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Post Your '51-55 Precision or Tele-inspired bass

Here's mine, bought a lil' more than a year ago, somethin' really rad (a dozen or some bein' made nearly 20 years ago)
Trace Elliot T-Bass T-2 (made by Status for Trace Elliot)

Trace Elliot T-Bass Status[1].jpg


Cheers,
Wallace
 
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Here's mine, bought a lil' more than a year ago, somethin' really rad (a dozen or some bein' made nearly 20 years ago)
Trace Elliot T-Bass T-2 (made by Status for Trace Elliot)

View attachment 408026

Cheers,
Wallace

So what's up w/that bridge? Doesn't look like a lot of adjustability - can you show a detail pic? (headstock too!) Interesting/nice bass otherwise.
 
Here's mine.
Built to custom order by Sandy Richards in Ballarat, Victoria in 1995. Sandy has confirmed this is the only one he ever built.
Neck- 3 piece Maple. Lots of flame. Headstock attached with scarf joint, pitched back like a Gibson. Face has a veneer of striped (Macassar) ebony. Fretboard striped ebony and bound. Mother of pearl bird markers. 21 frets. Dimensions based on a 70s A neck (Jazz bass). Very comfortable neck.
Body- Sandy advised that the dimensions were copied from an actual 55 P Bass. Chambered african mahogany with Canadian broad leaf maple cap. Lots of flame. F hole. Bound. Poly finish neck and body- not too thick or sticky.
Pickups. 2 X Di Marzio P Bass.
Controls. V V T
Hardware Badass I Bridge, Gotoh Light weight Tuners. Side input jack.
Weight 8 lb 9 oz
Sound- the pickups are hotter than my 73 P Bass's pickup. It actually reminds me more of a Jazz than a P Bass, but a little darker in tone than a Jazz. Cuts through very well.
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So what's up w/that bridge? Doesn't look like a lot of adjustability - can you show a detail pic? (headstock too!) Interesting/nice bass otherwise.

couldn't find a pic of the bridge anymore, but here's the headstock, in full Status style
Trace Elliot T-Bass Status headstock[1].jpg
Trace Elliot T-Bass Status back of headstock[1].jpg

Yeah, the bridge doesn't offer room for that much tweakin', yet more than shown: two allen's on both sides allow to raise or lower the overall action, while remember that the somewhat whitish plastic points which represents the saddles are parts of a whole piezoelectric pickup

So the bass works with two outputs: "mag" output for the HyperActive ceramic splitcoil only (with just volume and up until center detent of tone knob workin'); "mag/blend" for both, so that you have volume, full tone control (up until center detent for magnetic, above center detent for piezo) balance knob all workin'

Cheers,
Wallace
 
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couldn't find a pic of the bridge, but here's the headstock, in full Status style
View attachment 410016 View attachment 410017
Yeah, the bridge doesn't offer room for that much tweakin', yet more than shown: two black allen's on both sides allow to raise or lower the overall action, while remember that the somewhat whitish plastic points which represents the saddles are parts of a whole piezo electric pickup.

So the bass works with two outputs: "mag" output for the HyperActive ceramic splitcoil only (with just volume and up until center detent of tone knob workin'); "mag/piezo" for both, so that you have volume, full tone control (up until center detent for magnetic, above center detent for piezo) balance knob all workin'

Cheers,
Wallace
couldn't find a pic of the bridge, but here's the headstock, in full Status style
View attachment 410016 View attachment 410017
Yeah, the bridge doesn't offer room for that much tweakin', yet more than shown: two black allen's on both sides allow to raise or lower the overall action, while remember that the somewhat whitish plastic points which represents the saddles are parts of a whole piezo electric pickup.

So the bass works with two outputs: "mag" output for the HyperActive ceramic splitcoil only (with just volume and up until center detent of tone knob workin'); "mag/piezo" for both, so that you have volume, full tone control (up until center detent for magnetic, above center detent for piezo) balance knob all workin'

Cheers,
Wallace

That's an interesting hs design - would like a tuner-side/edge shot as it's still a bit deceiving. It looks to be an angled wedge shape tapering to a narrow edge. You would think w/a step-down like that that it would eliminate the need for a string tree/bar. Cool none the less - thanks for posting that and the other information.