• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Reggae Bassists Club!!!!

I played in a roots band for about 4 years and I loved every minute of it. In an effort to emulate the greatest of all reggae bassists (IMHO) Aston Barrett I used my Fender Jazz with D'Addario flats. Went from using my usual .45's to .50's for this gig. Played that bass through a GK 800RB and an Ampeg 410HE and it sounded fantastic! I never wanted to beef and thickness in the mix of the band.

This was all about 10 years ago now. Here's a bit of a clip of me playing with them. Forward up to 8:13 to catch the rootsier tune.

https://www.youtube.com/watch?v=0IjZrgLTGjU
 
My friends in a Cali Reggae band invited me to jam so I brought my SVT VR to play reggae for the first time with it. I just love this amp. I kicked on the bass boost on the head and it was instant bliss. I also had my Precision with flats so that helped as well. Just a sick tone.
 
As life has moved along, half of my band has started families and dispersed to different parts of the country. We've never formally announced disbanding, so we still get the occasional booking request. We just got an offer to open for the Wailers next month in Portland......... if it were two weeks later we'd be able to do it cause I'll be in town. Had to turn it down. That one hurt. Guess I should be flattered just to be offered.

oy vey... :bawl:
 
  • Like
Reactions: Kubicki Fan
I was wondering if anyone here would know specifically what gear was used for classic Studio One recordings of the original roots-rock steady era or for, say, Jackie Mittoo's Macka Fat...

btw this is my band playing a nice reggae tune last summe, Drifting Along by Jamiroquai...
 
Last edited:
Maybe this belongs in a new thread, but there seems to be a fairly limited interest in reggae bass on this board so I'll post it here where those that feel it can see it.

Do many of you feel the way I do, mainly that bass in traditional styles of reggae really has to be freaking loud to come into its own?

Since my teens I've been attending Sound Systems and reggae concerts, and one of the main things that got me hooked was the sheer power and direct emotional response i get from bass that is so high in the mix and amplified so heavily.

IMO a main feature of well recorded and live reggae bass is its inherent ability to sound great at unfeasibly high SPLs. I can't imagine being able to stand, never mind glory in, a bass tone that had too hard mids or untamed highs at the levels commonly heard in the genre. Also, the arrangements and mix of a typical reggae ensemble allows the bass (and all the instruments except commonly the bubbling organ) to be heard very cleanly and distinctly, even with a big band with horns and percussion. There are very few other genres that give the bass this freedom and prominence, more power to reggae!

There is something about the transformative power of extremely loud bass that is hard to explain but I imagine obvious to most reggae fans and players, mainly that level when the bass stops just being notes and becomes closer to what I think of as architecture. It's like the pure rhythmic power and intensity of drums but held longer, and there is such a visceral solidity to each note that it seems the whole room is transformed and becomes wed to the each note. No other frequency band is experienced in quite the same way, IMO, and it is this that makes it so fascinating.

The other interesting phenomenon is how directly an emotional response super loud bass can cause in a listener. No other instrument seems to have this strong an emotional effect, nor lends the player the same power to control an audience's emotions.

And most of that musically and emotionally useful power seems to reside in the low mids, we seemed tuned to it.

Just throwing some things long considered thoughts out there, feel free to shoot me down or big me up!
There are masters of the genre that would agree with you.
 
  • Like
Reactions: Sounbwoy