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I believe you left out teethA good musician should be prepared to use any technique that makes the song sound right.
Picks, fingers, fingerpicks, slapping, tapping, harmonics, ebow, broken bottle, funk fingers, etc.
You can't cling too preciously to one.

Funny I’m the exact opposite these days, but it’s always varied by the band/material for me. I’m at home with either pick OR fingers. What gets me frustrated is slap.90% pick, 10% fingers. Been that way for about 30 years.
Actually, the recording studio is where you will quite often be requested to play with a pick....and if you can't do it you're sent packing.Have been a finger player all of my life, prob cuz I started on standup in gradeschool. A couple of years ago was left a tele copy 6 string guitar from a friend passed away and wanted to learn to play. Wanted to learn to play with a pick and got it down pretty OK. The interest in guitar didn't stay - I did learn how to read pretty quick and went the through a few beginner books. Decided to try playing with a pick on bass. Am doing OK with it. It's pretty fun! Liking Dunlop 1.5 PrimeTones.
A few times in the studio engineers have asked if I could play with a pick. Some prefer the attack and the tone. So to be a well rounded player it is a good technique to develop = another tool for your toolbox.
"A few times in the studio engineers have asked if I could play with a pick."
-more like, "pretendgineer"
For me, a solid pizzicato player, I found that occasional use of a pick adds nice coloration and attack to the tone.50/50 too
Just to mention three:Pretty strange. Bass players who use picks and guitar players who use fingers. (Excluded in this group is Jimmy Vaughn, Stevie's older brother who also plays guitar with fingers.)
Ten Guitarists Who Give It the Finger
One item I question. How can you place Noel Redding in the list with the others? For my $.02 he was as useless as George Thorogood's rhythm section. The bassists Thorogood uses are as simple as I have ever heard with a major artist.Paul McCartney, Carol Kaye, Chris Squire, Anthony Johnson, John Paul Jones, Noel Redding, Bobby Vega, Peter Hook...the list of "offenders" is long, illustrious, and OLD, so no...not a recent realization for me
As a working session musician you need to be able to quickly achieve whatever sound is right for the song, which frequently includes swapping out basses or playing techniques: it's all about knowing your tools and how to get the most out of them![]()
One item I question. How can you place Noel Redding in the list with the others? For my $.02 he was as useless as George Thorogood's rhythm section. The bassists Thorogood uses are as simple as I have ever heard with a major artist.
I trained with and used only fingers for a long time, and I think most tunes can be played with fingers using the proper technique. Geddy played Chris Squire's part for Yes using fingers and showed you can get that attack with the right plucking style. But I like to play with a pick, too, because for many songs it just feels more natural. And maybe, a little bit, maybe, because it also looks cool.
"A few times in the studio engineers have asked if I could play with a pick."
-more like, "pretendgineer"
One very important one you left off your list: Bill Carter of the Screaming Blue Messiahs...Just to mention three:
Albert King, Albert Collins and Robbie Krieger (who studies flamenco and just stayed with his fingers)
One item I question. How can you place Noel Redding in the list with the others? For my $.02 he was as useless as George Thorogood's rhythm section. The bassists Thorogood uses are as simple as I have ever heard with a major artist.
what bassists almost only always played with a pick?