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Quality or quantity?

Perfect! You can send a signal to the PA from your pedal so the PA can handle more of the heavy lift and then you don't need to push your amp too hard.
Having the preamp with the DI capability really opens up a lot more options for you than if you needed to carry the day in a larger venue (or outside) with your amp alone. IME for a band mix to sound good to the audience, the instruments (including drums/percussion) need opt be properly balanced. Drums, keys, and bass can compete in ways that mask each other and muddy the lower end. The bass and keys also need to be well blended with the guitarists and it's usually hard to do that well on stage with everyone controlling their own amp EQ and volumes.
 
The Rumble would be used whereas the Wenstone would be new. Buying anything new by fender here is way too expensive to be viable.
I didn't realize the Fender would be used. That could be a problem for you in the event you need service. And, by the way, there's nothing terribly magical about the Fender Rumble 25. It's a practice amp at best and not capable of much more. I'd go audition the Wenstone 45 with the 10" speaker?
If you like it and its new, that would be my choice. Don't be seduced by the Fender name especially if you have to over pay for it.
 
Whatever your considerations are, physics doesn't care. I think you mentioned that you had access to an amp at school that you could borrow? I'd continue with that and continue to save for at least the Fender 40. If you buy the 25 now I think you will quickly find yourself needing more and starting to save at zero instead of where you're at now.
 
Whatever your considerations are, physics doesn't care. I think you mentioned that you had access to an amp at school that you could borrow? I'd continue with that and continue to save for at least the Fender 40. If you buy the 25 now I think you will quickly find yourself needing more and starting to save at zero instead of where you're at now.
While I would like to save for more, it's just not an option thanks to the economy and me having no job, plus, I can only use the amp at school for emergencies since I can get suspended for taking it.
 
The Wenstone has almost identical feature set to the Ampeg BA110v2. I wonder if Wenstone didn't cop a bit of Ampeg's Secret Sauce. For your budget, I'd probably look for a USED amp. You'll get much more for your money.

They might have copped some of the look, but not the "secret sauce".

A used amp would be a better choice, if there is a good market there for used amps.
 
I managed to scrounge up enough money to buy a decent amp and i'm now faced with a dilemma, should I buy a fender rumble 25w or a wenstone 45w amp (amp manufacturing company from my country argentina)?

wenstone is relatively good and i could definitely use a bigger amp but i trust fender's quality much more, any advice?
Be patient. Save money and buy a Mesa Subway rig. Buy once, cry once. You WILL be set and satisfied! I learned my lesson the hard way, spending money on rigs that I thought would be satisfactory. Then, I sold them and saved money for a Subway rig. Beyond satisfied!
 
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Be patient. Save money and buy a Mesa Subway rig. Buy once, cry once. You WILL be set and satisfied! I learned my lesson the hard way, spending money on rigs that I thought would be satisfactory. Then, I sold them and saved money for a Subway rig. Beyond satisfied!
Sadly a mesa subway costs over a million pesos which is a bit too much for an underage unemployed broke bassist.
 
While I would like to save for more, it's just not an option thanks to the economy and me having no job, plus, I can only use the amp at school for emergencies since I can get suspended for taking it.

Just trying to help because I think you’re not going to be happy with either of the combos you’re suggesting and end up wasting that money.
 
I have and like a Rumble 25, and have no experience at all with Wenstone. That said based on your goals and limitations I’d seriously consider the Wenstone, simply for the 10” speaker.

I’d say your #1 priority should be getting as much speaker surface you possibly can. Even more important than watts. To play in a band i think minimum is 12” or better yet a 15”. If you can check out that Wenstone 1200 you mentioned, I’d seriously consider it.

But if you do end up with the 10” amp, you can maximize your output by getting it up off the floor near everyone’s ear line, cut the bass and bump up the mids. Good luck!
 
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Couldn't find a be600, but I did find a used be1200 which is 120w (Invalid Link Removed) though I'm not sure what state its in.

I'd go for that one. You can contact the seller (there's a phone number in the second pic) and might be able to go and try it if you are somewhere close to BsAs.
There will be a huge differe between that 1x15 combo and the 45 w 1x10. If you intend to use it in a band context I wouldn't think twice about it.