Interesting points articulated on the effects of playing behind the beat and dynamics:
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Even after watching this, I'm sticking to my guns on this one. I will never strive to play wrong.
Isn't it musical context and the players/writers' intention, that dictate what's wrong, or when those ideas are then executed badly?Even after watching this, I'm sticking to my guns on this one.
I will never strive to play wrong.