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Notes on E string bad sound.

Hello everyone, new here, but I have a question. On my E string (low E) , the tone gets too muddy as I play past the 7th fret. It’s not a clean tone like all other frets and strings. What is causing this. It sounds terrible. Also I am tuned to drop D . Thanks
 
Hello everyone, new here, but I have a question. On my E string (low E) , the tone gets too muddy as I play past the 7th fret. It’s not a clean tone like all other frets and strings. What is causing this. It sounds terrible. Also I am tuned to drop D . Thanks

So many questions. Which bass? What amp? Which strings? Fingerstyle or a pick? What is your volume and tone set at? What style of music?
 
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Warwick Rockbass 4 string
Brand new Peavey head and cab
Finger style
Rock style

Dead or dying strings maybe? Try some different EQ on your amp? Personally, for anything rock, I avoid playing much above the 7th fret on the E string anyways. I'll grab those notes on the A string. I used to play the E string a lot more until I started watching live clips of rock and punk bands I like. Notes I would play on the E string and then realized they were playing them on the A string live. You rarely see many riding the E string, just not a good sound usually as it doesnt punch thru a band setting in a live mix well IMO.
 
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Welcome to TalkBass :thumbsup:

I suspect that you’re hearing what you’ll inevitably get as you play in the higher positions: more low end, less high end. You can try boosting high end, but that will boost the high end regardless of where you play on the neck, i.e. more “clank” as you play down toward the nut.
 
If you're always tuned to drop D, one of the issues you may be facing is that your E string (which is a D string) is too skinny. Most E strings, tuned to standard pitch, are already the loosest string. D-tuning just makes that worse.

Part of your issue may also be the cabinet - playing high on the e/D string gives you more fundamental than playing the same notes on the A string - it's how things work with typical pickup positions. If the cabinet can't handle the extra fundamental, you'd hear it more on the E/D string, and depending on various factors, having it show up on higher frets makes sense.
 
Personally, for anything rock, I avoid playing much above the 7th fret on the E string anyways.
Unless I specifically want that tubby sound that comes from playing up the neck, I also generally avoid it. Some heavy bands like Kyuss used that sound to great effect, but they also went for a tubby bass sound overall.
 
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If you're always tuned to drop D, one of the issues you may be facing is that your E string (which is a D string) is too skinny. Most E strings, tuned to standard pitch, are already the loosest string. D-tuning just makes that worse.

Part of your issue may also be the cabinet - playing high on the e/D string gives you more fundamental than playing the same notes on the A string - it's how things work with typical pickup positions. If the cabinet can't handle the extra fundamental, you'd hear it more on the E/D string, and depending on various factors, having it show up on higher frets makes sense.
Brand new Peavy 4x10 Headliner cab
 
Brand new Peavy 4x10 Headliner cab

I'm not familiar with that specific model, but one of the little secrets about bass guitar cabinets is there is a tradeoff made between size, efficiency, and low frequency extension - you get to pick 2, the other one is what it is (which means it suffers some). Since everyone likes something that fits in their car, and they want it loud, low frequency extension on almost all bass guitar cabinets (Acme's are the one exception I know of) is what suffers - it's not sufficient to reproduce the lowest fundamentals on the E string. Even the venerable Ampeg 810 fridge cabinets have this tradeoff.

As a result of this, what you describe makes sense - low on the E/D string, things aren't muddy - the cabinet is not reproducing the fundamentals, so it sounds "OK". As you go up the string the cabinet starts to actually work well, and you hear fundamentals - if done well, it's OK, if not (could be the gear, could be the room) then you get what you describe.
 
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Brand new Peavy 4x10 Headliner cab

Just checked. That cabinet is specified as working from 48 Hz to 6 kHz. As there are no limits in the spec, what that means is....not very well defined, but usually when someone does that, they're being "optimistic" - the thing is probably pretty far down even at 48 Hz. Your lowest note is 37 Hz - your cabinet isn't reproducing the fundamentals down there. 49 Hz (closest note to 48 Hz) is G, the 5th fret on your lowest string, if you're D tuned. So, a couple frets above that you start getting strong fundamentals, so things change sonically - yeah, that makes sense.
 
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