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1: '62 P-Bass (Rosewood Fingerboard) with Flat-Wounds on it
2: Sadowsky Active Jazz with a Hipshot D-Tuner (for slap tones)
3: Fodera Monarch Deluxe for the modern tone
I don't use five string basses anymore. The older I get and the more I play (and I've been playing for thirty years) the less I need the bells and whistles and extra strings. Give me a workhorse (or three)!
Honestly? two I have already! just for tonal reasons!
My USA G&L L2000:
This bass is an amazing tone machine. I can get nearly any tone I want out of this bass. I will always own at least one. I just really like maple fretboards, which I wish this bass was but oh, well,
My 1978 Precision. Even though I am trying to sell it, I think a vintage P tone is still the most easily recognizable bass tone of all time! The P sound is really unmistakeable.
and then a Lakland Joe Osborn 5 to back them up... Maple fretboard (in Markus Orange)
But that could also possibly be persuaded to be an MTD 535 in blueburst.
I have to say that I'm pretty happy with my main 3:
Ibanez ATK 305 5-string fretted
Ibanez ATK 300 4-string fretless
Dean Rhapsody 12-string
I'd love the ATK's to have a second humbucker (triple-coil ATK pickup) in the neck (prefer that to a SR HH), and to have a USA custom-shop Hamer 12 with wider than normal for hamer spacing, but what I actually have gets the job done for me. Next 3 would be an upright, a P, and a J.