My two biggest takeaways - give the engineer a good signal and be prepared.Maybe you could save us all a migraine and provide a brief summary of these interesting points?
He definitely comes at the subject with a metal perspective.
Be Prepared. -
come into the recording process knowing the material. Practice. Attack the material. Don't record in 4 bar takes. The end result will be better.
Know how your parts work in the low end. Low harmonies and chords don't sound good
Have good WORKING gear, like cables that don't short.
Good Signal
Have a decent enough instrument
Have new strings, the tracks will sound crisper and be better for the mix and master. (His aversion to palm muting is part of this) I get this. Here is his metal perspective - he records metal bands. He makes a funny point about aged strings and James Jamerson - did JJ play on classic metal albums? No!
Reduce noise in the signal chain
ALWAYS be in tune, always check ones tuning between takes
Be careful about excessive open string noise in the take.
Provide one good dry direct track that the engineer doesn't have to fix. Don't screw with onboard EQ between takes.
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