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Percy Jones - Brand X

We're currently listening to Moroccan Roll. Percy is so funny. His fretless work always makes me chuckle for some reason. He really is a bass players bass player. One of the few bands I've never seen that I've always wanted to.
He has a very dry sense of humor.
Ever seen "Bass Exploration of Percy Jones"?
 
Amazing tone from such modest gear. :cool:
Percy's-Gear-1200_0891.jpg

Photograph Copyright © Jeffrey P. Scott 2016 All rights reserved.
Anyone know what model Ibanez fretless that is? I've never seen one before.
Great pics, btw! Thanks!!:thumbsup:
 
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Anyone know what model Ibanez fretless that is? I've never seen one before.
Great pics, btw! Thanks!!:thumbsup:
A type of Ibanez Ergodyne.Not the typical issue.
[Invalid or Expired Link Removed]

Ibanez: Switching gears a bit, how long have you been playing Ibanez?

Percy: I guess 5 or 6 years・no, no, sorry it's longer than that. Actually, it's more like 8 or 9 years. Time flies. We did the last Brand X record in 1997, and I used an Ibanez on that・the first Ibanez that they gave me.

Ibanez: What model was that?

Percy: It was a Sound Gear. That was the first bass they gave me. Then they gave me an Ergodyne.

Ibanez: Is that what you are playing these days?

Percy: Well, it's a variation on an Ergodyne, because I gave them a bunch of suggestions for what I thought would be improvements on the Ergodyne. And one suggestion was to use a dense wooden body instead of a plastic body・which is what they did. And I suggested a thicker, stiffer neck, and a few other things. So that's what I've got now, and it's a big, big improvement over the Ergodyne・in terms of stability and tone and everything.

Ibanez: What are some of the features that you like most about your custom bass?

Percy: Well, one thing that's interesting about it is that it only has Piezo pickups・there's no magnetic pickup on it. I've gotten into Piezo's because they've got a very wide dynamic range, so it makes the bass very, very sensitive to how hard you play. You get a lot of dynamics just out of your hands. And depending on where you pick, it can have sort of an upright-type sound, which I like. So you can get a wide variation in tone depending on how you play it. There are things I like to do, like pulling the bottom or top string off the fingerboard to make it sound sitar-ish・the Piezo's really bring that out, because a lot of that is vibration in the body. The Piezo pickups are also very quiet, so you don't get stage-like noise. My bass is very dynamic sounding. And the new one is very stable. It barely changes with the weather, so the humidity or temperature can change and the neck doesn't move very much. It's quite light, and it's comfortable.


I always liked the Ergodyne body, even the plastic one・the shape of it is very comfortable. And there was an addition of a string tree to stop the section of string between the nut and the machine head from singing・cause one trouble was, if you played a really hard, open string, you'd hear these overtones that were not related to the fundamental. And it turned out to be those sections of the string up on the machine head singing away. So the string tree just damps those out. There's a nice fingerboard, too. It's got a nice taper. And they use the same spacing as a 4-string, which I like, because some 5-string basses narrow the spacing down, so you've got 5 strings in the space of the normal 4. And for me, it makes it difficult to play because you don't have enough room to bring your finger up to enough velocity to hit the string. So I like the way that they keep the 4-string spacing. It's a nice looking bass, too. It's got a nice aesthetic about it, just to look at.
 
A type of Ibanez Ergodyne.Not the typical issue.
[Invalid or Expired Link Removed]

Ibanez: Switching gears a bit, how long have you been playing Ibanez?

Percy: I guess 5 or 6 years・no, no, sorry it's longer than that. Actually, it's more like 8 or 9 years. Time flies. We did the last Brand X record in 1997, and I used an Ibanez on that・the first Ibanez that they gave me.

Ibanez: What model was that?

Percy: It was a Sound Gear. That was the first bass they gave me. Then they gave me an Ergodyne.

Ibanez: Is that what you are playing these days?

Percy: Well, it's a variation on an Ergodyne, because I gave them a bunch of suggestions for what I thought would be improvements on the Ergodyne. And one suggestion was to use a dense wooden body instead of a plastic body・which is what they did. And I suggested a thicker, stiffer neck, and a few other things. So that's what I've got now, and it's a big, big improvement over the Ergodyne・in terms of stability and tone and everything.

Ibanez: What are some of the features that you like most about your custom bass?

Percy: Well, one thing that's interesting about it is that it only has Piezo pickups・there's no magnetic pickup on it. I've gotten into Piezo's because they've got a very wide dynamic range, so it makes the bass very, very sensitive to how hard you play. You get a lot of dynamics just out of your hands. And depending on where you pick, it can have sort of an upright-type sound, which I like. So you can get a wide variation in tone depending on how you play it. There are things I like to do, like pulling the bottom or top string off the fingerboard to make it sound sitar-ish・the Piezo's really bring that out, because a lot of that is vibration in the body. The Piezo pickups are also very quiet, so you don't get stage-like noise. My bass is very dynamic sounding. And the new one is very stable. It barely changes with the weather, so the humidity or temperature can change and the neck doesn't move very much. It's quite light, and it's comfortable.


I always liked the Ergodyne body, even the plastic one・the shape of it is very comfortable. And there was an addition of a string tree to stop the section of string between the nut and the machine head from singing・cause one trouble was, if you played a really hard, open string, you'd hear these overtones that were not related to the fundamental. And it turned out to be those sections of the string up on the machine head singing away. So the string tree just damps those out. There's a nice fingerboard, too. It's got a nice taper. And they use the same spacing as a 4-string, which I like, because some 5-string basses narrow the spacing down, so you've got 5 strings in the space of the normal 4. And for me, it makes it difficult to play because you don't have enough room to bring your finger up to enough velocity to hit the string. So I like the way that they keep the 4-string spacing. It's a nice looking bass, too. It's got a nice aesthetic about it, just to look at.
Ah, now I recognize the Ergodyne. Thanks! Also, thanks for the interview. I look forward to reading it.
I didn't realize Ibanez used a monorail piezo. Cool.:cool:
 
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When I first heard Masques I couldn't believe anyone could play that fast and accurately on a fretless. Such creativity and style, coupled with blistering speed and technique, maybe he's an android.
 
Percy! I saw him in one of the Brand X incarnation at gig at Hampshire College, must have been around 1982. Watching him slide chords up the fingerboard was a humbling experience. When he came out for a smoke between sets, my bass playing buddy and I (probably the only two people there that knew who he was) more or less press-ganged him into signing our album covers. Nice guy, and very gracious to two young dweebs. He had one of the early incarnations of the Wal (Mark I?). We hung around till the end of the gig and offered to help schlep the gear, I think they had one or two roadies and a rental van. I was allowed to hang the unplugged Wal around my neck for a few seconds, heavy Beast! Id love to see them again after all these years.
 
The natural wood colour bass in the 2004 photo is the Ergodyne EDA described in the interview, the black bass is a custom version of the recent (but now discontinued?) 'Grooveline' bass, excellent design with a practical lower horn: [Invalid or Expired Link Removed]
It's a shame Ibanez keep discontinuing their most innovative designs.
 
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I will be seeing the show here in New York City Thursday nite. I can't wait to connect with Percy again.

I studied bass with Percy for 2 years in the late 80's. Back then he was teaching at the "Drummer's Collective" in New York and Kenwood was teaching drums there. Jaco was teaching there previously and Percy actually took over Jaco's slot when he left to go back to Florida. I met Percy backstage at a show on Long Island, I was in a band doing Fusion covers and originals , some Brand X , Weather Report , Holdsworth and Chick Corea. It was actually a Randy Coven show ( who I also studied with briefly) and Percy warmed up for them. I went back stage and talked to Percy and he agreed to give me lessons out of his apartment , so every Sunday I would travel to the upper east side and study with him.

He was truly inspiring ....at that time he was just doing shows where he would play to sequenced music through his Teac 4 channel recorder and a Yamaha drum machine. He'd program the keyboards with a Casio CZ101 keyboard and make AMAZING music happen....all the stuff from Propeller Music and Cape Catastrophe records. I saw him play the "Knitting Factory" multiple times and even CBGB's months before they closed. He also hooked me up with Ian Waller who made me my first Wal fretless 5 string in 1988. I actually had a chance to purchase THE Wal pro 4 string from Percy (the bass he used on "Do They Hurt" ) but I was young and didn't have much money in those days and really wanted the 5 string MKII like he had....I kick myself in the butt everyday for NOT buying that bass!! He didn't like the bass because apparently the neck broke and he found a replacement neck at RUDY's 48th Street...(which is unheard of) but it was a "Lined" fretless neck and he didn't like the lines, also he was using 5 string back then and wasn't looking back...(he tunes the B string up a semitone to C).

Anyway to study with him was awesome, even though music theory wasn't the prime directive , to learn the tricks and techniques he uses and he helped me with many Brand X tunes that I worked on with the band. I also got to preview a lot of his new stuff that he was writing which was also a great thing. Lots of the lessons were based on a new line that he would come up with and I would tape every lesson so when I got home I was able to refresh my memory of these mind boggling things he would teach me. He was also a SUPER COOL guy and had a very nice family.

A most amazing and very unique voice on a fretless and put Wal on the map as far as I am concerned. Geddy Lee was a fan and thats HOW Geddy came to play a Wal.

I am looking forward to seeing this show which no doubt will be incredible especially at this small venue in NYC....the Iridium.
 
I first saw Brand X in Baltimore at a dive called the Marble Bar. I had been a fusion fanatic for several years and the band didn't let me down. They kicked off the show with Disco Suicide and I've remained a fan since. I wish their current tour would have brought them closer to my stomping grounds.

The show that night was right after the release of Moroccan Roll and before the official premier of Star Wars in 1977. John Goodsall was wearing a tee shirt with "May the force be with you" on it, and a couple of weeks later I finally found out what it meant.

During the show, I noticed Percy had a rack of modular electronics above his amp and afterwards got a chance to chat with him about it. It turns out it was all home-brew electronics. The rack can be seen in this video:

 
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