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This. Also great for balance issues between basses of any kind and keyboard bass.Another vote for the Radial Bigshot IO- simple and rugged. Put the louder active bass on Channel 2 and engage the adjustable trim to balance the volume and you are golden.
My compressor is always on. Doesn't matter whether I'm playing a passive or active bass. For me compression is not about equalizing volume between instruments. It is about bringing a smoothness to the bass line by managing the dynamics. Quite passages don't disappear, loud passages don't stick out of place.Should I still use a compressor with my active pickups as I do with my passive?
If you use this approach - set the amp for the passive bass on one channel, use the active bass controls to match for EQ and volume on the other channel - any simple A/B switch pedal will work. I’ve had a Morley A/B/Y forever. Like with the Radial, the battery only powers the LED.I use a Radial Bigshot I/O, which is purpose-built for exactly this. Input A is the passive instrument, input B has a passive cut-only gain control; input your active bass and dial it down to the level of the passive bass in input A. It requires no power; a power supply is only used to light the LEDs.
Peace, SoundSupport
The problem with using an onboard volume control to balance the output of an active bass is that lots of (most) active preamps have the volume control(s) before the preamp as part of a basic passive circuit, so turning the volume down also affects tone the same way it will on a passive bass. The Radial Bigshot uses a passive volume but it’s coming after the preamp in your bass, and so buffered from passive pickup lossesIf you use this approach - set the amp for the passive bass on one channel, use the active bass controls to match for EQ and volume on the other channel - any simple A/B switch pedal will work. I’ve had a Morley A/B/Y forever. Like with the Radial, the battery only powers the LED.
Good info. A Quick Look shows the Radial just $25 more than the Morley, so it’s perhaps a good value if you have that concern. I’m not sure if the Radial has the “Y” capability, does it (not that OP asked).The problem with using an onboard volume control to balance the output of an active bass is that lots of (most) active preamps have the volume control(s) before the preamp as part of a basic passive circuit, so turning the volume down also affects tone the same way it will on a passive bass. The Radial Bigshot uses a passive volume but it’s coming after the preamp in your bass, and so buffered from passive pickup losses
NopeYou may have already checked this, but since no one else has asked, does your active bass or basses have an internal trim pot to set the overall output level? Most active basses I've owned have one (although certainly not all do), so I typically set these before a gig so that my basses match. If I am taking an active bass with a trim pot and another bass that doesn't (whether active or passive), I just set that one to match the one that can't be adjusted.
The PEQ2 is brilliant pedal! If you already have a DI you like you could use it as your preamp to balanceyourlevels, as a tuner/mute, HPF and a LPF with 10 programmable bands of EQ.Source Audio EQ2. Set a patch for every bass you own. Then your amp or DI gets a consistent signal from everything. It’s easy. If space is a concern it has a built in tuner.
Serious. It’s brilliant for that.
Their gear just kills…Total quality for sure.I used the Lehle 3@1 switcher pedal. Not cheap but the highest possible quality.
The best advice I had on this issue was to check how much volume difference there is between the two basses. I used an interface and DAW to check the wave peaks, turned out both are basically the same and I didn't need a pedal after all. I haven't read all the posts here so something similar may have been mentioned. If things had been different. Otherwise I'd have gone with a boost pedal.I want to switch between my active and passive basses live with just the use of one pedal.
The EHX Signal Pad comes to mind as the obvious choice, but is there another way?
Should I still use a compressor with my active pickups as I do with my passive?
What guys specifically, please?Most of those guys couldn't hang in a 5 piece band where they had to hold down the bottom and stay out of the guitars way. They would be overplaying to the point that the other players would be throwing things at them.