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Ovation Magnum..... Who designed it?

In the late '70s, the Ovation Magnum and the Peavey T-40 were both "back-to-the-drawing-board" basses. They obviously utilized the Fender 34" scale, but rethought electronics, bridges and neck construction (carbon fiber reinforcement/halved opposites).
 
In the late '70s, the Ovation Magnum and the Peavey T-40 were both "back-to-the-drawing-board" basses. They obviously utilized the Fender 34' scale, but rethought electronics, bridges and neck construction (carbon fiber reinforcement/halved opposites).

It's funny you mention the T40 and the Magnum together. I've always thought they were "blood brothers" in a sense... I guess maybe because Ross Valory played them both in Journey. Strange association, but, it's how I think of them.

Both basses were ahead of a time that never came.
 
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Those early body/hardware designs for 1 and 2 are fab. :woot: :thumbsup:
It got homely and dummy downed later with 3 & 4.:meh:
Heavy is a problem, spoils the experience with a few vintage bass'.

Well, I'd agree the I and II were much more elegant and interesting-looking than the blander III and IV. Ovation probably thought they'd strayed too far from the commercial norm and tried to "make amends". As to weight, neither of the two Magnums I've owned has been particularly heavy at all. I think people make mistaken assumptions seeing the large bezel and bridge, which are aluminum.
 
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Actually, Ross Valory used an Ovation Magnum for the entire Escape album. Don't Stop Believin' is memorable, to be sure, but "that tone" is even more impressive on other tracks -- "Stone in Love" in particular. Tone that was 15 years ahead of its time, IMHO ... about the time I got interested in bass after a decade of six-string shredding.

In an interview (which Valory hardly ever gives; I was fortunate to talk with him a number of years ago), he also said that his Magnum was a bitch to play. Part of the reason he adopted Steinbergers afterward was because they were easier to perform with and more versatile tonally live.
 
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In the late '70s, the Ovation Magnum and the Peavey T-40 were both "back-to-the-drawing-board" basses. They obviously utilized the Fender 34" scale, but rethought electronics, bridges and neck construction (carbon fiber reinforcement/halved opposites).
I still own a Magnum but lost my T40 in a fire that I barely escaped. When you can't see the ceiling anymore you don't worry about grabbing gear on the way out!
And when people say the Magnum looks or is heavy I just assume they never played a T40, or most Stingrays.
 

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