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Paul McCartney: How does he rank as a Bass Player?

It doesn't matter where he ranks, there's no bassist playoff or bassist draft taking place. He plays the bass just the way he needs to. Some people find him to be the greatest ever, some probably think he's a hack.

What does it matter? @51PRI this is only a question you can answer..........
I think he's great. Just wondered what everyone else thought. Thanks!
 
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Macca is a singing bass player. As such, not flashy, not very technical, but playing exactly, PRECISELY, for the song.

Other members of the same club: Sting, Phil Lynott, Lemmy, Greg Lake, Ben Orr, Suzi Quatro, Peter Cetera. I can definitely hear *some* similarities.

Freaks, NOT members of the same singing bass player club, because of exceptional technique: Jack Bruce, Tim Bogert, Geddy, Mark King, Les Claypool, Esperanza Spalding, dUg Pinnick.

Of course, IMHO.

Diego
 
I just want to get everyone's opinion about Paul McCartney. In my opinion he's an all around fine musician, songwriter, singer, band leader, etc., but, for this thread, and I hope this isn't considered a dumb question, but, how do you rank him as a bass player?

Thanks!

Early on I used to play the bassline to Silly Love Songs by myself as an exercise. Paul does have some pretty original lines.
 
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The Walrus was Paul.

Since I've played RPGs since the 80s, I'd rank his bass playing this way, on a scale of 1-10

Creativity: 10
Technique: 6 (totally solid, but very little development over time, no proficiency in advanced techniques)
Sight-Reading: 2 (I believe he learned some music-reading in his classical period?)
Work Ethic: 10 he was the engine that kept on running when the others faltered. The Beatles would have lapsed far sooner IMO, and the guy is still going at it - touring and recording. He's an ox.

Overall Rating: 7

The reading ability really holds him back, as it does many of us. We'll never hear Paul play a cello concerto on his Hofner, but his creativity is so strong, cello players will play his melodies and basslines for hundreds of years to come.

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Years ago, I occasionally did tracks for a studio that put out karaoke cds.
Best session ever? 2-3 dozen Beatle
sound-alikes.
Prior to transcribing those basslines, I thought I knew the Beatles well; after all, I'd been wearing out the grooves of their records since the 60s.
After transcribing?
I can only surmise that, if Paul hadn't moved over to bass, they might not have become as successful as they were, so vital was his low-end contribution to the arrangements.
 
Years ago, I occasionally did tracks for a studio that put out karaoke cds.
Best session ever? 2-3 dozen Beatle
sound-alikes.
Prior to transcribing those basslines, I thought I knew the Beatles well; after all, I'd been wearing out the grooves of their records since the 60s.
After transcribing?
I can only surmise that, if Paul hadn't moved over to bass, they might not have become as successful as they were, so vital was his low-end contribution to the arrangements.
 
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I rate him very highly. I mean, sure, there are many bass players with better skills than Sir Paul, but I don't think his technical chops are what make him one of the best bass players of all time.

Back when The Beatles were together there was nobody pushing the bass to make it such a critical part of the sound of a song, and for that alone he influenced generations of bass players. Then, in later Beatles-through-Wings-through-early solo McCartney material there was nobody writing more melodic bass lines. I remember how much I hated the lightweight poppiness of Silly Love Songs when I first heard it in the mid-70s, and also the huge smile it put on my face when I learnt how to play it.

Grew up hearing this on AM radio hundreds of times during summer family vacations.

Brilliant bass part. The tune may not be to one's taste but the song is, almost objectively, very well crafted.
I will unashamedly continue to exult that bass line as one of the coolest in pop.
 
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The Walrus was Paul.

Since I've played RPGs since the 80s, I'd rank his bass playing this way, on a scale of 1-10

Creativity: 10
Technique: 6 (totally solid, but very little development over time, no proficiency in advanced techniques)
Sight-Reading: 2 (I believe he learned some music-reading in his classical period?)
Work Ethic: 10 he was the engine that kept on running when the others faltered. The Beatles would have lapsed far sooner IMO, and the guy is still going at it - touring and recording. He's an ox.

Overall Rating: 7

The reading ability really holds him back, as it does many of us. We'll never hear Paul play a cello concerto on his Hofner, but his creativity is so strong, cello players will play his melodies and basslines for hundreds of years to come.

View attachment 3699446

...Sir Paul never learned to read music notation... his own words were "I don't think of music that way."
 
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I just want to get everyone's opinion about Paul McCartney. In my opinion he's an all around fine musician, songwriter, singer, band leader, etc., but, for this thread, and I hope this isn't considered a dumb question, but, how do you rank him as a bass player?

Thanks!
I respect him more "today" than I did 45 years ago. More for his writing ability than for his chops.
 
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No 1 in terms of money earned.
No 1 in terms of popularity among all bass players.
No 1 in terms of composing No 1 songs.
No 1 in terms of having a fantastic life.
No 1 in terms of being adored by women.
No 1 in terms of melodic bass lines.

The list goes on and on.
 
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What a subjective question! Does the style of the music influence your opinion? Can you compare the ability of a Jaco to a Paul McCartney, to a Jack Cassady to a Geddey Lee or Flea? They are all great but pretty different from each other.
 

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