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Power supplies: Let's have it out!

I love my OneSpots. The way I see it, if they cause noise in any of your pedals, dump that crappy pedal and get a good one with a proper power section.

I use two OneSpots to power my 14 pedals. I'd have to buy two Voodoo labs supplies to do that. That's over $300.
 
I've had a few pedals that didn't play well in a chain on a 1-Spot (usually analog delay-based pedals), but I didn't actually invest in a more robust isolated supply until I had a couple "keeper" pedals that required different voltages- being able to use those few funky pedals without noise now is just icing on the cake...
 
I used a 1-spot for years, and am about to pass it down to my guitar player as I help him get his board sorted.
I switched to the VooDoo Labs when I got 2 12vac pedals which I run off the courtesy outlet. For me it was just a flexibility and convenience issue, nothing wrong at all with the 1 spot.
 
I have used:
1Spot
Godlyke PowerAll
Gator G-Bus8 (also a daisy chain)
and the Voodoo Labs PP2+

Have never had any noise with any of them. I have had charge pumps (Maxon compressor) on the same chain as digitals (EHX MicroPOG) shared with hybrids (VS H2O) and conventional powered analog pedals and have still never experienced a problem, even playing in locations with suspect power that has caused my iron transformer amp to misbehave.
I use all quality pedals, the only noisey pedals I've encountered were noisey regardless of how they were being powered. Also, if a pedal says "do not daisy chain" (EHX BMS) it gets it's own wallwart or isolated supply.

I prefer 1Spots over my Voodoo Labs iso supply. The voodoo labs is heavier, more expensive, and I have found pedals that meet the specifications but it still wont power them.
 
When I shared a stage with an internationally successful band (Explosions in the Sky for the curious) I had a fancier pedal powering setup than they did. They didn't even have pedal boards! All powered by 1Spots. All of their pedals (excluding discontinued RV-3) could be bought at the local GC. The bass/guitar player did comment when he saw my pedal board that he should maybe get one. Clearly pros can do just fine with "inferior" equipment even though they have the audacity to not use boutique pedals with the power supply with the best tone. The nerve of those guys!
 
as long as you have enough current to run all your pedals no big deal.

^This!

if you're having problems, make a chart taking inventory of what you have, do the math & go shopping.
http://stinkfoot.se/archives/808

looks like the one Spot does up to 1700mA so if you're under that & your pedals play nice together, more power to ya.
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some of us have grounding issues (hum) & a power box can resolve that. it all depends on your setup.
 
Well I'll say this about its stoutness for the stage...it does look flimsy, no doubt, and if I were in a punk band with a lot of stage diving and whatnot, I'd probably upgrade to something bulletproof. But I've never had a failure, never had an accidental disconnection, nothing of the sort.

It's not so much the stage diving and bottle throwing I'd be worried about, more the winding and unwinding the cable each gig. It's a bit thin for comfort and gets pretty kinked up just from normal use.

But then you can buy 2 1-spots and have a spare for less than the cost of a single brick, so ... who cares?
 
I have one of those one spots as well. The main problem I find is that certain pedals (DD20?!) will create horrific noise if they share a power supply with any other pedals.
Which is odd. I have 30 year old pedals and drum machines that do not have this problem. Yet a BRAND NEW delay pedal does?
I will probably end up keeping the daisy chain setup for my smaller pedalboard and get one of those discrete output supplies to replace it. The other option is the dreaded power strip with 8 power supplies hanging off of it!
 
i could care less what somebody else uses, i give less then two **** of a dead **** **** if somebody likes what i use, but certain setups dictate more expensive power supplies. even with the Cioks i have now i have to use the M9's power supply. stuff like the Rusty Box that wants higher voltage than a one spot can provide and mA heavy stuff like the Faye Sing. not to mention digital stuff that can add noise if it's on the same outlet as certain analog pedals.

i'll probably upgrade to the Chocolate **** one they're putting out that does ac as well as dc when it comes out.

but i'm lazy. i just want plug my bass into my board, my board into my amp, one plug into a surge protector and mic my cab.

LAZY.
 
This is what I use to power my pedalboard:

PedalboardPower.jpg


A power strip tied to the bottom of my Pedaltrain Pro. Three adapters: The one that comes with the EHX Bass Micro Synth since that pedal won't power if daisy-chained (according to the manufacturer), a 1-Spot and the adapter that comes with DigiTech's Whammy DT. Powering a total of 12 pedals with absolutely no noise problems unless the venue has very bad electrical shielding.
 
I have had issues with the One Spot and my Sansamp. I posted a few months back about a soundguy complaining about a grounding issue with my Sansamp. As it turned out, i dumped the One Spot for the Boss PSA120 and...... poof!! Grounding issues gone.

For me the best results i've had are just following what the manual says and making sure that the power supply is appropriate for the pedal.

My only real "Power Issue" is with my boss.. he's a jerk. :D
 
yes frank all inputs outputs are DC coupled so the offset does not occur there. That is where the misconception or lack of understanding starts. The offset happens at VG or VR or the voltage reference or virtual ground. Otherwise just a basic voltage divider to produce the reference voltage.
which can effect any non inverting op amp stages that do not use bypass capacitors in the gain setting voltage divider, or any inverting op amp stage which will always be connected directly to DC through the non inverting input tied directly to VR or VG

and yes oscillator frequencies in a charge pump is usually non issue. again the issue is at VR or VG. Also a problem with effects loops when the loop on the amp is from a higer voltage bipolar supply.
and then ties to a single ended effects chain and then returns to a bipolar effect return.

also with boutique/major manufactures the circuits are copied from bipolar designs, and then poorly converted to single ended designs. some connections that should be connected to VG are not and vice versa some connections to battery ground should not or need to be decoupled at certain points, or need additional pull down resistors to operate correctly or should be at VG not Battery Ground . likewise with the common LFO circuits that copied over and over, the original designs they copied are incorrect and include variable resistors to compensate for DC offset, otherwise a proper conversion from the bipolar designs they were taking from would have eliminated a majority of the problems. Likewise with almost every bucket brigade analog delay chip, and associated compander/expander circuits for feedback loops, the conversion from bipolar to single ended is incorrect. And the lower 5volt rail on a bucket brigade is highly affected by offset.
mainly causing distortion on the brigade and poor tracking for the compander.

I am really interested in examples of pedals that have the charge pump issues of noise/hum and create the DC VR VG offset problems that you have mentioned. I have been working with charge pump circuits for over 30 years and researching circuit noise issues for many years now, so your post really captured my interest. That is why I asked if you could please identify the pedals that have these issues, so I can examine them. Also, if you could tell me of some designs that have VG VR design problems and any of the other design mistakes you mentioned I would greatly appreciate that too.

I think I understand what you are referring to now with your “DC offsets”… ground loops. What threw me off was when you said “down the line”. I read that as “everything after”, but ground loops can be a problem for any device, anywhere on the shared power ground.

Some pedal manufacturers have quasi isolated the signal ground from the power ground with resistors, diodes or both that exacerbates ground loop problems. What usually happens with these pedals with resistors between the sig and pwr grounds, is that nearly all of the current that the pedal is using passes through the signal ground, through the all of the other pedals (that share the parallel power connection), back to the power supply. Since the power current will passed from that pedal to all of the other pedals, the current can be amplified as hiss, noise, oscillations, squeals, feedback…etc. These pedals are not improperly or poorly designed, because quasi ground isolation can substantially lower noise in some designs. I also don’t think that the designer is necessarily lacking in single ended topology knowledge. It is a very cheap and effective way to reduce noise and it is especially useful for designs that have a clock for BBD’s, LFO’s etc. Pedals that have this quasi ground isolation should be identified (by the manufacturer) for use on isolated power only… sometimes they will operate with no issues at all on daisy chain power. But they are not improperly designed…they were just not designed to be used on daisy chain power connections. Connecting one of these pedals (using a daisy chain power connection) to another pedal that bonds the pwr and sig grounds effectively shorts the quasi isolation resistor and eliminates the noise reduction that the designer had originally implemented. A simple ohms measurement between the pwr and sig grounds will quickly identify these pedals.

The DC shifts that you have stated happens when there are unexpected ground loop currents and there is a resistance in the pedals ground. I have seen this several times. I am sure if you were to analyze the problem pedal with these voltage drifts, you will find substantial resistance in the grounds. Again, if there is a resistance in the grounds, it designed to be used with isolated power. If the pedal has its sig and pwr grounds bonded there is no chance that the micro ohms of resistance will develop enough of a DC voltage across it to drastically affect the circuit. The natural device tolerances and drift of offset bias currents and voltages within the circuit would be far greater. If the circuit is designed where it can not tolerate small drifts it will potentially be a problem regardless of the power source used. Especially since most analog pedals have no internal voltage regulation and will experience voltage drifts due to a battery or the variances between AC adapters.

If the power and signal grounds are bonded and you have issues with digital glitches the culprit will most likely be AC noise and/or spikes. AC noise propagates very efficiently thru ground loops and that is the biggest problem that we see (or hear) with audio ground loops. AC noise can also be transmitted and amplified across pedals even with isolated power, although this is much less of a problem.

The only way to minimize pedal ground loops is to use isolated power or break the signal ground with isolated signal coupling, like transformers. But, transformers can be great pickups for environmental noise, so they are rarely used in pedal designs.

Another source for noise with daisy chain power is that the power supply is not stiff enough for all of the pedals connected to it. What happens here is that the power supply can have ripple currents or audio signals reflected back onto the chain that can be amplified by some or all of the pedals connected to it.

-Frank
 
In my opinion, anyone who thinks that one's validity and/or capabilities as a musician are in any way determined by what kind of power adaptor they use for their effects pedals, is probably about as intelligent as the power adaptor they're an advocate for.

I've used several different brands of power supplies for pedals and I could never notice any difference in sound or functionality. My intuition tells me that advocation for this kind of marketing BS (again, this is all still "my opinion") is probably being perpetuated by over-paid executives, "technicians" with many superior professional rivals, and musicians who should spend more time practising. A non-issue if ever I saw one.

In other news, Pick vs Fingers, best bass for metal, "deluxe" power cords for amps, Neodymium amps will soon cost more than houses/not exist at all, no one can ever justifiably want more than a 4-string P bass...

George Carlin was right, there really is enough bull**** in this world to keep things held together.
 
i must have missed something. did somebody slag somebody else because of their choice of power supply? that IS pretty silly, but whatever.

urm. guys. sure, not everybody needs the most deluxe pedal supply possible. and some setups you won't notice the difference. but with different voltage and mA and dc vs ac requirements, i for one am damn glad that there's so many options out there.

sorry, but a OneSpot doesn't cut it in every situation. they're very cool little buggers, and i use one of their daisy chain cables for low mA draw/doesn't mind being in a chain pedz all the time to turn one output into 6 or 7, but some pedals are going to be noisy if they're not on isolated outs. just how it works sometimes. especially if you're mixing analog and digital pedals or anything with a carrier signal.
 
Well, to be honest, nobody came right out and used the word "douchebag." But that was the implication. Anyway, I got my answer, and I shan't give it a second thought. Thanks to all who replied!