Boss OC-2, Darkglass Duality, MXR Phase 90, Origin Cali76 would be in my list.
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This is why I have the Echo Puss. All the features (and tones to my ears) of the Carbon Copy, more Delay time, AND a tone knob!LOL...isn't that self-oscillation great??? But I've heard from a handful of bassists that the Carbon Copy Bright works better on bass since it doesn't get as dark. If I had a use for delay beyond playing "Bang The Drum All Day" every 3 years with my old band that I'm so glad to be out of, I'd have already gotten it.
I went compressor crazy a few years back, spending more time on ovnilab.com than TB. I was gigging regularly and the pay wasn’t bad, so money was no option. I probably went through more than a dozen compressors. Despite the mixed reviews, I grabbed one of these and was also presently surprised. I ended up keeping it and do use it on occasion in my home rehearsal space.![]()
I grabbed one of these recently for dirt cheap (under 50$) due to the mixed reviews I wasn't entirely sure what to expect, but it blew me away especially for the price. Sounds great, low noise, very compact, and some useful features.
Got it mainly for stereo limiting, to use with stereo synths and FX. Also for stereo loops to prevent the volume from building too much with louder loops. So far it has worked great for any compression needs, be it high gain guitar leads or subtle limiting for loud effects. Aside from being stereo it has a sidechain jack, and dual VU meters on the front for the comp/reduction and the input or output level. The VU's are super useful, makes it easy to avoid overloading the inputs.
It has like 24db of clean boost on tap, with very low noise even at some fairly extreme settings. I have the Xotic SP comp which is nice for some stuff but nowhere near as versatile.