Yep, that is a Fernandes FAB-170. I own one. Very cool find!
TLDR: A FAB-170 essentially IS a mid-70s Alembic Series 1 short-scale bass (like Stanley Clarke's), just without the brand name.
These often sell here in the US for roughly $1500-2500 or maybe even more, depending on condition and completeness. They are quite rare! If you found it for a significantly better price, and it all works, might be worth snagging it. If there are dead pickups or other electronics problems, though, be aware that they are difficult and expensive to fix.
The only thing that appears to be unusual about that one is the cream-colored pickups. I think I have only seen that color on one other FAB instrument, and it was a doubleneck version of the FAB-170 bass and FAG-170 guitar. Very cool!
If you're interested in details:
The amazing thing about these instruments is how extremely closely they copy Alembics. I own a 1977 Alembic Series 1 as well, and I'm pretty sure it's literally the exact same dimensions everywhere. Fernandes must have gotten their hands on one, and then meticulously measured every dimension, angle, and curve, and reproduced it. The neck stringers are made of (I think) walnut instead of purpleheart, but otherwise even the woods match what Alembic would have used.
Even cooler is the electronics. Over the years I've heard some Alembic fans (
and much love to them, I am one!) claim that "OK, Fernandes may have copied the construction, but they really missed the mark with the electronics."
I'm here to confirm that this simply isn't true. I get why it would be easy to assume this - Alembic's onboard electronics are VERY complex compared to just about any other instrument out there. But Fernandes went all the way; I've traced out the entire circuits for the Alembic and the Fernandes, and all of the tone-producing portions of the circuit are 100% the same between them. Same arrangement, same values. (I'm an electrical engineer, I like this kind of stuff. And I needed to trace it in order to repair some issues that mine came with.)
The Fernandes does use somewhat cheaper components - although totally fine for audio use, e.g. on par with any good effects pedals, just not the very high-end components that Alembic uses. But these aren't things that would make a difference to the tone. From memory, I think there were some VERY slight differences in the components of the input gain stage, maybe also in the power section, but that was it. Again, no difference to tone.
It uses a
slightly lower power supply voltage, but we're talking multiple x as much onboard voltage as, say, an EBMM Stingray, so both Alembic and Fernandes can produce signals far stronger than anything you'd ever need.
The pickups also appear to be essentially identical based on magnetic readings, although I can't confirm that 100%. I tried swapping them, and they sound identical to me.
Couple of downsides:
- The Fernandes's internal wiring is far more FRAGILE than Alembic's. If you need to open the control cavity to fix any issues, you need to be very careful not to break something else.
- If you or anyone here needs the full schematic, e.g. to give to a repair person, I'm happy to share it.
- If one of the pickups is dead (which can definitely happen), forget trying to repair it. They're sealed in epoxy. And replacing it will be a custom job, because even though the dimensions and construction probably match a mid-70s Alembic perfectly, Alembic's current Series pickups have changed dimensions since then, and they not longer fit exactly. So you can't just replace a Fernandes pickup with a new Alembic Series pickup. I tried this route to replace a dead pickup on the guitar version (FAG-170), and in the end, I had to do a full custom job to make a replacement pickup. Worked perfectly in the end, but a TON of work.
Anyway, probably
way more information than you wanted , but just thought I'd share since this is one of those weird things I've gone down the rabbit hole on.