For my studio setup, I’m doing something fairly similar to what a recommend above.
My bass is going into an MXR bass compressor, an old Sansamp, and then gets split between the DI OUT and the 1/4 OUT. DI goes to the mixing board and the 1/4” goes into an overdrive, a fuzz, and then my SVT 7. The mids are cranked to around 3 o’clock and the speaker outs go to a sealed 4x10 cab. the cab is mike with whatever the engineer recommends, idk.
ALTERNATIVELY, I’ll put a Morley signal splitter in after the sansamp, and have one go direct to the SVT 7 with the EQ fairly scooped, and the other go through my dirt pedals and into the clean channel of my Peavy Triumph and a Marshall 4x12”. I would use the DI OUT on the SVT for the bass tone. Ideally, each amp would be in its own isolation booth so i could get the punch from the bass cab, otherwise I feel like this will get lost in the mix more than the other method. i’m honestly not sure.
I know the engineer for this session is also a bassist, so I need to reach out to him and see what he says about all this. I’m sure he’ll kick the MXR off my signal chain for a better compressor and will mostly likely throw an HPF somewhere in there as well.