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Double Bass opening low register vs sweetening higher register

I'm currently deep in a bass search, and the two basses I've liked best so far are both Jacquet-Gand, late 19th century violin shaped basses. They're pretty similar to each other, and if I had only found one or the other I reckon each could be my bass for life... but sound-wise one of them has a more beautiful, complex tone in the higher register and really sings arco, while the other has a gloriously resonant low end, especially the E and A strings...

They've both been set up by highly respected luthiers, but different luthiers from each other - am I right in thinking that the resonant low end is more likely to be improved by soundpost adjustment and other set-up issues, while the rich thumb position tone more inherent to the bass?

The one that sounds better with the bow and in thumb position is the more expensive, probably a decade or two older and looks like even higher quality wood of the two
 
I suppose it depends on what you really want and need.
Don't buy something with the hope that a setup tweak will fix something. IMHO.

If it was me I'd go for the singing in high registar bass, I think if a bass plays effortlessly up high it will play great all over, I'd pick singing playability over volume.
Also be careful how you are judging. the lows are hardest for the player to judge
 
be careful how you are judging. the lows are hardest for the player to judge
i'm just a noob to the upright with my '50s kay, but big +1

the low end varies a lot depending on which room i play it in and even how close i am to a corner

@oliebrice are you comparing these basses in the same room? in the same place in that room?
 

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