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Playing in front of the beat

Dec 14, 2010
88
12
mikecannbass.tumblr.com
Disclosures
Mono Artist
Hey Anthony, I hope that all is going well.
I was playing at a jam last night and i asked the drummer after what he thought. He said it was good but that I play in front of the beat. I was not really aware that I played in front of the beat. So my question is, how can I become more aware of this, and how can i take more control of that so I can play in front, on or behind the beat when I want to.

All the best,

Mike Cann
 
Hey Mike,

Sorry I'm just getting to your post. I've been extremely busy. I'm actually typing this while someone is driving me to a gig.

I'm a big advocate of practicing with a metronome. I think doing that addresses all kinds of issues. But I find that most musicians don't practice with a metronome.

And in your case I advocate that you practice slowly. By my 'observation', most groove players play on or slightly behind the beat. I dint think this was by design. But playing behind the beat gives a laid back feel. I've listened to so much 'groove' oriented music that I naturally play behind the beat. And I've noticed that most Rock and Fusion musicians play on or in front of the beat. Doing that works in those settings. But playing on top of the beat in a 'groove' setting tends to make the music,...uh,..,not groove.

I think you can practice playing in front of, behind and on the beat. A metronome and/or drum machine is great for that. But you can get it from what you listen to also.

peace,
anthony

"Smells Like Funk"
 
Yeah maybe if you played w/ a metronome and played the last 16th note in a beat and then the second 16th note of a beat. Then you would develop a finer sense of that area around the beat.

I will play behind the beat during parts of a bar during rehearsals if I want to tell the band that we're speeding up unintentionally. It works better than glaring or eye-rolling.
 
Could be wrong but if you play in front of the beat it actually "feels" like your pulling the band along,,, if your on top of the beat, it "feels" a bit robotic, and if your behind the beat, it "feels"
as if your pushing the band foreward,, gives the song for lack of a better word a"pulse" and is actually the hardest to get a grip on and maintain, unless your drummer can do it too.

I know you didnt ask for all that , but if you dont know what to feel for it could be harder to find, now you know, good luck.
 
And here I was thinking I was just getting old and slowing down :-) I'm a groove player :-)
 
I used to be a strictly on the beat player till i started learning disco and r/b bass lines the one song that gave me my aha moment was ,-funky situation ,-by i believe,- the commodore's
Listen to it and breathe with it first, sounds funny but worked for me, good luck.
 
Here's how I think about playing in front or behind of the beat: When I play in front of the beat, I am listening less to the drummer but rather allowing him to listen to me, and I am one who is controlling the groove. In a sense, the drums are draped over the bassline. When I play behind the beat, instead I am listening much closer to the drummer, and I am allowing every single beat to happen before I play my notes, perhaps focusing on the snare on 2 & 4. The bassline would be draped over the drums in this example.

Whoever makes the first sound in the beat controls the tempo, and in most situations the drums high hat and snare are the first heard instruments because they are so high pitched.

Is the music about the drums and/or the vocals? Then play behind the beat. Is the music about you and the bassline? Then play in front of the beat. It's all a matter of understanding what styles of music in which the bass functions as the front of the pocket. Most dance music has the bass behind the beat.