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OK, this is probably a stupid alder/ash question...

Boombass76

Commercial User
Jul 1, 2008
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I have never bothered much about the alder/ash, heavy/light, nitro/poly issues. However, many seems to care a lot about these things, so I am beginning to wonder what my early 70's Jazz is made of...

I have heard that Fender used both alder and ash in this period, and I have always assumed that it was alder as it's quite a bit lighter than my 78/79 jazz that weighs +11 pounds. I have never weighted it, but I'd say around 9-10 pounds.

Also, as mentioned, I have never really bothered about whether it has a nitro or poly finish, but I have always assumed that it was poly since it is a 70's bass. Please correct me if I'm wrong :-)

I know the solid color finish makes it harder to tell by just looking at it, but I was wondering what one should look for - in general - in order to distinguishe alder from ash and nitro from poly when it comes so sunburst or natural finisehed basses? Please upload pics showing examples if possible :)

Here's a pic:
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Hard to tell. A lot of the Fenders from that era selected heavy, heavy ash AND alder so that's not a clue there. If that thing sounds half as good as the '76 boat anchor that threw out my back, then it's a hell of a bass. Got sound clips of it?
 
Ah, I see... And here are a few more pics:

J_neckOff.jpg


J_NeckPocket.jpg
 
Didn't they use ash for natural and see-through colors and alder for opaque finishes like they do now?

I can't tell what this bass is but it seems like I read somewhere that Fender started with all ash bodies but switched to alder because it was easier to paint. The naturals were still ash. Don't know when and I'm sure there were plenty of exceptions. The worn spot on the end looks like ash to me.

This bass is cool either way.
 
Hey guys,

Thanks for all your inputs so far. I am starting to believe that it's ash, too :-)

Here are a few video clips from a gig last year that may (or may not) give another clue?

Unfotunately the sound has just been recorded using one of them micro stereo recorders (an Edirol, I believe). I played through my old rig: a Markbass F500 and two Epifani cabs (UL410 (S1) / UL115 (S2)), which, BTW, is placed with the UL115 on top :)

On this clip I play traditional fingerstyle until the bass solo (I've been experimenting a bit, soloing with a muted sound... :hmm:)


I don't know if it is possible to tell anything form these sound clips as the basic sound of the bass has been colored by many factors (amp, cabs, room, stereo recorder, etc.)