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Double Bass Peacock Blows off Costello...

I made a solo piece for Peacock yesterday:
Link Removed
I have Albert Ayler's "Spritual Unity" (Ayler, Peacock & Sunny Murray), going now - such an amazing album. It is four downloads from emusic:
http://www.emusic.com/album/Albert-Ayler-Spiritual-Unity-MP3-Download/10656025.html
I reccomend everyone at least giving it a listen, even if you hate it is still a must listen.
Monumental free jazz for sure.

Nice work Damon!

I love your pizz tone, it's freakin' HUGE!
 
there's damon (bearing "spiritual unity")
and me on behalf of mr peacock...
and there's you whacked bastards on behalf of 50 pages
at mr peacocks expense.
serious counseling is needed...but you already know this.

Let's not get carried away -- we're not at 50 pages yet.

Rassling too violent? How about knife throwing? I think I like Costello on that action.
 
I finally read these two articles. Part of club work is accomodating a few requests that a musician might think are silly and even playing "Happy Birthday" once in a while. Peacock ought to sit alone in his livingroom with his "professional" attitude and let a real performing musician do gigs like this instead. To quote Bugs Bunny, "What a maroon."
 
had gary known the parameters up front...while he was sitting alone in his living room...& professional that he is...he probably would have declined there & then. you "potshooters" would have had zip...nadda...nothing.

and to imply that gary is not a "real performing" musician, after what he's accomplished & where & who he's played with over a 50+ year career as one of THE GREATEST JAZZ BASSISTS...who plays nothing but jazz, because he can, because he has earned that, because he is jazz.

better go watch some more "looneytoons"
 
-Thanks, fellas. Those are Wiechs....
Sounds great, Damon. I know it's mostly in the hands, but.... what is it in those Weichs that makes that much sound?! They're so thin, I can fly around them like a scared rabbit, but when it's time to walk, I can just dig in and get big gobs of fat tone. Mine are probably going on three years old, and somehow they still seem to get better and better. The Mittel E is a bit tired, but it still sounds better than most strings I could have on there.
 
you're a fine player damon...from your head to your hands, to your sound...and there's some serious technique going on there too.
gary opened with a solo last nite, similar to yours in content & duration.
weichs all across the board eh? nice sustain...how's your action set?

It is medium, Enough to dig in. I actually live by a quote from Peacock that was something like, "Set your action where the bass sounds good, what you can play on it it there it what you can play the rest is just in your imagination".
My bass (a basic German factory flatback) is really responsive as well, so that helps a lot.
 
Part of club work is accomodating a few requests that a musician might think are silly and even playing "Happy Birthday" once in a while.

I strongly disagree. Not all "club work" is created equal. If you go to Iridium to see Lee Konitz (or Gary Peacock for that matter), you have no expectation to get any request answered or honored. He's not an entertainer, he's an artist, with a long career of playing and recording that clearly defines his aesthetic. He's going to play his music on his terms, and that's all there is to it. Requests and "Happy Birthday", that's what piano bars and restaurant gigs are for.

Peacock ought to sit alone in his livingroom with his "professional" attitude and let a real performing musician do gigs like this instead.

You don't like GP's attitude, or the way he handled the situation? Fair enough, I'm not even sure I liked the way he handled it (although, to be clear, i'll take him over Elvis 24/7/365). But to say he's not a real performing musician, that's weak. Talk about your long careers of playing and recording that clearly defines an aesthetic, the guy is a titan, whether you like him and his music or not. He's more than earned the right to call his own shots, even if you don't like the way he calls them.
 
Yesterday I took the trouble to read some of the other accounts of this incident -- remember those links from weeks ago?

None of us have access to all the facts here, but it really does sound like this was worked out between Costello & Konitz. They rehearsed a week or two in advance. Iridium must have know about it to get the publicity out. On the Costello news site it mentions that at the soundcheck the day of the job, the drummer was on-board and prepared but that Peacock "declined to take the stand." (Drummer knew about it but Peacock didn't? I think not.) It mentions, too, that Costello and Peacock had polite conversation about it but no dice from Peacock. That's when you get the "three-legged donkey" assessment and they decide to pull the number from the night.

It sounds like the kittens really hit the fan that night, with a room full of Costello fans, there on the strength of the Iridium publicity, and no Costello. So -- was Konitz contractually obliged to produce Costello? Or did he mention to someone that Costello might show up for a number or two and then the club jumped on it?

I dunno -- from the sounds of it all the musicians behaved pretty well and well within their rights. Like I pretty much said in my first post: I blame the club. Pimping up Costello for what was a Konitz gig, probably no contractual basis on which to demand Costello -- they blew it. It's their bad scene.

And the Costello, Ray Charles/James Brown thing? It happened almost 30 years ago!! Costello was young and a hit and he was drunk and he found himself needing to put down some hippies -- especially Stephen Stills, who has no shortage of stories about his own rotten attitude and bad behaviour. Costello should have know better, it's true, but geez Louise, stuff happens when the booze flows (don't forget about the antipathy that existed back then between those coked-up L.A hippie establishment musicians and the whole punk/new wave thing.)

And, sure, Elvis got decked by a girl, but look at Stephen Stills, sending a girl out to deck bespectacled little Elvis. It's pathetic behaviour from all of them.