Also "Smokin in the boys room".
Wasn't that one already written?
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Also "Smokin in the boys room".
Yup, by musicologist Cub Koda in Brownsville Station.Wasn't that one already written?
I'm talking about the bassline recorded by Sixx on Mötley Crüe'e version of the song. He plays good on it and the tone is good. That's my point.Wasn't that one already written?
Wasn't that one already written?
Who in their right mind puts a Christmas tree in the middle of a room!
Not sure I would buy a signature bass by somebody whose music I only knew casually.
I'm not being a jerk here, but seriously, why would you want a bass that you can't change the volume or tone of from the bass? Not that there is anything wrong with that, I'm just curious.It's either on or it's off. That alone makes me want it lol.
For a rock & roll entertainer, this would make sense. It's ready to go but off backstage and between songs maybe, then on at the sound checked volume during the show.I'm not being a jerk here, but seriously, why would you want a bass that you can't change the volume or tone of from the bass? Not that there is anything wrong with that, I'm just curious.
I'm not being a jerk here, but seriously, why would you want a bass that you can't change the volume or tone of from the bass? Not that there is anything wrong with that, I'm just curious.
Something very barbaric and punk rock about it. I like the straightforwardness of it and I like the sound and tone it comes with. I do play metal so I can still get a lot of changes out of the amplifier and pedals but I don't even use pedals, just an overdriven dirty Orange.I'm not being a jerk here, but seriously, why would you want a bass that you can't change the volume or tone of from the bass? Not that there is anything wrong with that, I'm just curious.