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Newbie chasing tone. Am I crazy?

My two cents. Explore technique and gear you already have, spend nothing to achieve "tone".
Good advice to try everything you can with what you have. But not all gear is capable of achieving great tone. In fact with some gear it is impossible to even get somewhat good tone. Don't waste too much time trying to make crappy gear sound good. You cannot polish a turd.
 
I think we are assuming that you're using the bass in active mode, passive bass directly in to soundcard can sound a little thin. Unless you're, like most people here, James Jamerson. For a clean, nice sound youre looking for, I don't think you need much more equipment-wise.




I don't think there's nothing too special about the actual bass tone there. It's just clean and nice. In my humble opinion the punch you refer to is much about her great touch, just the right technique and force used to make the low notes ring nicely . Also lot of ghost notes thrown in to make low notes extra punchy, when she wants to.

Kinga’s sound is pretty simple: totally clean J bass, recorded direct, with fantastic technique and a TON of compression.
 
I am new to bass and so my knowledge is limited in most aspects, especially when it comes to gear. Right now I am playing a Sire V7 into a Focusrite Scarlett. It’s perfect in that I can put on headphones and practice without disturbing anyone and I can practices or play along with songs on the Internet. (I tend to stay in passive-mode when I play, if that matters)

I understand that there are a ton of factors that contribute to your tone/sound, from the instrument perspective, and that it can be the woods used in the body, neck, fretboard, the pickups, the strings, your technique, etc. But after that…it’s everything else I really have yet to grasp and that is the rest of the gear to get your tone.

I am reading about DI’s, Preamps, Preamps/DI’s in one box, Tube vs SS amps, speaker reviews, pedals, etc. The more I read the more I get confused at what I need right now and what I might need/want in the future.

I currently don’t feel the need to get an amp and cab since I have no intentions of playing gigs or being in a band; I just want to learn how to play the bass and enjoy it.

What I would like to do is to find a way to shape my tone. I have lost many-a-night to YouTube videos on sounds and instruments and I think I have a good idea of what sounds I like…but I have no clue achieve them.

Here are a couple of videos so there is context into what sounds I find appealing.

The first 2 are running into an Avalon U5 and then into an Aguilar DB-750 with a Bergantino cab. I love the warmth of the sound here.



The Kinga Glyk sound is just perfection to my ears but I have no idea if she is using anything to shape the tone. This is punchier and if I could get only one sound, I think I would learn towards this.



These MusicForce videos also sound great but I guess they would be considered a more modern sound?





I understand that I will need different basses to get different sounds (J bass, P bass, etc) but for the gear, is it possible to have one set of gear that would cover most of the sounds I like?

Or am I just crazy to be chasing after tone so early in my journey? Help!


See above if that’s the primary sound you’re after.

No, it isn’t possible to use one set of gear for EVERY sound, but you can get a lot of variety form a limited set of tools if you know how they work inside and out.

The tonal variation between the videos you posted is essentially entirely due to the different basses being used though: they’re all recorded direct, with the exception of the blended Aguilar amp, and being played by great players with some amount of compression in post.

Work on your chops and the rest will come :thumbsup:
 
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I am new to bass and so my knowledge is limited in most aspects, especially when it comes to gear. Right now I am playing a Sire V7 into a Focusrite Scarlett. It’s perfect in that I can put on headphones and practice without disturbing anyone and I can practices or play along with songs on the Internet. (I tend to stay in passive-mode when I play, if that matters)

I understand that there are a ton of factors that contribute to your tone/sound, from the instrument perspective, and that it can be the woods used in the body, neck, fretboard, the pickups, the strings, your technique, etc. But after that…it’s everything else I really have yet to grasp and that is the rest of the gear to get your tone.

I am reading about DI’s, Preamps, Preamps/DI’s in one box, Tube vs SS amps, speaker reviews, pedals, etc. The more I read the more I get confused at what I need right now and what I might need/want in the future.

I currently don’t feel the need to get an amp and cab since I have no intentions of playing gigs or being in a band; I just want to learn how to play the bass and enjoy it.

What I would like to do is to find a way to shape my tone. I have lost many-a-night to YouTube videos on sounds and instruments and I think I have a good idea of what sounds I like…but I have no clue achieve them.

Here are a couple of videos so there is context into what sounds I find appealing.

The first 2 are running into an Avalon U5 and then into an Aguilar DB-750 with a Bergantino cab. I love the warmth of the sound here.



The Kinga Glyk sound is just perfection to my ears but I have no idea if she is using anything to shape the tone. This is punchier and if I could get only one sound, I think I would learn towards this.



These MusicForce videos also sound great but I guess they would be considered a more modern sound?





I understand that I will need different basses to get different sounds (J bass, P bass, etc) but for the gear, is it possible to have one set of gear that would cover most of the sounds I like?

Or am I just crazy to be chasing after tone so early in my journey? Help!



Going by the first videos you posted that you said you like so much, I get the impression that you'd like flatwound strings to start with.
I'd say buy a set of Ernie Ball Cobalt Flats, and see what you think. They are flatwounds, but probably the brightest of them all. They have a very soft feel, so there's no finger noise when you slide the fingers on them which helps getting a smooth tone. If you keep the tone controls flat, you can get a pretty modern sound, maybe not as bright as some of the latter videos, but it won't sound out of place in the mix. You can slap and it'll sound right. And if you want the more traditional mellow tone from the first videos, all you do is roll off the treble and adjust mids/bass to taste.
They're very versatile strings.
Yes, different basses will have a different sound, but I think the trick for what you're after -if I understood correctly- can be achieved by using the right strings for you. That Sire V7 is a great bass that can give you a lot of different sounds, I think cobalt flats would be a great match.
 
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Bass passive, open up the tone knob all the way. EQ flat on your amp/ preamp. Work on fingers. Your touch makes more of a difference than any single component. Pressure of each finger controls atack and sustain.

Ever seen a guy at an open mic grab someone else bass and light a fire? It's in their hands not their gear.

Feels overwhelming to start, but work on consistency throughout the registers. Play scales until all the notes have the same volume and clarity. The process of learning to be consistent will teach you the touch. By the time you have consistency you will have learned to control all the colorations- then you can use them as you see fit.

Woodshed.

Good strings help, but that can be its own battle.
 
I disagree with people saying having a nicer instrument doesn't affect how you sound. I can't imagine why it wouldn't, it is the physical thing you are playing and it has its own properties. That being said the instrument you do have is already incredibly nice. My V7 feels as much a professional instrument as other far more expensive basses I've played. The biggest gap in quality is bridged once you get past the $300 point. Most basses beyond that, when set up nicely, will play really well and sound great. The cheapest possible instrument, though sometimes good for the price, isn't a desirable platform to learn on and can reinforce bad habits.
 
Right. But that compression rabbit hole. VCA, FET, Optical? Thresholds and ratios, attack and release? Parallel? Clean or dirty, transparent or colored?
:)

In this case?

A clean/transparent VCA or FET, Opto will be too slow.

4:1 or higher for the ratio, tweak attack and release as needed: something like the Hyper Luminol would work perfectly.
 
The conundrum I've found is this: what sounds to be a good tone while practicing at low volume without a band doesn't sound good playing live with a band. And vice versa. You said you are just practicing, playing without a band now, so I guess this advise isn't that relevant. But don't spend a ton of time chasing tone and then join a band, because you may find you have to start chasing all over again. I can usually get whatever tone I want out of any amp or bass when I am just playing on my own and practicing, just be twisting the knobs.
 
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You're going to get a wide range of opinions on this, but I've always staked out the bass direct extreme. I don't want an amp coloring my sound at all. The tone is in the fingers first and foremost, followed by the pickups and strings. I don't put much stock in tone woods. You can put all kinds of things in the signal chain between your bass and the audience. But if you don't start out with good technique on a decent sounding instrument, your tone will still suck.
 
I'm certain a lot has been discussed here, and I haven't read any of it.... So, I apologize if this has already been mentioned.

Strings.... As a beginner, you can waste a lot of time and money trying to find the "right" gear. But instead of doing that, start with something that is affordable to and can make vast differences in your tone. Once you find a string that you like the feel and the sound of, move onto the next piece of the puzzle.

Just my $0.02.
 
It is certainly a good idea to “chase tone” from the very beginning. I suggest you start by acquiring a good acoustic bass guitar and learn the techniques of achieving a variety of tones with just your hands and the instrument.

And watch this video made by Ray Brown, a legendary jazz bassist. This advice applies to virtually any instrument.

 
I am new to bass and so my knowledge is limited in most aspects, especially when it comes to gear. Right now I am playing a Sire V7 into a Focusrite Scarlett. It’s perfect in that I can put on headphones and practice without disturbing anyone and I can practices or play along with songs on the Internet. (I tend to stay in passive-mode when I play, if that matters)

I understand that there are a ton of factors that contribute to your tone/sound, from the instrument perspective, and that it can be the woods used in the body, neck, fretboard, the pickups, the strings, your technique, etc. But after that…it’s everything else I really have yet to grasp and that is the rest of the gear to get your tone.

I am reading about DI’s, Preamps, Preamps/DI’s in one box, Tube vs SS amps, speaker reviews, pedals, etc. The more I read the more I get confused at what I need right now and what I might need/want in the future.

I currently don’t feel the need to get an amp and cab since I have no intentions of playing gigs or being in a band; I just want to learn how to play the bass and enjoy it.

What I would like to do is to find a way to shape my tone. I have lost many-a-night to YouTube videos on sounds and instruments and I think I have a good idea of what sounds I like…but I have no clue achieve them.

Here are a couple of videos so there is context into what sounds I find appealing.

The first 2 are running into an Avalon U5 and then into an Aguilar DB-750 with a Bergantino cab. I love the warmth of the sound here.



The Kinga Glyk sound is just perfection to my ears but I have no idea if she is using anything to shape the tone. This is punchier and if I could get only one sound, I think I would learn towards this.



These MusicForce videos also sound great but I guess they would be considered a more modern sound?





I understand that I will need different basses to get different sounds (J bass, P bass, etc) but for the gear, is it possible to have one set of gear that would cover most of the sounds I like?

Or am I just crazy to be chasing after tone so early in my journey? Help!

As others have said here, you need to just woodshed with what you have for a couple of years before you start chasing tone. So much of the "tone" will depend upon your technique, where you pluck the strings on your bass and how you actually finger your notes.

Personally, I use a MIA Jazz Bass and I have since I bought my first one in 1966 (was a '65 Jazz). I run both volumes and the tone all the way up, and add some boost to my low mids at ~250Hz and then let me fingers do the rest. Your sire is much different than the Fender passive Jazz though in its EQ. Yours is a 3-band EQ. I'd suggest trying your bass and treble at the middle notch (flat) and turn the mids up just slightly. I think there's a Sire club here and you should definitely check them out for EQ suggestions.

Your plucking hand has a lot to do with what type of sound you get out of your bass. One of the things that you'll notice after you have initially set your EQ is that if you pluck your bass up near the bottom of the neck you'll get a darker, mellower sound. If you pluck it near the bridge you'll get a much more treble sound. If you pluck it in between the two, you'll get a lot of different shades of sound. So where you pluck the strings has a lot to do with your sound. You'll also control the dynamics of your sound (soft, loud, and everywhere in between) by how hard you pluck the strings. Always be sure you have the headroom to be loud in the loudest parts, but don't play everything at its loudest.

Another thing that will change the way you sound is how you fret the strings. For an articulate sound, use the tips of your fingers. For a meatier sound use the pads of your fingers. It's actually pretty easy to start doing this once you hear the difference it makes. For fast parts, use those fingertips. For accented notes that are being held, use the pads. My fingers are usually at an angle to the string when I'm using the pads and pretty much straight up above the fret when using the tips.

Now after you've practiced that for a year or two and know how to get different sounds out of your bass without messing with the EQ, you're well on your way to the "tone" you're looking for and can start messing around with EQ's. Be aware that the EQ your use for slap is night and day different than what you will use for finger-style or pick. Slap generally uses a very scooped sound (bass and treble way up and mids way down). So hearing someone demo a bass only using slap will NOT give you an idea of what that bass can really sound like.

Also, you need to be aware that the EQ set up you use while playing by yourself is NOT the same as you will use when playing in a group. Bedroom practice sounds good with bass and treble boosted because human ears don't hear bass and treble nearly as well as mid frequencies at low levels. When you play in a group though, you'll disappear with that EQ and your bass will be hard to hear in the mix. It will either sound muddy, or just totally indistinct.

As I mentioned earlier, I run my amp flat after dialing in the room and just add a little boost in the low mids at ~250Hz. That 250Hz to 500Hz is where the bass gets its definition and chest thump. Playing in a group, you and your audience will distinctly hear what you are playing.

A really good example of how different it sounds when you play in a group is to listen to your of Kinga Glyk video. She's playing a passive Fender Jazz and has her controls dimed (volume 1, volume 2, and tone). When she first starts, I'm thinking, "why does he like this sound? It's just not quite right." And then the rest of the group comes in and her bass sounds like honey - sweet and full with great definition. She definitely has her EQ set up to sound good in the mix with everything else playing and she has some really nice skills.

So don't confuse what sounds good while you are practicing by yourself with what sounds good playing in a group. Oh yeah...don't forget to enjoy the journey!
 
Chasing tone is a bottomless pit of money and time that essentially no one but you will care much about......so have at it if you can afford to spend those commodities on something you enjoy. Having said that, be aware that your tonal preferences will likely change.......perhaps continually, and that time spent chasing tone could be allocated elsewhere :)
Now don’t be going and messing up this poor fella’s head. It’s a “Noble” pursuit.
 
Now don’t be going and messing up this poor fella’s head. It’s a “Noble” pursuit.
Well, LOL, I dunno about "noble", but it can be enjoyable. I must admit that if I had a Mulligan on my last 17 years (which is how long I have been playing bass for), I'd be spending a faaaaaaaar less time chasing tone and more time juss' playin'. YMMV.
 
I get confused at what I need right now and what I might need/want in the future.

Right now: you need nothing...what you have is fine.

Want in the future: what's your application? Unless you are planning on recording and releasing albums, you still need nothing.

If you are going to release albums, you might want to buy a nice mike preamp that can be used as a DI. Which one? There's the problem...you need to try a bunch and listen. Unless you live near a well stocked pro audio dealer, you won't be able to do this.

I've recorded both at home and in pro studios. At home, I plug right into my Focusrite interface: done. Pro studios: I get handed a DI of their choice, done.
 
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Sires have a ton of tone shaping capability, even running direct.

Flip the switch to active and play with the EQ's on the bass on an amp that's eq'd flat. All kinds of tone to be had. Bass sounds great in passive mode, sure, but it's a multitude of various tones with the switched flipped to Active.

Listen to whats happening as you roll each knob back and forth. WIth the mid sweeper, make sure the mids are turned up at least a little bit to hear what's going on.

Pair that active bass with a compressor and mmm. My best amp, cab, pedalboard is all at my drummer's house. At home.. I'm playing through only a 15w Fender Rumble and getting what I need from it.
 
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