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Pedals that (far) exceeded your expectations...
- Thread starter cnltb
- Start date
Been kinda getting into the old dod stuff , meatbox puts more bass in the bass , Milk box is a thumbs up as is the thrashmaster , and the 201 phaser .
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Origin Effects Cali76 Bass Compact. This is an 'always on' unit. I feel it doesnt compress as much as creates. The way it brings out the subtle tones with a light touch is fantastic. Its compression is quite natural. It certainly removes some of the heavy attack volume, but its quite musical and dynamic. Recommend it to anyone!
Brougton HPF - LPF. SHOCKED at how awesome this pedal is. I feel every bass player should have one. It can save your night in certain rooms or on rigs you may not be familiar with. I like that it can go from super subtle filter setting to a 'no holds barred' boost pedal with a turn of the gain. The frequency sweeps are spot on. It can essentially be used as a massive mid boost if you need it to be!
Brougton HPF - LPF. SHOCKED at how awesome this pedal is. I feel every bass player should have one. It can save your night in certain rooms or on rigs you may not be familiar with. I like that it can go from super subtle filter setting to a 'no holds barred' boost pedal with a turn of the gain. The frequency sweeps are spot on. It can essentially be used as a massive mid boost if you need it to be!
VT Character Bass Deluxe - this pedal is always on when I play. I don't even remember what my bass sounds like without it on. I have 6 settings on it with varying degrees of OD/distortion. Every amp I play through I pretty much set flat and use this to get the tone I want. It also allows me to go without an amp when I want to. I used to do the same thing with the Sansamp PBDDI which I also loved. The VT just gives you a few more options.
It can get pretty gnarly , some reason you have to use 2 pickups or its super noisy, it is really bitchen, fuzz type thing happening...
The Voodoobass was the first boutique pedal I owned. I regret selling it. A lot.
- Dec 10, 2008
- 2,341
- 5,822
- Disclosures
- Douglas Castro, Founder: darkglass.com
This thing:
I found it to be a fun little pedal.
Up to 5 effects in a chain in any order, looper, basic drum machine, turner, expression pedal,
store up to 100 patches, select from 105 effects. Sounds good enough in a band setting, to me.
Fun!
yep..and the g1xon as well..I should prolly qualify this by saying I use these when playing a d tuned piccolo for VERY noisy free improv. I have both and it's pretty easy to get into 'what iz that" land. Sometimes in stereo series, sometimes parallel. TWO loopers, two awful drum machines and really terrible strange effects..by terrible I mean good. and with the free librarian for my Commodore 64, the sky is the limit! Bought both for new <$100
I have a theory on these two..I envision a basement lab in a non descript industrial building on the outskirts of Sapporo, ill lit, a bit musty. Two Zoom engineers who refused to go along with the company on what to make next.. said screw it, we'll take the best efx that we made for the $$$$ Zoom multi-fx, put them in a plastic\box that no TBer would EVER by, and sell them for $0.054. And when nobody buys them, we'll just gloat until we get a job with korg.
I don't think i'd recommend them for doing your Saturday night in the local tribute band thing though. For that $100 gig, you need a helix Mach 5, the only pedal that makes your Fodera Emporer really "cut through the mitz" when your band rips into "Tush".
Close in at second place, any boot sale Roktek time based pedal that has been circuit bent by Paul at circuit benders.uk. Mine are in my avatar. Best noise machines ever.
For bass, I don't use many pedals, and frankly almost everything I've ever bought was kind of a disappointment once I got it home
For guitar- the two biggest surprises were the OCD and the Dunlop CAE wah. The OCD is the most amp like overdrive I've ever played, and gives several of my amps a legit lead channel. The CAE wah is just perfect for me. A boost so it actually cuts, and just enough flexibility, without the hassle of having to mess with a bunch of settings
For guitar- the two biggest surprises were the OCD and the Dunlop CAE wah. The OCD is the most amp like overdrive I've ever played, and gives several of my amps a legit lead channel. The CAE wah is just perfect for me. A boost so it actually cuts, and just enough flexibility, without the hassle of having to mess with a bunch of settings
Darkglass Alpha Omega. Both the B3K and the Vintage were so close but no cigar. The A/O however ended my drive quest.
3Leaf Wonderlove. The perfect filter for the way I play. I had started to get frustrated with my filter search, but this guy and the IE Xerograph tick all my boxes.
Iron Ether Subterranea. I initially had no idea what I'd use it for, I just knew I wanted it. It's become a staple for several key tunes we play.
3Leaf Wonderlove. The perfect filter for the way I play. I had started to get frustrated with my filter search, but this guy and the IE Xerograph tick all my boxes.
Iron Ether Subterranea. I initially had no idea what I'd use it for, I just knew I wanted it. It's become a staple for several key tunes we play.
The 3Leaf Chromatron and the Cali76 CB.
The Cali was just a revelation for me in that I immediately knew it was the right compressor FOR ME. The HPF and the dry blend kinda dilutes the impact of the effect, and I love having the ability to use dramatic squish while still maintaining my dynamics. Not for everybody but definitely my bag, baby.
The Chromatron is by far the most expressive and flexible envelope I’ve tried, and people should take that with a grain of salt because I’ve only tried a dozen or so. It doesn’t have a ton of “quack”, but it excels at most other things I expect from that type of pedal.
The Cali was just a revelation for me in that I immediately knew it was the right compressor FOR ME. The HPF and the dry blend kinda dilutes the impact of the effect, and I love having the ability to use dramatic squish while still maintaining my dynamics. Not for everybody but definitely my bag, baby.
The Chromatron is by far the most expressive and flexible envelope I’ve tried, and people should take that with a grain of salt because I’ve only tried a dozen or so. It doesn’t have a ton of “quack”, but it excels at most other things I expect from that type of pedal.
