It’s already been said here that context is everything. So I have trouble with the use of isolated tracks to make a point. McCartney was not creating a solo tone. He came up with a tone that works in the context of the overall arrangement. The thumping staccato tone allows him to do the upper register melodic fills without the song losing bottom. It works perfectly with Ringo’s drumming and the other instruments. I would argue given the artistic results it’s the perfect bass sound.
It’s like looking at a great painting and saying the artist used the wrong shade of blue here.
It’s like looking at a great painting and saying the artist used the wrong shade of blue here.