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One head, 2 cabs = One cab MUCH louder than the other, why?

I just read the review for that item, that may be exactly what I'm looking for ... thank you!

Personally I would not run my lovely bass rig (that cost a lot of money) through a $30 pedal.

there are much better quality pedals out there that do what you want but are built to last and not affect your bass 'tone' negatively *which is what a $30 pedal will do
 
EDIT: OP pointed out he made the error.

Is that a 6x12 though? It looks like the NEO 4x12. Also in the OP's signature it says...

"CABS: Mesa 6x10 Traditional / fEARless F215 / GK 4x12"

The original post mentions a Mesa 4x10 and a GK 6x12. I think we're actually dealing with the mesa being a 6x10 and the GK being a 4x12. Important info for people theorizing on what's causing your issue.

Beyond that, I know nothing about impedance, volume, frequency cancellation, etc. so I have no input.
 
EDIT: OP pointed out he made the error.

Is that a 6x12 though? It looks like the NEO 4x12. Also in the OP's signature it says...

"CABS: Mesa 6x10 Traditional / fEARless F215 / GK 4x12"

The original post mentions a Mesa 4x10 and a GK 6x12. I think we're actually dealing with the mesa being a 6x10 and the GK being a 4x12. Important info for people theorizing on what's causing your issue.

Beyond that, I know nothing about impedance, volume, frequency cancellation, etc. so I have no input.



Yup, I made a mistake, sorry

The Mesa is a 6x10 and the GK is a 4x12
 
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Mesa and GK cabs sound pretty different to me. Is there a chance that the volume difference may not be as huge as you think and one tone is just more prominent?

You are correct, VERY different tonally ..... GK = Super bright / Mesa traditional = Super dark

And there's no doubt the GK is OVERWHELMINGLY louder.

I just bought a Hartke LH1000 head a few weeks ago and the crossover dial was an awesome feature, made things simple for blending but ... similar to the numerous threads on TB about LH1000 glitches, mine had the same issues ... It would cut out about 20-30 minutes into a set.

I just returned it and swapped it out for a Darkglass Microtubes 900
 
When you're powering 2 cabinets, the sensitivity difference of the two is what determines the loudness difference - that's what you're hearing. No simple way to fix that. The question that remains is: are you getting something out of that combination?

You say that using 2 cabinets means things don't have to work as hard. If you have two equal sensitivity cabinets, that makes some sense, so long as the impedance of the combination is OK for the amp - the two speakers each work less hard, and you get a benefit from the increased efficiency due to mutual coupling of the speakers. If, however, the cabinets are of unequal sensitivity, the situation changes. If they're a little different (a few dB), things are still OK, even if one is producing a bit more than the other - you still get some benefit from using both,though not as much as if they're identical. If they're different enough in sensitivity (say 6 dB or more), then (assuming the more efficient cabinet can handle the power required to play loud enough) you're wasting amplifier power driving the less efficient one, and would be better off disconnecting it.

I have a couple cabinets that are different in driver size (gasp) and overall size. But, they're phase matched well enough that they work well together at low frequencies, and they're only a couple dB apart in sensitivity - they're designed so that I can use them together and get benefits from an "unmatched" pair of cabinets. With randomly chosen cabinets, you get...more random results. If you like the result, good. If not, well, they weren't designed from the beginning to work well together, and as a result....sometimes they don't.
 
Any recommendations for a good "splitter" pedal for running two separate rigs with one bass?

A Y cable, or a small box with 3 jacks, all wired in parallel, can do that job in many circumstances. If you want buffered outputs, I use a Saturnworks bass dual buffer (driving FOH and an in ear rig in my case) - the guy makes decent stuff at a very reasonable price. For bass, you need to specify a bass dual buffer - it's not more expensive, but he uses a different coupling cap so it passes low freq's.
 
It's going to be trail and error really ... I'll play around with different options to see what sounds best to me. I also have the Fearless 215 that I can experiment with.

Well, I always like to record the signals together so that I can compare the wave forms to ensure that level and polarity are the same, but the tuner-out of the D800+ may make for a good way to pass the signal to another amp's input assuming it's still at instrument level and is sending before the preamp.

Bass > D800+ > Tuner Out > Amp 2 Input
 
I appreciate the reply, thanks ... but I don't quite understand how that helps me level out the volume between the 2 cabinets

He was explaining why the two cabs are wildly different, and that what you observed is normal. You're comparing a 612 with a 410... no surprise the 612 is louder, unless you had some ultra efficient super 410.
You need to aim for two similar sensitivity cabs. Best chance to get a good result: use two identical cabs.