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PYPB 44: ...like Tetris with boxes, wires and cables

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Studio fun.
 
It's been over twelve months since I posted my board so I thought an update was due.

There have been a couple of small changes, but the core remains the same. Main shifts: Darkglass is gone (forever - there was always something 'lacking' with the DG pedals for me) and the SA Aftershock rocks. I upgraded my modulation hub from the Terraform to a Synesthesia, replaced a Nemesis Delay with a second Collider (allowing me stack 4 delays or 4 reverbs or any combination as needed) and my 'spare slot' changed from the Matryoshka to the Fwonkbeta. Though the Fwonk plays very well with the dirt section for some synth tones, it's a bit too 'funk' and the filters in the Synesthesia do a decent job for synthy tones as well, so I'm considering replacing this for something else in the same enclosure width - not sure what yet.

Signal chain for those that like that kind of thing...

Input -> Boss OC-5 Octave ->
Dr. Scientist Frazz Dazzler ->
Source Audio Aftershock ->
Red Panda Bitmap 2 ->
Mr. Black Fwonkbeta ->
GFI System Synesthesia ->
Iron Ether Xerograph Deluxe (+ Moog EP-3 Expression Pedal) ->
Digitech Whammy Ricochet ->
Source Audio Collider Delay + Reverb (1) ->
Source Audio Collider Delay + Reverb (2) ->
TC Electronics Polytune 2 Mini -> Output

Everything is powered by a Cioks DC7 (which hasn't even hit the 40% load light yet - what a power supply!) and cabled with EBS gold flat patch cables. All mounted to a Pedaltrain Classic2.

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It's been over twelve months since I posted my board so I thought an update was due.

There have been a couple of small changes, but the core remains the same. Main shifts: Darkglass is gone (forever - there was always something 'lacking' with the DG pedals for me) and the SA Aftershock rocks. I upgraded my modulation hub from the Terraform to a Synesthesia, replaced a Nemesis Delay with a second Collider (allowing me stack 4 delays or 4 reverbs or any combination as needed) and my 'spare slot' changed from the Matryoshka to the Fwonkbeta. Though the Fwonk plays very well with the dirt section for some synth tones, it's a bit too 'funk' and the filters in the Synesthesia do a decent job for synthy tones as well, so I'm considering replacing this for something else in the same enclosure width - not sure what yet.

Signal chain for those that like that kind of thing...

Input -> Boss OC-5 Octave ->
Dr. Scientist Frazz Dazzler ->
Source Audio Aftershock ->
Red Panda Bitmap 2 ->
Mr. Black Fwonkbeta ->
GFI System Synesthesia ->
Iron Ether Xerograph Deluxe (+ Moog EP-3 Expression Pedal) ->
Digitech Whammy Ricochet ->
Source Audio Collider Delay + Reverb (1) ->
Source Audio Collider Delay + Reverb (2) ->
TC Electronics Polytune 2 Mini -> Output

Everything is powered by a Cioks DC7 (which hasn't even hit the 40% load light yet - what a power supply!) and cabled with EBS gold flat patch cables. All mounted to a Pedaltrain Classic2.

View attachment 4796364
View attachment 4796365
View attachment 4796366
Remind me what the Synesthesia is all about, and how you like it?
 
Remind me what the Synesthesia is all about, and how you like it?

It's a programmable dual modulation pedal. Pretty much all the mod options you can imagine and it can run two at a time, in series or parallel. There is a lot under the hood, but once you get to grips with it, it's amazing.

I used to run multiple modulation pedals, but eventually picked up a Terraform to replace them all. My only annoyance was not being able to run more than one, I.e a phaser into a tremolo or chorus and flanger together etc. This pedal solves that entirely.

I briefly owned an Eventide Modfactor, which I would say is the most comparable pedal. The GFI is smaller, less power hungry and, IMO, sounds better on bass.
 
It's been over twelve months since I posted my board so I thought an update was due.

There have been a couple of small changes, but the core remains the same. Main shifts: Darkglass is gone (forever - there was always something 'lacking' with the DG pedals for me) and the SA Aftershock rocks. I upgraded my modulation hub from the Terraform to a Synesthesia, replaced a Nemesis Delay with a second Collider (allowing me stack 4 delays or 4 reverbs or any combination as needed) and my 'spare slot' changed from the Matryoshka to the Fwonkbeta. Though the Fwonk plays very well with the dirt section for some synth tones, it's a bit too 'funk' and the filters in the Synesthesia do a decent job for synthy tones as well, so I'm considering replacing this for something else in the same enclosure width - not sure what yet.

Signal chain for those that like that kind of thing...

Input -> Boss OC-5 Octave ->
Dr. Scientist Frazz Dazzler ->
Source Audio Aftershock ->
Red Panda Bitmap 2 ->
Mr. Black Fwonkbeta ->
GFI System Synesthesia ->
Iron Ether Xerograph Deluxe (+ Moog EP-3 Expression Pedal) ->
Digitech Whammy Ricochet ->
Source Audio Collider Delay + Reverb (1) ->
Source Audio Collider Delay + Reverb (2) ->
TC Electronics Polytune 2 Mini -> Output

Everything is powered by a Cioks DC7 (which hasn't even hit the 40% load light yet - what a power supply!) and cabled with EBS gold flat patch cables. All mounted to a Pedaltrain Classic2.

View attachment 4796364
View attachment 4796365
View attachment 4796366
Great board! :thumbsup:
 
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Reactions: pantherairsoft
The smaller HXFX board is still the same here. This board works great for direct recording (dry and wet) for me.



I'm bummed the Two Notes ReVolt Bass won't be coming out this month so I can change the bigger board up to something like this-


I'm starting to look into the Master Effects Super 300 or Sushi Box Underground Accelerator or Mesa D.I. or something instead?
Not sure yet, may try to hold out as I really like the layout of the ReVolt.