Imagine looking at your fretting hand while playing. Bunch of talentless hacks.
TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
You mean like this one?My favorite is when people appear to be watching their hand as if they’re just the hype man for the hand, unaware of how it could be doing that, with overacted shock amazement facial expressions on each change like someone just jumped over 20 Volkswagens.
YES! Thats perfect, thats exactly the face I meant, and its all the better better since it was 100% unintentional!You mean like this one?
View attachment 5103802
In my defense, I believe at this moment I was actually letting out a big "whoop" because the guitarist next to me did a brilliant harmony part with our lead guitarist on "Reelin' In the Years."
At least that's the only time I can recall ever doing something that might have looked like this. So I probably was genuinely excited since I try not to overact.
I think you should do it more. In these pictures I posted, the bright blue tuner on my headstock is there as an homage to all of those here who tell me what I should and should not do. I have seen some stellar players breaking all the Talkbass rules so I think it's good to get in front of this and do it as often as possible.I do look fairly often but with this reminder I will do it less.
when more complicated parts, runs or riffs happen, I generally do NOT look at my fretting hand because I have found that, once I know the part, if I look at my hands, I am more likely to clam than if I just play the part and not look. I don't really understand this, but I know it to be true for me.It really depends on how complicated the piece you're playing is. Something more repetitive that stays in the lower register, doesn't have to be looked at. Something complicated that uses more fretboard needs a glance sometimes to make sure you're in the right area. Playing different basses doesn't rally help either, the more familiar with one the easier to not look at your fretting hand.
Reading sheet music helps, it's good hand/eye coordination work. I read music daily, however I stand at an angle so I can see the music and kind of see my fretboard at the same time, to give idea of moving on the fretboard.
That is a nice looking bass! I'd look at it too.
I close my eyes often too, just happens. But performing generally involves audience interaction which comes with experience. Weird that "hand staring" would be an old guy thing. You'd think the opposite would be true.I close my eyes mostly when I play. So I am rarely looking at my fretting hand.
But if the lights go out somehow that causes issues for me. I guess I look for big position shifts but it’s subconscious or something.
I feel like a cheese ball if I force a smile for the audience, so I don’t do that. But lots of people have told me I look very happy while playing, and that’s when I am not thinking about it, so maybe not forcing it is ok.