FAIL!
You seem angry. When I feel a tantrum coming up, I find it soothing to count my EBMM basses. By the time I get to the end, I have already forgotten what I was upset about in the first place.
Hope that helps.
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FAIL!
But if they had a legit Musicman logo on them, it would have went a long way to entice buyers. I understand why they didn't, but a case can be made for the potential benefit of legitimizing them as part of the "Ernie Ball Musicman" brand.
You seem angry. When I feel a tantrum coming up, I find it soothing to count my EBMM basses. By the time I get to the end, I have already forgotten what I was upset about in the first place.
Hope that helps.
Yet another fail by Ernie Ball!
So under your logic, the original 1951 P bass and Broadcaster guitars were fails because they are now discontinued. Sad.
Sorry Buddy but your post doesn't make sense, the Caprice and Cutlass are two years old compared to the P Bass which is still around today. Yes there have been modifications to it but it is predominatley the same Bass. What do you not get about FAILURE and SUCCESS?
if EBMM decided to go all in on these basses and adbandon the Stingray to do it, then yes, I would also consider it a failure. But they didn’t. The only failure here would have been if they never tried.
You have just explained it perfectly!. They should have gone all out to sell it via marketing etc which they did not do, so it is their FAILURE. It aint that hard to understand how businesses should work and EB were left wanting in regards to the two Basses. We are not going to agree so move on as there is nothing more to see here.
Your condescending tone isn’t winning anything here. And that would be a ... fail.You have just explained it perfectly!. They should have gone all out to sell it via marketing etc which they did not do, so it is their FAILURE. It aint that hard to understand how businesses should work and EB were left wanting in regards to the two Basses. We are not going to agree so move on as there is nothing more to see here.
The dude probably thinks that every manufacturer ever is a fail.So under your logic, the original 1951 P bass and Broadcaster guitars were fails because they are now discontinued. Sad.
I really can't be asked with this but let's all pretend it's a failure for the sake of all of our sanities. You may also think I'm a snowflake and various others things including a helpless puppet of an evil EBMM organisation (you are wrong on every conceivable front there). I may think your views are unintelligent and deluded (unless the Big Poppa stuff was a joke). But it really doesn't matter.Just admit that it was a failure and don't worry about being put in Big Poppas black book for saying the obvious. I am sure he will not demote you to Corporal status for that.........![]()
your buddy from the EB forum drtststingray or what ever his name is has referred to me as being an idiot
I agree that I’m not crazy about the overseas production but it’s only because I like to see American business like EBMM survive. I have owned an original EBMM stingray, Ray34, and now a Sterling by MusicMan SB14. I love my SB14, better sounding bass ( to my ears ) when compared to the other MusicMan flavors, also love the prefecture straight neck and string spacing. I’m a “tone woods” guy but have to say the bass wood body on this bass sounds amazing. I don’t think the overseas stuff will effect the the really deal ( EBMM ). Just look at fender, people still want a jazz or P that says “Fender” on it and MIA. I played a pile of MIA Fender jazz basses to find the one I have now ( 2008 MIA jazz ), even went with a color I didnt want just because it had the best tone. Fender MIA does has terrible QC , EBMM does not ! I think anyone looking for a P or jazz should consider one of the many other brands making these same models. I know, getting off topic a bit. I would tell anyone to save a bit more and buy an American made EBMM as they are built so well and will last a life time! Prices have increased but they have with all the major brands so it is what it is.I would agree with this. The Sterling by Music Man BS has effectively killed the actual Sterling and ruined the resale value of the instrument. But the market for higher-end instruments has never been huge, volume sales in three figures is where the bulk of the market is. So what is the answer? How do they satisfy market demand and stay in business?