Octave pedal problems in FOH

For gigging, getting an octave lower tone will add mostly mud FOH depending al lot on the venue.

Your rehearsal or room tone may need to be different than your gig tone due to venue acoustics, slotting of the kick drum, etc.

I'd add an adjustable HPF after the MXR and keep turning it up until the FOH engineer is okay with your tone.

Or, just leave it off and adjust your tone until the FOH engineer is okay with your tone.

 

Your bass cabinet acts like a band-pass filter, dropping off low and high frequencies outside of its efficient range. With tones that sit above that range (like dirt) or below (octaves, synth, etc), it can be hard to tell how your DI signal will translate through the FOH if you only ever listen to it through your amp.

To get a better handle on what you'll be sending FOH, audition your DI send through full range systems—quality reference headphones or a studio's full-range monitor rig. Then you'll better hear what's happening beyond your cab's range of efficient response, whether your octave signal gets bloated in the low frequencies when you bring in certain FX, or whether your dirt pedal is wreathed in fizzy highs above 4K, etc.

Of course, it's possible that your particular FOH operator just has the system's subs cranked (or doesn't have a handle on the bass channel yet).

 

Are you running the octaver as an always-on pedal???

 

Seems like it.

 

I have the same pedal, but I really only use it when I am already playing an upper octave note, as tracking gets wonky below G# or so. I generally mic a cab, VS DI, and haven't run into any unhappy sound persons, yet.

 

Seems to me, when you kick it in, you're ruining the FOH slotting for your bass and can damage the FOH speakers.

 

I use the same thing and I use very similar settings. Just make sure they know about it during soundcheck. Also, I don't usually go below Ab.

 

As a bassist and FOH engineer, and as an owner/frequent user of the pedal in question I say this is the FOH engineer's responsibility. You can help a little by backing off the girth, but it shouldn't be necessary. It's the FOH engineer's job to make the artist sound good, and it's reasonable for a bassist to use an octave pedal.

As an FOH engineer I high-pass most instruments. Vocals get highpassed relatively high, 80-100 hz or so, but even bass guitar and kick get high-passed (though much lower), and the whole system also gets highpassed as a protection mechanism and wattage multiplier. Also FOH should have a compressor set on the bass, which will kick in if it gets a big inrush of low end.

So if I as a player kick on my MXR octaver, I fully expect the lowest reaches of its output to be contained by the FOH HPF's and that's a good thing. It protects the subs from over-excursion, effectively gives a ton more power to the system because it's not trying to output the lowest (effectively inaudible) octave, etc.

Final thing: All the above is predicated on the idea that the FOH system has variable HPF's, full channel strips with compressors/eq's, system eq's, a good speaker management system, etc. If not, the FOH engineer's hands are sort of tied.

So if the FOH engineer is saying it's your problem, either 1) he doesn't understand how to use the tools at his disposal, or 2) his system doesn't have those tools. #2 is understandable, #1 isn't.

Tom

 

Sounds like you need a better sound engineer. Doesn't he have a channel eq for you or does he not know how to use it?

Bassically, Michael

 

what I ran into was the girth really blooming around 200 in our main room. Bass sounded great at all other times, so I just cranked back the girth and added some growl in. He loved it, I loved it, we all made it through. together.

 

IMHO, you need to clarify if he means your amp is blowing out the room or the balance in the DI signal has too much of the sub octave. A bit of time should be set aside during sound check to dial in this and any other effect you are using. It's likely the ideal settings will vary from venue to venue.

 

Only use an Octaver sim 100% Octave Down(no direct bass string frequency) in the Line 6 Helix to avoid carrying a 5 string(we have a few songs out of 400+ that a 5'er is used). It tracks down to low G if done carefully although the HD500X and XTLive had better ones....the Helix one has a slight glitch that is only heard in headphones but not in a live band setting. Also use it to test FOH subs(!!!!) by doing a slide down the E string.

Don't use it to make my bass sound "heavier" or fuller.

 

Only use an Octaver sim 100% Octave Down(no direct bass string frequency) in the Line 6 Helix to avoid carrying a 5 string(we have a few songs out of 400+ that a 5'er is used). It tracks down to low G if done carefully although the HD500X and XTLive had better ones....the Helix one has a slight glitch that is only heard in headphones but not in a live band setting. Also use it to test FOH subs(!!!!) by doing a slide down the E string.

Don't use it to make my bass sound "heavier" or fuller.

 

Not sure if you did this, but always let FOH know ahead of time that you’ve got an octaver, so the two of you can work things out before the gig. If I’m FOH and someone kicks one on in the middle of the set without advance notice, I’m not gonne be happy.

 

I mention my effects - analog octave down, fuzz, envelope filters, etc and most sound engineers look at me rather blankly. The idea they might check the sounds never seems to occur to them.

Are you sure this FOH engineer is not a secret member of the “bassists shouldn’t use effects” club?

 

I also do sound and am a gigging bass player who uses the octave. Of course you should use whatever pedal you want and it's the sound person's responsibility to dial in/out whatever's needed.

However, if you are using pedals, you need to be at the ballpark. Unfortunately, I'm experiencing a lot of players who don't get the levels right on their pedal(s). They get too loud or disappear when they step on a pedal.

Not saying you're not doing it right, but just wanted to tell that if your pedals are not adjusted right the sound person can only do so much. So the sound person, and the player both have the responsibility.