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I have the 12, it sounds great with every bass and I practice through it all the timeI just whipped over to G.C.'s site:
Acoustic 50.
1-10" driver.
50 watts.
Tilt back cabinet.
$199.99.
(And if you could go just a little more $ for a much more capable amp.)
Acoustic 100.
1-12" driver.
100 watts.
Tilt back cabinet.
$279.00.
The Fender but personally, peavey max100 is probably the greatest puny combo amp ever made.I’m considering picking up the smallest and cheapest possible practice amp for acoustic jam sessions and just overall ease and portability. It’d be nice if it sounded OK, too.
I’m looking at the Fender Rumble 15 and the Ampeg BA-108 on the Long & McQuade website. Both are 15W 1x8 combos, and both around $150 CAD.
The price is right. I don’t really want to go up over $200 for the next size up.
For additional consideration, A buddy has a larger Fender Rumble combo and I have never gotten a sound out of it that I like.
Thoughts??
Absolutely accurate regarding the Rumble bass knob. They have some great sounds on tap, but you’ve got to get your head around cutting the low end.I had the v1 Ampeg 108, it was killer. I even cranked it to 3:00 and pitted it against a drumset once! (A little strained, but it did ok) for acoustic jams, it was always plenty.
I have the Rumble 25 now. I like it a whole lot. I think the key with the rumbles is dropping the bass knob to 10:00 or so. I think they’re made to be extra bassy to sound impressive in the store...
A Rumble 100 was my only gig amp for a while, it’s still my rehearsal amp. I discovered setting the 4-band to 10/2/2/10, it’s like I got a whole new amp. My 25 is just for home use, so I’m cool with the flat “bedroom tone” from that amp. Playing with the OD too, I feel like I get some Ampeggy tone from it. (25 just has an OD button, not variable.)Absolutely accurate regarding the Rumble bass knob. They have some great sounds on tap, but you’ve got to get your head around cutting the low end.