- Feb 5, 2013
- 1,686
- 2,281
- Disclosures
- Endorsing Artist: Used Fender Lead Sleds and Hartke cabs with bent grills
(I know I'll regret asking)
I'm managing/producing a young singer-songwriter and find myself recording on URB, mandolin, and two acoustic guitars, all with piezo p'ups. I have a K&K p'up in my URB, a KNA UP-2 on my mandolin, and KNA SG-1s on the acoustics. All are going into a Mesa D-350 and Hartke HD115 which has been pretty amazing at reproduction across the instruments.
While recording I have plenty of time to dial everything in. I'd be switching between all 3 instruments live, and was wondering if adding a K&K Pure pre inbetween the instruments would make dialing in volume/tone easier, even though I'm going to an amp and not the board? Am I not sounding as good as I can even now going to an amp with an impedance mismatch?
My vision of this whole thing is to have a single Pure pre clipped to my belt. When changing instruments for live shows I'd unplug the URB from the pre, strap on the mandolin and plug it into the pre, make a few pre-determined adjustments, and be ready for the next song. Same for acoustics guitar. Quick change-outs and minimal fuss with EQ on the pre.
Not interested in any other preamps, except maybe the Boss AD-2 and Zoom AC-2. Reading up on those as well.
But def interested how you pros handle this. I've always been a bar band hack guitarist or bass player. Never had to think.
I'm managing/producing a young singer-songwriter and find myself recording on URB, mandolin, and two acoustic guitars, all with piezo p'ups. I have a K&K p'up in my URB, a KNA UP-2 on my mandolin, and KNA SG-1s on the acoustics. All are going into a Mesa D-350 and Hartke HD115 which has been pretty amazing at reproduction across the instruments.
While recording I have plenty of time to dial everything in. I'd be switching between all 3 instruments live, and was wondering if adding a K&K Pure pre inbetween the instruments would make dialing in volume/tone easier, even though I'm going to an amp and not the board? Am I not sounding as good as I can even now going to an amp with an impedance mismatch?
My vision of this whole thing is to have a single Pure pre clipped to my belt. When changing instruments for live shows I'd unplug the URB from the pre, strap on the mandolin and plug it into the pre, make a few pre-determined adjustments, and be ready for the next song. Same for acoustics guitar. Quick change-outs and minimal fuss with EQ on the pre.
Not interested in any other preamps, except maybe the Boss AD-2 and Zoom AC-2. Reading up on those as well.
But def interested how you pros handle this. I've always been a bar band hack guitarist or bass player. Never had to think.
Last edited: