class D amps do not have this feature. Alternatively, it would be great to build in an EQ bypass feature on the front end.
Many do have an aux input that can function the same way.
 
True, but unfortunately, most of the small class D amps do not have this feature. Alternatively, it would be great to build in an EQ bypass feature on the front end.
It's true that most micro heads don't have an FX-Loop or EQ bypass, but there are quite a few alternatives, either smaller and/or lighter, less expensive, or more powerfull (sorry for the prices in € and the dimensions in mm)


Power @4ohm

Price

FX Loop

EQ Bypass

Size

Weight

Warwick PA 300

300 W

499,00 €

Line In

No

250 x 270 x 63 mm

3,1 Kg

Warwick Gnome i Pro 600W V2

600 W

399,00 €

Yes

No

280 x 195 x 78 mm

3 kg

Harley Benton Block-800B

800 W

348,00 €

Yes

No

240 x 255 x 88 mm

2,9 Kg

Markbass Little Mark IV
500 W
516,00 €

Yes

No

276 x 83 x 255 mm

2,8 kg

Markbass Nano Mark II

300 W

379,00 €

Yes

No

200 x 53 x 210 mm

1,45 kg

Ampeg Venture V3

300 W

449,00 €

Yes

No

231 x 267 x 65 mm

1,80 kg

GR Bass ONE350

350 W

522,00 €

Yes

Yes

265 x 220 x 58 mm

1,6 kg

Markbass Little Mark 58R

500 W

522,00 €

Yes

No

276 x 256 x 83 mm

2 kg
 
Last edited:
It's true that most micro heads don't have an FX-Loop or EQ bypass, but there are quite a few alternatives, either smaller and/or lighter, less expensive, or more powerfull (sorry for the prices in € and the dimensions in mm)


Power @4ohm

Price

FX Loop

EQ Bypass

Size

Weight

Warwick PA 300

300 W

499,00 €

Line In

No

250 x 270 x 63 mm

3,1 Kg

Warwick Gnome i Pro 600W V2

600 W

399,00 €

Yes

No

280 x 195 x 78 mm

3 kg

Harley Benton Block-800B

800 W

348,00 €

Yes

No

240 x 255 x 88 mm

2,9 Kg

Markbass Little Mark IV
500 W
516,00 €

Yes

No

276 x 83 x 255 mm

2,8 kg

Markbass Nano Mark II

300 W

379,00 €

Yes

No

200 x 53 x 210 mm

1,45 kg

Ampeg Venture V3

300 W

449,00 €

Yes

No

231 x 267 x 65 mm

1,80 kg

GR Bass ONE350

350 W

522,00 €

Yes

Yes

265 x 220 x 58 mm

1,6 kg

Markbass Little Mark 58R

500 W

522,00 €

Yes

No

276 x 256 x 83 mm

2 kg
What about an aux input that bypasses the eq, surely most micro amps have this as one of their foundational features?
 
What about an aux input that bypasses the eq, surely most micro amps have this as one of their foundational features?
If one can use an adaptor mini-jack -> 1/4" jack

Small bass heads with an aux in (mini jack)
tc electronic BQ250 and BH250
Darkglass Microtubes 200
Darkglass Alpha·Omega 200
Phil Jones BP-200
GR Bass Mini One

Small bass heads without any aux in:
tc electronic BAM200
Warwick Gnome
Trace Elliot ELF

I haven't found any micro bass head with a 1/4" aux in
 
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It's true that most micro heads don't have an FX-Loop or EQ bypass, but there are quite a few alternatives, either smaller and/or lighter, less expensive, or more powerfull (sorry for the prices in € and the dimensions in mm)


Power @4ohm

Price

FX Loop

EQ Bypass

Size

Weight

Warwick PA 300

300 W

499,00 €

Line In

No

250 x 270 x 63 mm

3,1 Kg

Warwick Gnome i Pro 600W V2

600 W

399,00 €

Yes

No

280 x 195 x 78 mm

3 kg

Harley Benton Block-800B

800 W

348,00 €

Yes

No

240 x 255 x 88 mm

2,9 Kg

Markbass Little Mark IV
500 W
516,00 €

Yes

No

276 x 83 x 255 mm

2,8 kg

Markbass Nano Mark II

300 W

379,00 €

Yes

No

200 x 53 x 210 mm

1,45 kg

Ampeg Venture V3

300 W

449,00 €

Yes

No

231 x 267 x 65 mm

1,80 kg

GR Bass ONE350

350 W

522,00 €

Yes

Yes

265 x 220 x 58 mm

1,6 kg

Markbass Little Mark 58R

500 W

522,00 €

Yes

No

276 x 256 x 83 mm

2 kg
Clearly, I'm happy with my Quilter, but if I was looking for a power amp for a modeler or external preamp, I would get the Gnome i Pro 600W V2: it's very affordable, it's Warwick, and you can also use it as a USB audio interface. Best bang for the buck IMHO (the only cheaper alternative being the Harley Benton).

And I woud get it now, just in case they discontinue it after they have released the more expensive PA models.
 
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If one can use an adaptor mini-jack -> 1/4" jack

Small bass heads with an aux in (mini jack)
tc electronic BQ250 and BH250
Darkglass Microtubes 200
Darkglass Alpha·Omega 200
Phil Jones BP-200
GR Bass Mini One

Small bass heads without any aux in:
tc electronic BAM200
Warwick Gnome
Trace Elliot ELF

I haven't found any micro bass head with a 1/4" aux in
Typical cable w/ 1/8" TRS plug to 1/4" TS plug, tip and ring connected internally:
https://www.sweetwater.com/store/de...F17qKWTo76bfGly5trBCWXSZCItu9f6hoCKKAQAvD_BwE
 
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Pretty cool, Warwick makes great amps. Looking forward to hearing more. I'm a little surprised they're claiming you can use the BT connection to play through headphones, wouldn't the latency make it unplayable?
A lot of progress has been made in this area, approaching zero latency for digital piano and keyboards, synthesizers. New technology.

It is not like the old days were the latency really did often make playing impossible.

Some of the stuff today has essentially zero player detectable latency.
 
A lot of progress has been made in this area, approaching zero latency for digital piano and keyboards, synthesizers. New technology.

It is not like the old days were the latency really did often make playing impossible.

Some of the stuff today has essentially zero player detectable latency.
BT latency is much different due to how it works, and it can vary too.

Even the fastest BT 5.4 protocol has a guaranteed latency spec of 40mSec at best but can creep up to over 100mSec when conditions aren't perfect.
 
A lot of progress has been made in this area, approaching zero latency for digital piano and keyboards, synthesizers. New technology.

It is not like the old days were the latency really did often make playing impossible.

Some of the stuff today has essentially zero player detectable latency.

Hmm I'm not sure that's true in the context of Bluetooth latency is it? I haven't kept up with it closely but my impression is that the latest protocols still have far too much latency to be useful for musicians.
 
Hmm I'm not sure that's true in the context of Bluetooth latency is it? I haven't kept up with it closely but my impression is that the latest protocols still have far too much latency to be useful for musicians.
You are correct.