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In the late '70s, the Ovation Magnum and the Peavey T-40 were both "back-to-the-drawing-board" basses. They obviously utilized the Fender 34' scale, but rethought electronics, bridges and neck construction (carbon fiber reinforcement/halved opposites).
The only famous bassist I ever saw play an Ovation Magnum was Kelly Groucutt:
http://www.youtube.com/watch?v=Fo4SblJ_SnU
Ross Valory played Invalid Link Removed on an Ovation Magnum.The only famous bassist I ever saw play an Ovation Magnum was Kelly Groucutt:
http://www.youtube.com/watch?v=Fo4SblJ_SnU
Ross Valory played Invalid Link Removed on an Ovation Magnum.
And yes, I will admit to liking this tune, even though it makes many other bassists cringe.
I always assumed that ELO used a lady to sing the part of the opera singer who liked to sing rock and roll ("Rockaria") until I saw Kelly sing the part live. I would not have believed it if I hadn't seen/heard it for myself!

That was my impression as well because he was using the Steinberger at that time and That tone is easily attainable on their Graphite models.Whoa! I think the bass tone in Don't Stop Believing is great. I always thought that he got that tone from a Steinberger.
Those early body/hardware designs for 1 and 2 are fab.![]()
It got homely and dummy downed later with 3 & 4.
Heavy is a problem, spoils the experience with a few vintage bass'.
I still own a Magnum but lost my T40 in a fire that I barely escaped. When you can't see the ceiling anymore you don't worry about grabbing gear on the way out!In the late '70s, the Ovation Magnum and the Peavey T-40 were both "back-to-the-drawing-board" basses. They obviously utilized the Fender 34" scale, but rethought electronics, bridges and neck construction (carbon fiber reinforcement/halved opposites).