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Open strings or not?

I was originally taught not to use open strings. But I was not playing for quite a while, got back into it in the past year, and when rehearsing for a gig, found places where open strings really made sense. I have switched to using flats of late. But still, I had the same argument re: not being able to control the tone, but I guess I just try and practice my tone with the open strings. Some of what I've seen on here has helped with some of this too.
I started my musical life on classical piano, which probably made me a bit too conservative at times when it comes to technique. I find the varying perspectives on here refreshing and most helpful.
 
+1 on Jamerson. His transition from DB to Electric took his use of open strings over.
Also, I know there are a lot of Tool fans here on TB, and Justin uses open strings all the time.
Sting is another player who embraces the open string.
 
Sounds like a person who's digging deep and investigating things (the person who asked you that question).

Personally I don't use open strings much so I can transpose any song to any key, but when it counds I drop those sub bass bombs with my hipshot extender key (down to D) and lower if I have a 5-string (dang I miss having a 5-string!).

Don't sweat it, you're on your path.
 
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On a fretted bass I use them a lot, gives my fretting fingers a break.

On a fretless bass I usually avoid them because they give a considerably different sound. Unless it's part of the song where I am actually looking for that sound.
 
Don't let anyone else tell you how to play! :)

I use a mix of open and fretted or "closed" fingerings. The nice thing about using closed fingerings like you do is that they are intuitive and easy to move around the fretboard. It is a very natural and comfortable way to play the instrument.

Obviously, you need to use open strings sometimes if you want to play songs in E. :)
"Don't let anyone else tell you how to play!" .... Unless you're playing completely wrong! hahahaha
 
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I used to hardly ever play open strings because I would play scale patterns following learning the modes. These were easiest to manage and go through changes and progressions with if I always rooted on a fretted note on my bottom string and played up from there. However, I've since expanded out to play across pretty much the whole fretboard (some really wide interval jumps) and so for expediency's sake I've learned to drop in open notes where they fit. It can really add to your playing when you can write lines that incorporate fretted notes that aren't just the octave of the open string with dropping to the string being played open in such a way it feels natural yet interesting.
 
I used to make a fierce effort to avoid open strings just so I wouldn't accidentally make a habit of using them in a pattern I might want to play in multiple keys. As a bassist I'm proud of my instrument's ability to transpose with zero effort- it gives me a little ego boost when someone asks what keys I'm comfortable in and I can just smile at them.

Now I'm not so afraid of them, but they're still unfamiliar when they're not my root or my fifth. Gotta work on that.

--^@
 
I like to play open strings. On guitar it's essential for Blues, and Travis style, as well as slide. On Bass, I use it if the open note fits with the bass line. And sometimes that fat fretted E string sounds much fuller than plying a open A. I always try to adapt to the open notes before trying to play in the box farther up the neck. But again, it all depends on how that open note sound in the song.
 
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