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Overdrive, Not Distortion pedals

No doubt my Joyo Orange Juice, which is basically a seriously sized down clone of the now discontinued Tech 21 Oxford preamp/overdrive, that is meant to emulate an Orange type amp, with simplified controls, which I currently use set to a light overdrive mixed with cleans via my Boss LS-2 as an always on thing.

Love what it does for my tone, and it is great at higher gain settings as well, can go all the way from clean up to medium gain distortion, and everything in between, but works exceptionally well as either a low gain, relatively pick sensitive and somewhat tube like, overdrive, to add a bit of tube like grit and Orange amp style edge to your tone, as I use it currently, or as a somewhat grinding and quite clanky type of medium to high gain overdrive.
 
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Ok, Bass geeks,
I've been playing a long time prof, and semi-pro. I have probably 200 pedals. I'm interested in knowing your thoughts on Overdrive pedals NOT Distortion pedals. I don't like the sound of distortion pedals. SO, what's your favorite " Overdrive " pedal for Bass?
Just to clarify, Overdrive is a type of distortion. I have a number of overdrive favs, but it really depends on what I'm looking to achieve. Some OD's, it's trying to emulate the sound of a specific valve amp "hitting the rails". These are more of an analogue amp sim. The Catalinbread SFT is a great example of this. The Joyo American Sound is another great example. Then there's pedals like the Fairfield Circuitry Barbershop, which is a very transparent, but amp like overdrive sound. It doesn't mimic any specific amp, it just introduces a nice light overdrive. As over drives go, my goto is the "tube overdrive" model on my Source Audio Aftershock. It's the most transparent, clearest and touch sensitive OD that I've yet tried. The DAM Ezekiel Bass fuzz, is a bass orientated over drive based fuzz. It's capable of quite light settings although it's nature is more on the heavier side of Fuzz.
 
I went through many, many OD pedals, and I do not own a single distortion pedal.

My favorite has been the standard EHX Soul Food, (didn't like the bass version)

My favorite now is the Wilson Effects Sparkling Blue. For 3 times the price of the Soul Food.
 
Now, I've read this sentiment multiple times WRT the SF/BSF.

Could you elaborate on why you felt the guitar version stood out compared to the bass version?

the bass version add a blend wet/dry knob, I don't think it contributes. And it's supposed to do something different with the frequencies it boosts, but it didn't sound as good to me.
 
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I've come to the conclusion that a couple types of effects sound better to me when blended. I run my drives (and flangers) through Xotic X-Blenders. My favorite combo at the moment is a blended Matthews Engineer. I EQ the Engineer itself with the mids pushed and the treble rolled back. You can also EQ the effected sound on the X-Blender itself. When combined with my clean (active) sound, the OD slots nicely, and I avoid the high frequency "Fizz" sound. I also use a Earthquaker Westwood overdrive (blended). For a stand-alone pedal, I've had pretty good luck with the Broughton Terraformer.
 
Nightowl Edison.
IMG_2856.jpg
 
The Fulltone Fat Boost does a nice more-better type tone for me with some added thickness/hint of drive when I dig in. Works well always on.
I also use a Big Muff clone with the tone turned down clone for more agressive tones, riding the volume on it is a nice trick for variation.
A few years ago I got the Xvive Bass Squeezer mini pedal on a whim. The comp is OK at lower settings and I was very pleasantly surprised by the built-in overdrive...it adds a nice grunt without getting harsh or coarse, even at medium settings the clipping is nice and soft...cheap but good.
 
Im not sure exactly what is the meaning of overdrive versus distortion.

Overdrive would be just a clean boost with enough gain to "overdrive" the amp.
Being only so much overhead from a 9 volt source, it is possibly to have slight distortion from a boost pedal.
otherwise overdrive or distortion is same thing. A "good" overdrive would be if your amp actually sounds good getting driven into distortion.
 
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Yeah when you say overdrive it means nothing really.
Are we talking light distortion or heavy distortion.

Eventually you find six million distortion / overdrive pedal copies and nobody really knows what topology is really being used.

Youll find a million big muff copies, or either a diode clipper with some sort of EQ glued after it. Or just a pedal that pushes the actual opamp in distortion. No diodes. Or something that pushes transistors or fets into distortion. no diodes.

If your finding out of the 200 pedals you own, none of them have good distortion, or the annoying weird fizzle that floats above the sound. Is the only way i can describe it. Ive been playing for years too and can make use of of any distortion. But come to found anything with a diode clipper is what was making the fake weird floating on the top sound.

Filters is what really makes a distortion or overdrive work, but even some that i found with good filters or EQ still had the weird fake sounding grind to it.

I dont know which pedals now use the circuit, but basically something that just overdrives the opamp, no diodes.
and likewise will usually be something that has a good amount of highpass, that cleans it up. Then you get the classic " bass drop" then it needs a basic EQ in the pedal or just use a EQ pedal to boost back lows.

Actually a original Marshall Guv Nor works very well, And if the EQ doesnt boost back the bass enough, use a EQ pedal to boost back the lowend. Sure there is copies or OD pedals out their using the concept. Dont need no BS gimics on " emulating" some amp. Guvnor was a opamp getting pused hard with everday marshall/fender style tone control after. Not one for gimics and marketing. Just know what works and doesnt work

Guv'nor.jpg
 

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