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Poll: Time for a New P-Bass

Which is the Ultimate P?

  • Sadowsky P

    Votes: 26 12.7%
  • One of G&L P-based offerings

    Votes: 50 24.4%
  • Lakland

    Votes: 30 14.6%
  • Buy a P and a Jazz and swap necks; sell the Jazz (or keep it)

    Votes: 29 14.1%
  • Other (elaborate)

    Votes: 70 34.1%

  • Total voters
    205
The only P is my arsenal currently is a squier CV 60’s in Fiesta red (with tort, for those keeping score at home), strung with flats. Nice bass, filles a niche for me and fills it well enough.

However, I’m now on the quest for what will be (for me) the ultimate P. The wish list isn’t long... classic P-tone, maple jazz-width neck/fretboard, preferably blocked/bound.

I want to say money is no object, but that’s not quite true. But I would be willing to pay Sadowsky prices for the right instrument. I’m a G&L fan and would consider their offerings as well. Lull, Lakland... all options are on the table. I’d even consider buying both a Jazz and P to swap necks.

And it doesn’t need to be overstated... of course the final choice needs to sound and feel good to me...

Edit: Although I’m currently located in the UK, I’m from the US and travel back frequently enough to obtain US offerings (at US prices).
 
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The bass that made me sell my Fiesta Red CV60’s P was my Ernie Ball MusicMan Caprice. It has maple board and jazz nut width. ( No blocks or binding). It’s an amazing P with some extra special sauce from the inline bridge humbucker pickup .

If you want Classic Pbass tones with the features you describe , I’d suggest a custom from Moollon.
 
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If a Sadowsky is truly on the table then that would by my choice.

Unless you want a true P (passive only) then I'd pick Lakland or something else.

It is on the table, but honestly how many Sadowsky P’s have you come across? I consider Sadowsky to basically be the Holy Grail of J’s, but does the same hold for a P?

Other than jazz tone, I think where the Sadowsky’s excel is in fretwork and playability. I’ve always been majorly impressed whenever I’ve played one.
 
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This is how I have tended to arrive at keepers. However it may take a number of experiments before
" dingdingdingdingdiiiiing " goes of in your head and heart.

That’s always an option, but I’d want to outsource the setup fretwork. Have you ever played a Sadowsky fresh off Roger’s workbench? If you can make a bass that plays like that, then you’ve got some talent.
 
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I found a 1983 Tokai TPB64 on Craigslist and bought it from the original owner last Christmas Eve.
Mike Lull gave it a plek and I dropped in a '63 pickup - Just wow.



Sometimes your P finds you?

;)

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