Amusing fact - you'll probably find more downtuned guitars in power metal than in black metal for the above reason
+1
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Amusing fact - you'll probably find more downtuned guitars in power metal than in black metal for the above reason
Between The Burried and Me
I play a Carvin 6, and for several years [4 or more] have dropped all my strings 2 semi tones [from my normal BEADGC] and have been playing with whatever tuning my guitarists go down for . . . I guess I don't understand the "will never happen" maybe I'm just wierd, although musically trained and read music, I long ago forgotten keys etc. I just hear a note/chord/etc and just play. I lost what I used to know and use all the time from playing with very gifted guys that just play but not all knew "standard" musical nomenclature - from atrophy in my brain I guess . . .. . . what *works in a band* is for everybody to be in the same tuning. don't think you can substitute a standard tuned 5 string and transpose when the guitar players are tuned to D or D flat standard. it might work in freefrom jazz, but when you're doing unison metal riffing with bass counterpoint it will never happen.
Don't lump BTBAM with them, and Dan Briggs doesn't down tune, he plays a five.
in other words I never change my tuning from what I play and don't follow what strange tunings they're always changing this or that guitar for. . . I play one bass most of the time and am home with it. ymmvI play a Carvin 6, and for several years [4 or more] have dropped all my strings 2 semi tones [from my normal BEADGC] and have been playing with whatever tuning my guitarists go down for . . . I guess I don't understand the "will never happen" maybe I'm just wierd, although musically trained and read music, I long ago forgotten keys etc. I just hear a note/chord/etc and just play. I lost what I used to know and use all the time from playing with very gifted guys that just play but not all knew "standard" musical nomenclature - from atrophy in my brain I guess . . .
couldn't have been the Woodstock era drugs . . .I was tame for the time. . .
kind of my point when I say I keep my tuning the same all the time. I like the sound and feel of my low A and I just play the notes needed where they occur and have gotten used to that- - - that's *my* bass voice ( and I can make her sing like others when I wish to continue the analogy; not sure how that fits in others' schema's but to each his own.Wouldn't singers range determine the tuning? Or are most singers just wonderful when hitting low notes.
hope that adds to the discussion anyhow. . . I love what we all do and couldn't imagine ever having to stop . . . let your soul go is what I'm saying, just be you and thats the best you can be. . . I especially believe in keep growing but I'm an old fart and have finally settled on a few things not pickiing up four basses because I *need* to not knowing how to play this or that riff on my any of my basses seemed not good *for me*- - -ymmv- - - but I began (1967) wanting to be Jack Bruce and say would opine the he is still WAY more than relevantkind of my point when I say I keep my tuning the same all the time. I like the sound and feel of my low A and I just play the notes needed where they occur and have gotten used to that- - - that's *my* bass voice ( and I can make her sing like others when I wish to continue the analogy; not sure how that fits in others' schema's but to each his own.
We're all artists and I like cutting my own path with my own bass lines and learn as many of others as I can play so as to keep expanding my own voice on my babygirl!
The only thing I haven't tried is like Billy Sheehan with his downtuner key or as others (VW) who just changes his tuners at will on the fly. . . never been that brave or perhaps even willing to try, but I still see the value of playing *others* things and thus trying to do it *exactly* (not just the notes and style-with which I am satisfied I guess personally; if I can make the same sound I guess I never cared ) as they . . . downtuning to this or that as perhaps some may do with my things as I *do* use the A and without it, one could not play *me*. . . but I'm not so full of myself as to expect that will occur. . .hope that adds to the discussion anyhow. . . I love what we all do and couldn't imagine ever having to stop . . . let your soul go is what I'm saying, just be you and thats the best you can be. . . I especially believe in keep growing but I'm an old fart and have finally settled on a few things not pickiing up four basses because I *need* to not knowing how to play this or that riff on my any of my basses seemed not good *for me*- - -ymmv- - - but I began (1967) wanting to be Jack Bruce and say would opine the he is still WAY more than relevant![]()
I have been playing bass for about a year, and have been learning in standard tuning (EADG).
I really enjoy metal music, and was just wondering if it is possible to play metal without downtuning? Are there any metal bands that play in standard tuning?
Also, wouldn't extending the bass' range by playing a 5-string, for example, in standard tuning give you access to the same notes as if you had downtuned a 4-string?
I am just trying to learn about this, and am finding it slightly confusing -- please feel free to help educate me
Thanks in advance for any responses -- I really appreciate it!
- Paperman![]()