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Questions about building a body.

I'm talking about this little hook tool.
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Like I said though, I'm not educated enough in this field to have a real opinion, I'm just saying what it looks like from my point of view.:hyper:

Well - in spite of my reluctance to just go out and buy a lot of tools from SM - this whammy spring tool makes sense if you want to have real control over those springs.

So - with mixed emotions I can say I find this tool or something akin to it as a good - albeit not an absolute necessity in a repair shop.
 
Ok, I've got another guy who's going to prepare a body blank for me.:D

I caught the last few minutes of an eBay auction and won two nice bookmatched pieces of Curly Black Walnut.
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Each piece is 24"X9 3/4"X1 7/8", so that should leave me with a nice amount of scrap to do other things with.:D

I just need to source my laminate top wood now.
 
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Each piece is 24"X9 3/4"X1 7/8", so that should leave me with a nice amount of scrap to do other things with.:D

I just need to source my laminate top wood now.

you have some killer figured Walnut, and you're going to put some kind of top over this? :confused: :eyebrow:



seriously - this is your first body. save that Walnut for your third/fourth body build, for when you have a good grip on what you're making. source an Alder, Poplar, Pine, etc ... blank and build away (and forgetting any kind of fancy wood top as well) ... unless you have an experienced builder working this with/for you, you'll be better off financially and you'll also have this piece of killer wood to use on a bass you'll play because everything is done right

WAAAAAAYYYY too many first-time novices utilize fancy woods in thier builds due to ignorance (and to some extent, ego) - they haven't built a bass before, they have little (or no) experience working to precise tolerances with tools they have not honed their skills on, they make multiple mistakes along the way ... and that killer piece of wood becomes something wasted and quickly forgotten because the body/neck is unusable.

hone your building skills on inexpensive, but stable wood. get your crafting skills to where you can repeatedly build a body without significant errors/flaws, learn how to read the wood you're working with so you 'assemble' it in the most stable manner ... and ONLY THEN attempt to utilize some kind of figured wood.

this is definitely NOT a personal dig at you. this is simply a word of wisdom (written to all those novices reading this thread) that's repeated as nauseum by those who build instruments and look with hindsight to those nuggets spoken to us that we now wish we would have heeded when first starting out.

I wasted hundreds of $$ on woods I wish I could source now ... wood that hangs as 'grotesque objects of learning' on the "wall of shame" as an object lesson to all novices who visit my shop seeking building advice.

all the best,

R
 
you have some killer figured Walnut, and you're going to put some kind of top over this? :confused: :eyebrow:



seriously - this is your first body. save that Walnut for your third/fourth body build, for when you have a good grip on what you're making. source an Alder, Poplar, Pine, etc ... blank and build away (and forgetting any kind of fancy wood top as well) ... unless you have an experienced builder working this with/for you, you'll be better off financially and you'll also have this piece of killer wood to use on a bass you'll play because everything is done right

WAAAAAAYYYY too many first-time novices utilize fancy woods in thier builds due to ignorance (and to some extent, ego) - they haven't built a bass before, they have little (or no) experience working to precise tolerances with tools they have not honed their skills on, they make multiple mistakes along the way ... and that killer piece of wood becomes something wasted and quickly forgotten because the body/neck is unusable.

hone your building skills on inexpensive, but stable wood. get your crafting skills to where you can repeatedly build a body without significant errors/flaws, learn how to read the wood you're working with so you 'assemble' it in the most stable manner ... and ONLY THEN attempt to utilize some kind of figured wood.

this is definitely NOT a personal dig at you. this is simply a word of wisdom (written to all those novices reading this thread) that's repeated as nauseum by those who build instruments and look with hindsight to those nuggets spoken to us that we now wish we would have heeded when first starting out.

I wasted hundreds of $$ on woods I wish I could source now ... wood that hangs as 'grotesque objects of learning' on the "wall of shame" as an object lesson to all novices who visit my shop seeking building advice.

all the best,

R

As I've said earlier, I picked up a cheap Alder body blank on eBay to practice with before I start working the real thing.
And if that doesn't come out nicely, I'll try another cheap build after that.:hyper:
 
I got my routing templates this morning.:D

I find it interesting that StewMac's instructions for the neck pocket template contradict the instructions for the 3/8" pattern follower bit.

The neck pocket template's instructions state that: "Many builders prefer to use extra bearings on the shank. With a stack of four bearings, the cutter bit contacts the template at all heights." Conversely, the instructions for the bit state: "We recommend that you use no more than two bearings stacked at one time[.]"
:eyebrow:
 
At what point did Fender stop the non-contoured slab bass body and go to the more rounded version?

At that same time, was there a significant change in pickup designs?

Thinking that if one puts a p'up cover on this bass, then you can pretty much put any design of p'up under it and get a nice sound.

Lipsticks?

Jazz-styles?
 
At what point did Fender stop the non-contoured slab bass body and go to the more rounded version?

At that same time, was there a significant change in pickup designs?

Thinking that if one puts a p'up cover on this bass, then you can pretty much put any design of p'up under it and get a nice sound.

Lipsticks?

Jazz-styles?

This is actually going to be a guitar.
I had thought about doing a bass body for the practice build, but the blank was too small to do a Jazz bass with, and honestly, it's best I stick to the same tremolo bridge routing that my "real" build is going to have, so I get a chance to practice it.

I have a soft spot for '80s shredder guitars, so if my first practice body is comes out half decent, I'm thinking something along the lines of a Charvel Strat.
The body is Alder, so eventually it would get a solid finish. It will have a cheapy Floyd Rose knockoff bridge, and get the all- Maple neck I currently have on my MiM Strat. Add rear routing and no pickguard, and it's a Charvel style Strat.:hyper:

I got impatient and decided to cutout the shape on the bandsaw, and clean up the saw marks with the spindle sander.
I left the top of the blank untouched, because I want to route the neck pocket before I do anything in that area.
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Yay! The Walnut and Bubinga came today! :D

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The Bubinga is too intense to be photographed! I'm having a really hard time getting a good picture, because my camera totally overexposes.
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As far as the practice body goes, I've done the neck pocket and neck pickup routes, as well as the roundovers. I still need to hand sand the roundovers to perfection. I'm about halfway done sanding now.
 
I'm sure this probably comes up weekly, so I apologize if this is said ad-nauseam, however, I'm thinking about trying my hand at building a body, and I have a few questions for all the experienced luthiers and woodworkers here.

First off, where is a good source to get wood?
Tropical Exotic Hardwoods of Latin America, LLC was recommended to me, but they are a 90 mile drive. I've found several online suppliers, but most simply list the woods they stock and the price per-boardfoot. I'm looking for either a place I can visit near the Los Angeles area, or an online supplier, like Gilmerwood, that shows pictures of their actual stock.

I'm interested in a somewhat figured piece of Walnut (One or two pieces.) for the body core, or perhaps a nice piece of Padouk instead. As far as laminate tops, I'm open to anything that strikes my fancy, but I'm particularly interested in Amboyna Burl (Depending entirely on the price.:hyper:), Figured Bubinga and Curly Redwood.

Does anyone foresee any problems with those wood combos? Perhaps I'm overlooking potential issues gluing the woods, or with the workability? If it makes any difference, I plan to put an oil finish of some sort on the body.

I do not own, or have access to a planer or jointer, and I really only have a handful of small wood clamps, so I will need to have someone prepare a body blank for me by planing to thickness, jointing, and gluing up the laminate top and core. Is this a service that a wood supplier could offer me? I might have to have a local woodworking shop do it. How much should I expect to pay for such a service?

Finally, who sells routing templates? StewMac has what I need, but they are notoriously expensive! Does anyone else have routing templates for less? Perhaps someone here would loan theirs out?

I need a rear-routed control cavity template (And a control cover.), a Stratocaster neck pocket template, direct-to-wood mount single coil and humbucker pickup templates and a recessed Floyd Rose bridge template.

I appreciate any responses.:)

I haven't read through the whole thread yet but just thought I'd suggest talking to a cabinetmaker near you. They may have some scraps you can use or know where you can get what you're looking for.