• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Pros and 'Unusual' Basses.

I don't know about a Boss multi effects unit, but he does use a Boss Looper which may look similar from a distance. I saw him at Guitar Center. He did a session and explained, verbally and hands on, how he uses it. The next week I bought myself the Boss RC 300 Looper (although he uses the smaller unit. I think it's the 30 or something)
He uses a gt 10b boss multiple effects go to Invalid Link Removed -and-equipment
 
I forgot about graphite reinforcement rods in the neck. That is a tangible improvement to the original design.
As far as I know they have little or no effect on tone and they make the neck more stable.
Active tone circuits are not nesacarily better. Noise canceling is an improvement I'd say. Other than that I don't think any quantifiable " improvements " have been made. I agree that there are companies who make Fender style instruments with higher grade materials and attention to detail but in most cases the listener won't notice. If you are more inpired to make music with an insturment built to such high standards with a tone that you love and is appropriate for the music you play great. For many of us Fenders fill the bill.
 
The Fender Bass is a lot the colt 45 pistol. A classic industrial design, function and form. Still in production today.
Most auto pistols use the same mechanisms and look quite similar. Sure you could get a glock ( kinda like a stienberger )
Or a gas operated desert eagle but many still Cary the 1911 Colt 45 .
A sadowsky is slot like Kimber .45 "race gun" the colt design built to higher standards with the best components.
A bit more accuracy and wow factor for three times the price.
 
I don't know about a Boss multi effects unit, but he does use a Boss Looper which may look similar from a distance. I saw him at Guitar Center. He did a session and explained, verbally and hands on, how he uses it. The next week I bought myself the Boss RC 300 Looper (although he uses the smaller unit. I think it's the 30 or something)
Thanks for the useful information, very much appreciate learning what our favorite bassists use to help supply their tone. :)

My post, though, was about seeing Victor plug a hat (specifically, a fedora) into his FX. :cool:
 
  • Like
Reactions: gjohnson441496
I agree I think there are many pros who know little about the technical specs etc
Of their equipment. I know some people can't believe victor Wooten plugs his fedora into a boss multiple effects unit. They wish he used a bunch of boutique pedals like they do.
Id rather be complimented on my playing than that elusive perfect tone,

I certainly don't believe that. In fact, I don't ever recall seeing Victor with one. ;)

hqdefault.jpg

His setup:
Victor_Wooten_live_02.jpg

Now to track down one of him plugging the hat into the Boss...

Thanks for the useful information, very much appreciate learning what our favorite bassists use to help supply their tone. :)

My post, though, was about seeing Victor plug a hat (specifically, a fedora) into his FX. :cool:

Victor Wooten wearing a fedora while playing a Fodera is the best part of the last five pages. Unfortunately, the joke went right by everybody except a moderator.
 
  • Like
Reactions: theinfamous
I forgot about graphite reinforcement rods in the neck. That is a tangible improvement to the original design.
As far as I know they have little or no effect on tone and they make the neck more stable.
Active tone circuits are not nesacarily better. Noise canceling is an improvement I'd say. Other than that I don't think any quantifiable " improvements " have been made. I agree that there are companies who make Fender style instruments with higher grade materials and attention to detail but in most cases the listener won't notice. If you are more inpired to make music with an insturment built to such high standards with a tone that you love and is appropriate for the music you play great. For many of us Fenders fill the bill.

I'm glad you're having fun paraphrasing the same thing you've said 50 times and antagonizing everyone.

You refuse to acknowledge OBVIOUS tangible improvements by other manufacturers simply because you don't like them.

I prefer my Carvin to a Fender pretty much all the time because I can get a lot more tones out of it than a standard jazz or p bass, and I don't think I will ever feel very pressed to buy a Fender for that exact reason.
 
What was custom on it, I don't recall that as a model?

I knew a guy in the very early '70s who had a EB3L with the slotted headstock. Never really got on with Gibby short scale basses. The only Gibby I ever owned (besides the two RD Artist guitars - oops, there's that word again :D) was a mid '70s Jetglo black Ripper I bought new back then.
 
What was custom on it, I don't recall that as a model?

I knew a guy in the very early '70s who had a EB3L with the slotted headstock. Never really got on with Gibby short scale basses. The only Gibby I ever owned (besides the two RD Artist guitars - oops, there's that word again :D) was a mid '70s Jetglo black Ripper I bought new back then.
Its custom because it is white with gold hardware and also a les paul type switch rather than the rotary type seen on most. It has custom on the truss rod cover. From what i understand white was on available as a custom. It is entirely stock.It belonged to my father. It is a nice contrast to my jazz bass with fat beams,Short scale with med. Light flat chromes.
 
Its custom because it is white with gold hardware and also a les paul type switch rather than the rotary type seen on most. It has custom on the truss rod cover. From what i understand white was on available as a custom. It is entirely stock.It belonged to my father. It is a nice contrast to my jazz bass with fat beams,Short scale with med. Light flat chromes.
1424293850386.jpg

Its custom because it is white with gold hardware and also a les paul type switch rather than the rotary type seen on most. It has custom on the truss rod cover. From what i understand white was on available as a custom. It is entirely stock.It belonged to my father. It is a nice contrast to my jazz bass with fat beams,Short scale with med. Light flat chromes.
1424293850386.jpg
1424293850386.jpg
1424294113714.jpg