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I've turned 60 last year.
Do yourself a favour - don't do what I did and blow a shipload over 40+ years of gigging and recording (in Australia) on beautiful big tube heads and the king of them all, and the rarest of them all, the Fender 400PS. I started out with an old Bassman 50 tube head in 1976 (too quiet) moved up to the 70 (too quiet), went to the 100 (still too quiet), started touring, got an SVT 2 rackmount tube head (in a sleeve - too freakin heavy) played 7, maybe 800 shows with that - glorious, sold that when things went south with that band, got a Bassman 135 paired with two 15's (not too heavy and loud enough to compete with two clowns with Marshalls somehow all through the 90's and early 2000's) and then moved to England and have ended up with another 135, freshly serviced and man they are the best tube sound, are paired like fine wine with either a Telecaster Bass or Jazz or P and a ton louder than the Bassman 100 tube heads, with their ultralinear internals, sound awesome no matter what style you play and you can still find them for a decent price. They're so under-appreciated, but they go forever as long as you don't Hendrix the dials. The 4x12 "pyramid" cabinets are only good if you ditch the crummy 25 watt speakers Fender issued that cab with and replace them with something like the 75 watt ceramic mag speakers, which I did for quite a few years, but ultimately handbuilt the two 15 inch cabs pictured which are openbacked (1/3 open) and much louder and tighter than the old woolly pyramid cab. I literally only have to run the master and gain at threes when rehearsing or playing live - I haven't played 10,000+ sheds for years but the rig pictured above easily does long stages and big rooms up to 2500 punter capacity. While the Super Bassman is rad, my regular amp tech back in Australia convinced me not to go for one quite a few years ago as apparently they were unreliable and a pain in the rear to service, repair or get parts from Fender. I'm sure (or would hope) Fender have fixed those issues by now, but he loved the challenge of servicing my 400PS coz they're capable of blowing you through a brick wall if you touch the wrong things inside them at the wrong time, and they are literally like having three 135's jammed into the one head. But at 88 pounds dry weight I finally let go of it before moving countries, I'd got to the point where I'd choose the 135 to take to gigs instead of the PS it was so damn heavy and by that stage I didn't have a road crew to inflict it upon any more!
The 135's are easy to fix, when the original caps dry out they're easily replaced, tubes are always available somewhere on Earth and the two different channels on them give you more than enough tonal options to rock whichever way you want to. I am sure there are a lot of more modern tube heads that won't force you to commit crimes to be able to afford like the Super Bassman, but I have never bothered looking for them. The 135 is the thing that makes me happiest and I can still carry it one hand. Then back to the car for the two 15's...