If I truly HAD to only have one bass, I guess it would be a US Music Man Sterling HH fretted with Ball Slinky cobalt flats on it. I hope that never happens, though!
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Musicman bass with Cobalt flats is magicIf I truly HAD to only have one bass, I guess it would be a US Music Man Sterling HH fretted with Ball Slinky cobalt flats on it. I hope that never happens, though!
I am pretty sure, I am not going to be a one bass owning player, but if I were to drop down to one, it would be my Pedulla. The more I think about it, two basses, a fretted and fretless are optimal for me. I will probably end up with four, but realistically, at four, at least one will be neglected a lot. I guess I really love basses, but I do not want too many at home.![]()
I am pretty sure, I am not going to be a one bass owning player, but if I were to drop down to one, it would be my Pedulla. The more I think about it, two basses, a fretted and fretless are optimal for me. I will probably end up with four, but realistically, at four, at least one will be neglected a lot. I guess I really love basses, but I do not want too many at home.![]()
I have them on my US Sterling HS, which will soon metamorphose into a sorta-kinda Joe Dart bass clone (passive, with a single Nordstrand MM4.4, volume, tone, and series/parallel/single switch), they are indeed pretty great. I use GHS Pressurewounds on my single H Sterling, and do prefer them for a lot of stuff I play, but if I could just have one it'd be an HH with the cobalt flats.Musicman bass with Cobalt flats is magic
I have the following:I am pretty sure, I am not going to be a one bass owning player, but if I were to drop down to one, it would be my Pedulla. The more I think about it, two basses, a fretted and fretless are optimal for me. I will probably end up with four, but realistically, at four, at least one will be neglected a lot. I guess I really love basses, but I do not want too many at home.![]()
I own four, and I can't even remember the last time two of them came out of their cases. Not in this calendar year in any event. But hey, it's just stuff, and who doesn't like stuff? View attachment 3723456
I have the following:
So, I don't actually want all these basses; I would reduce to 5 if I could sell the two I don't play any more. But each of the remaining 5 has something unique about it that I would miss if I were to not have anymore.
- Dingwall Afterburner 5 (with Nordstrand Big Splits pickups) - this is my main bass - it sounds like a furious, huge P Bass and also plays and feels awesome
- Dingwall Combustion 5 (with Nordstrand Big Singles pickups) - plays and sounds great - like the angriest J Bass I have ever heard
- Kiesel Icon 5 fretless - I love playing fretless and I wanted a 5 string version
- Rickenbacker 4003 - it has that iconic Rick sound and look and plays well. I did the RWRP mod to reduce buzz and also shielded the routing with copper foil.
- Warmoth Z Bass (with Nordstrand P/J pickups) - hands-down the best-sounding and playing 4 string I have ever had. Total keeper.
- Fender CIJ Geddy Lee Jazz Bass - plays and sounds great, but I find it lives in its case in the closet. Autographed by the man himself, I believe it's worth more than I have been able to get for it so... I guess my estate will have to deal with it someday.
- Warwick Katana NT - German made, this has ringing, clear piano-like tone and plays very well. Another closet queen, though it was my main player for several years. Again, this instrument would be about $6k if ordered new and if I can't get $2k out of it used, I'll have it until I die and then... who knows? I certainly won't care any more.
Keep as many basses as you're happy with.
True - the only Palaedium that I’ve ever seen Jeff Berlin use is the one with his (then) wife’s name inlaid at the 12th fret. It is possible, of course, that Peavey made him more than one but most likely it was just always the same one.Good for him. Yes, clones of his bass is available as a production bass, but, as in any model of anything, his particular bass (fancy woodwork and all) was custom made for him - he specified everything on that bass (and then it was copied for everyone else). It's not like he decided to pull a Squier P off the rack and play only that.
Do you even tort, bro?
you'll need another with a tort guard!![]()

Well, of course... That is sort of a weird pattern, though.I do! Or I did. Here’s the factory tort I took off over a year ago. I like black, and the pattern on the original hasn’t grabbed me tbh. I’m swapping the PU in the next couple of weeks. Think I should tort-it again while the guts are out and the PG is off?
View attachment 3723545 View attachment 3723546[/QUOT
I do! Or I did. Here’s the factory tort I took off over a year ago. I like black, and the pattern on the original hasn’t grabbed me tbh. I’m swapping the PU in the next couple of weeks. Think I should tort-it again while the guts are out and the PG is off?
View attachment 3723545 View attachment 3723546
+1. I must've listened to Frampton Comes Alive! (1976) in its entirety a few hundred times before I was rather bluntly informed that Stanley Sheldon did it all on a fretless.In my opinion, the fact that a fretless bass does not have to be played with constant mwah makes it versatile.