I remember going in the studio and cutting their demo: a 4-track at Electric Lady. I still have the original quarter-inch. They went off and did their touring and got their record deal. I didn't actually do an album with them until the live album [Kiss Alive]. When I got the phone call from Neil Bogart, who was the head of Casablanca, asking if I wanted to do the live record with Kiss, I had a tape on my desk from Tom Scholz and Boston and I listened to it, and I thought it was tremendous. I called Tom back and I said, Tom, this record is great, man, put it out the way it is. I can't add anything to it. So I did the Kiss record. I wanted the challenge of working with a band that was leaping around, bombs exploding. How do you make that sound good? They're out of tune, they're out of time