- Jun 30, 2010
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- musician/artist/owner - Gildaxe
Pretty much. One of them may be padded down slightly by the 920 ohm resistor.
Is that the colour-coded one? By 'padded down' - do you mean buffered/muted?
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Pretty much. One of them may be padded down slightly by the 920 ohm resistor.
YeahIs that the colour-coded one? By 'padded down' - do you mean buffered/muted?
Didn't realize "Spanky & Our Gang" (from '67) were British as they are rockin' Burns amps & guitars (12 & 6) and a Burns Jazz Bass. (yes, BoL had a Jazz Bass also) Their J-bass was basically an extension of the VS - mostly identical except for a body/pg redesign.
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They must’ve had a deal with Burns because they were an American band. I had to double check on that because you threw me for a loop because I’d heard “Spanky” talking before. The guy who wrote this particular song later on did the “talkin baseball” song.
They probably were an endorsing artist for Burns. A bit of a coup for Burns I’d say as they had a couple of songs that hit the million mark. It would be an interesting story of how they became sponsored. Maybe on a tour to the UK?. I’m pretty sure Elaine is still around.That's interesting - I was going to be impressed if they were British as they had the Americana look down in their dress. And even the 'groovy' Mamma'a & Papa's-esk song - I though, boy these Brits are really crossing over here! Wonder how often that happened - I mean, Fender guitars/basses and amps were definitely promoted and sought after in the UK. Even Jim Burns' "poster boys" Hank Marvin & the Shadows played Fender guitars for a while. Hank Marvin got the first Fiesta Red Strat in the UK in '59 I think, after an embargo was lifted.
Here's another late '60s American band endorsed by Baldwin/Burns. I think it was due to Baldwin which was a US company who bought the Burns line.
.Long time since I heard that one. I must admit I do have nostalgia from time to time about that era and the music. It makes me sad in a way that the flower power made movement petered out, and even more sad at the state of the modern world. Masks and gloves and global pandemics.
Cool!The Vista Sonic is back together and everything is working as it should. Switched the bridge pu wires and sure enough - it now sounds like a Jazz bass. (center and bridge pu combined) A much better combination than WILD DOG. (sorry Jim Burns) There's still a couple minor buzzing frets so at this point I ordered LaBella RX-N4A-M; MEDIUM SCALE Nickel low-tension flats for it as flats don't broadcast minor buzzing like rounds do. This bass had flats from the factory in 1963 so might as well see what it sounded like then.

I designed my first build around a pair of pickups, so why not?Can't recall on which thread I was tipped off to these super-cool retro RI Maton knobs - but they arrived today from Australia. Also sent a cool black & gold sticker and 4 plectrums along with a nice catalog of their acoustic guitars. Don't know where these knobs will end up - may have to design a bass around them!
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I designed my first build around a pair of pickups, so why not?
Can't recall on which thread I was tipped off to these super-cool retro RI Maton knobs - but they arrived today from Australia. Also sent a cool black & gold sticker and 4 plectrums along with a nice catalog of their acoustic guitars. Don't know where these knobs will end up - may have to design a bass around them!
View attachment 3854289
The levered knobs would look kinda steam-punk in brass.
Oh yeah, quite different. The levers strike me as rather odd with the Jetsons aesthetic, but that's just me.This is how they looked installed originally in the early 1960s - very different design aesthetic:
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Oh yeah, quite different. The levers strike me as rather odd with the Jetsons aesthetic, but that's just me.![]()