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If he's going to make you a bass, have him cut you a j body with a split pickup in the sweet spot.you’ve heard it a million times. P OR J!!!! my dad is gonna enlist his guitar making abilities to finish and wire up a bass of my own choice, gonna put some dupont type 60s fender finish over it and pretend i was a teenager in the 60s as i thump away on whatever comes out of it. but he only operates on ebay when there’s a promotion going on, and right now i’m in the midsts of an internal p vs j struggle. i like the p sound. i want the p sound. i want that legendary thump in the mix. but... i think j’s look so much cooler. since they were rarer in the 60s there’s almost something special about their 60s variants. they just seem like deluxe basses. what would you guys say? should i take a leap of faith regardless of the regret and go for a p, or stick with a jazz bass that may look awesome but not exactly match up perfectly with ‘that sound’?
i like the p sound. i want the p sound. i want that legendary thump in the mix. but... i think j’s look so much cooler.
since they were rarer in the 60s there’s almost something special about their 60s variants.
most songs that use the jazz, with the exception of led zeppelin, sound almost a bit thin and quiet in the bass section
“P” all the way!you’ve heard it a million times. P OR J!!!! my dad is gonna enlist his guitar making abilities to finish and wire up a bass of my own choice, gonna put some dupont type 60s fender finish over it and pretend i was a teenager in the 60s as i thump away on whatever comes out of it. but he only operates on ebay when there’s a promotion going on, and right now i’m in the midsts of an internal p vs j struggle. i like the p sound. i want the p sound. i want that legendary thump in the mix. but... i think j’s look so much cooler. since they were rarer in the 60s there’s almost something special about their 60s variants. they just seem like deluxe basses. what would you guys say? should i take a leap of faith regardless of the regret and go for a p, or stick with a jazz bass that may look awesome but not exactly match up perfectly with ‘that sound’?
not rare but... less common, i guess. for every jazz bass there were probably about 10+ p basses. they were totally dominating in those days.If you're the sort who puts looks above sound (and you're not in a tribute band where "the look" is essential) I think you may need to reassess your priorities as a bass player just a little bit.
They actually weren't rare at all in the 60s.
Disagree strongly. But whatever.
Based on the rest of your post I'd suggest just getting the PB. You'll be happier.
Besides, what are looks in the larger scheme of things anyway? The singer and the guitarist will get all the girls most times anyway.![]()
Pure Vanilla Extract and Everclear?Since you have the opportunity, build a Jazz and install Precision pickups.
Screw “purism”. When has that ever advanced anything?
I prefer the J neck but a P sound so I went with DiMarzio Model J pickups in a J and found I could get a more P bass sound with just the neck pickup.
On another J I went with EMG pickups but that required more EQ to get closer to a P tone and it needs batteries.
After all that I got an ash/rosewood '75 P bass with an A neck (like a J) and lived happily ever after...almost. I stayed with that configuration for many years.
not rare but... less common, i guess. for every jazz bass there were probably about 10+ p basses. they were totally dominating in those days.