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and I say good on ya jared for getting back to the bassics.
when I play disc golf I used to like to carry 15 discs with me but figured out that if I could really focus on understanding what just three of those do for me I can be a better player
utside of the one gig that requires a couple effects (OD, Fuzz, Filter) I'm putting my effects away for a while but not selling anything for the time being. When and if I find a good band or project I'll reassess.
With a little bit of fun on the side. 3 or 4 pedals - any more I start getting frustrated. Too much to monitor up front and a distraction to the playing.
But I still want more. My only question now is do I sell the ones that don't make it onto the final board or keep them to rotate them and keep it fresh from time to time?
Bjazzman said:and I say good on ya jared for getting back to the bassics.
Pfft, that's like congratulating someone for moving from underwear back to diapers.
Some very good stuff in this thread. Again, if I had a viable and consistent musical project this wouldn't even be an issue, but with increased downtime comes increased fiddling/critiquing/buying & selling gear - at least for me.
Outside of the one gig that requires a couple effects (OD, Fuzz, Filter) I'm putting my effects away for a while but not selling anything for the time being. When and if I find a good band or project I'll reassess.
think the reality is that I'm frustrated at not finding a good, consistent band to play with and my frustration with my gear is an offshoot of that.
Oh, this is just hilarious!
The Big O ain't sO big nO mO.
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This post brought two more things to mind... without a band I start wanting pedals for things that I could be doing, not what/how I actually play. I start buying stuff to have all the bases covered, but the lack of a specific situation I'm playing in lets it get really carried away...
I start thinking I need a gated fuzz in case I want to sound synthy, a classic fuzz to sound smoother, an overdrive for to go with clean guitar, a clean boost to keep up with the guitar changes, a heavy distortion for when the guitar stops, an octave to fill out my higher playing, a squishy compressor, a hard limiter, an envelope filter, a phaser for some movement, a vibrato for pitch changes........
And, the other big mistake I always make is selling off everything when I suddenly change my philosophy about using effects. I always end up regreting a big chunk of the pedals I sell off. So this time around I'm keeping one of each of my staple types of effect and some of the harder to find pedals. I think this is a bit easier having built one of most of the types I'm keeping around as there's less money invested in it. I figure that this way the worst case scenario is that later in life I have a stash of kinda unique older pedals to deal with instead of that horrible feeling of rebuying an overpriced pedal.
my last set up was the PT Jr. now i downsized again to PT Mini. its not that i don't need the rest of the pedals from the Jr. in fact, this is the perfect set up for me, the one i learned here at TB for hanging around for more than a year. its just the constant moving of venues from my gigs. its getting difficult for me to carry my Bass and my PT Jr to different venues every night.
Hey, I know what you mean... I've been similarly frustrated off and on over the past several years. I'm currently in one band that truly appreciates effected bass... and in another that that guitard thinks effects is his sole domain. I see you're in Northern California... PM sent.