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Rehearsal bands (jazz content)

I play in a couple of "rehearsal bands" and was curious if anyone else did.

For those who don't know, a rehearsal band is when someone has a book (hundreds) of big band or small big band charts and a band assembles every week or every other week for a couple of hours in someone's garage, or at a church, or a school, or retirement community clubhouse to read through charts. Some bands might get a gig a couple of times a year but for the most part, the focus is on the "rehearsals".

Members of these bands range from retirees who would rather play some music than play some golf, college students "paying their dues", or weekend warriors like myself who use them as surrogate practice. The bands range in ability from god awful to pro level. The same goes for charts. They go from watered down high school charts to "hold on to your hats, this is going to be a rough ride".

So why is this thread in General Instruction?

1. Rehearsal bands can teach you how to play bass

The guy who ran the first rehearsal band I was in recently passed away and I was reminded of how I learned to play bass in his garage...RIP Keith.

I started playing in his rehearsal band as soon as a I bought my first bass. I had switched over from trombone so reading wasn't really an issue. Playing bass was. What I learned in that initial trial by fire, hanging on for dear life, was priceless. Reading charts, transferring those notes onto bass, the role of the bass in music, and how to play with others were all instrumental in my early development. Most importantly, it happened in a low pressure, non-performance situation.

2. Rehearsal bands are a great way to work on reading

Let's face it, the majority of swing is four quarter notes per bar. That only leaves you four notes to decipher. If you're lucky, the chart will also have chord symbols and you can start associating notes with chords. Latin charts will usually have simplified bass lines that'll provide an increased challenge in reading rhythms and teach you the basics of playing different latin rhythms. The added pressure of doing it in live will enhance your focus and concentration; you'll rarely get a do over.

3. Rehearsal bands are a great way to break into jazz

I see plenty of threads asking how to get into playing jazz. As long as you can read, this is it! In a small combo playing off fake charts, you'll be expected to "write" your own bass lines. That can be a daunting task if you're just starting out. Most charts will be notated note for note so there's no need to develop a walking bass line, just read what's there. By doing that, you'll learn what makes a good bass line.

4. Rehearsal bands are a surrogate for proper practice

Unless I'm working on something specific for an upcoming gig, you'll rarely find me playing alone. It bores me to tears. Playing in a couple of rehearsal bands allows me to maintain my playing and reading chops for times when I need them

5. Rehearsal bands are a great way to network

Rehearsal bands are often a revolving cast a characters with substitutes coming in or people coming and going. You never know who will be calling you for a gig or referring you to someone else.
 
The band I'm in right now was formed as a rehearsal band, 25 years ago. They got together every week at a burger joint in downtown Madison, and got free food. The lineup would typically be different every week, and the band read through whatever charts they could scrounge up. They kinda modeled themselves after the Thad Jones / Mel Lewis band that had a similar gig at the Village Vanguard.

I agree with all of the things that you say about rehearsal bands. A few years ago, my band went to more of a rehearse / gig format, two rehearsals and one gig per month. We rehearse in a high school band room in Madison. Before I became the main bassist for this band, I volunteered to fill in for rehearsals.

A colleague of mine at work runs a rehearsal band in his basement. He's a trombonist, and his wife plays sax.

It's a blast, and I'd recommend it to anybody who's looking to get into jazz. I can think of no better way to build reading chops.
 
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:hyper:Great idea!

I just put up a post on Craigslist to try to form a Rehearsal/Jam band near me. If I can find a few like-minded music lovers in my area and get together a few times a month, it would sure broaden my horizons beyond my professional lessons and playing along with mp3s!
 
I play in a couple of "rehearsal bands" and was curious if anyone else did.

For those who don't know, a rehearsal band is when someone has a book (hundreds) of big band or small big band charts and a band assembles every week or every other week for a couple of hours in someone's garage, or at a church, or a school, or retirement community clubhouse to read through charts. Some bands might get a gig a couple of times a year but for the most part, the focus is on the "rehearsals".

Members of these bands range from retirees who would rather play some music than play some golf, college students "paying their dues", or weekend warriors like myself who use them as surrogate practice. The bands range in ability from god awful to pro level. The same goes for charts. They go from watered down high school charts to "hold on to your hats, this is going to be a rough ride".

So why is this thread in General Instruction?

1. Rehearsal bands can teach you how to play bass

The guy who ran the first rehearsal band I was in recently passed away and I was reminded of how I learned to play bass in his garage...RIP Keith.

I started playing in his rehearsal band as soon as a I bought my first bass. I had switched over from trombone so reading wasn't really an issue. Playing bass was. What I learned in that initial trial by fire, hanging on for dear life, was priceless. Reading charts, transferring those notes onto bass, the role of the bass in music, and how to play with others were all instrumental in my early development. Most importantly, it happened in a low pressure, non-performance situation.

2. Rehearsal bands are a great way to work on reading

Let's face it, the majority of swing is four quarter notes per bar. That only leaves you four notes to decipher. If you're lucky, the chart will also have chord symbols and you can start associating notes with chords. Latin charts will usually have simplified bass lines that'll provide an increased challenge in reading rhythms and teach you the basics of playing different latin rhythms. The added pressure of doing it in live will enhance your focus and concentration; you'll rarely get a do over.

3. Rehearsal bands are a great way to break into jazz

I see plenty of threads asking how to get into playing jazz. As long as you can read, this is it! In a small combo playing off fake charts, you'll be expected to "write" your own bass lines. That can be a daunting task if you're just starting out. Most charts will be notated note for note so there's no need to develop a walking bass line, just read what's there. By doing that, you'll learn what makes a good bass line.

4. Rehearsal bands are a surrogate for proper practice

Unless I'm working on something specific for an upcoming gig, you'll rarely find me playing alone. It bores me to tears. Playing in a couple of rehearsal bands allows me to maintain my playing and reading chops for times when I need them

5. Rehearsal bands are a great way to network

Rehearsal bands are often a revolving cast a characters with substitutes coming in or people coming and going. You never know who will be calling you for a gig or referring you to someone else.

I've been thinking about this, and feel that it's a great idea for me...

Just a question few questions if you don't mind:

- Is there any prep work in between rehearsals (ie discussing what songs will be played next rehearsal, and familiarizing with the tunes a bit in your off time), or do you just go in blindly and flip the chart book to a new page?

- Is there any structure to how the song is played? I guess what I mean is does each person get a chance to solo, and for only a certain amount of time, or does everyone just play collaboratively at the same time?
 
There's typically no "advance warning" of what's coming at the next meeting. I suppose you could always ask to borrow the bass book.

The structure is defined by the arrangement/chart. Solo sections will be designated but if there's an "open section", they might take turns around the room soloing.
 
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True, true. I had jazz band in college, as well as a few months with a reading band back then... both helped take care of reasons 1 and 3.

Edit -- doing reading band these days is definitely for the networking, and occasional social benefits too.
 
I'll elaborate a little on elgeko's answer to these questions.

- Is there any prep work in between rehearsals (ie discussing what songs will be played next rehearsal, and familiarizing with the tunes a bit in your off time), or do you just go in blindly and flip the chart book to a new page?

Most groups just go in and sight read the book. The group leader may have an idea of what music they want to cover in a give night, so it's not just pulling charts willy-nilly.

The music for these groups is draw from published arrangements of the famous big bands. Ellington, Basie, Thad Jones/Mel Lewis, Quincy Jones, Buddy Rich, Don Sebesky, etc. You could familiarize yourself by listening to the recordings.

- Is there any structure to how the song is played? I guess what I mean is does each person get a chance to solo, and for only a certain amount of time, or does everyone just play collaboratively at the same time?

Because so many people are in the ensemble (14-20 players), everything has to be written out and carefully orchestrated. The written arrangement defines the structure of the tune. There are established introductions, melodies, "shout" sections, and so on. There are solos / improv sections involved also. The chart may indicate who takes the solo, or maybe the group leader will open the section up and let many people solo. As a matter of courtesy, nobody takes a million choruses. Two choruses per player and only two soloists for the average tune. On a blues, maybe up to five or six choruses per player and many soloists.
 
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Y'all inspired me, so I answered a CL ad and I'm going to a reading big band this Monday night. I'm pretty apprehensive, as I've never played with a big band or even seen the bass part to a big band chart... I think I'm a decent reader, but I'm obviously not going to be as good as experienced horn players. Is there a place online I can find big band bass charts, or excerpts?
 
Y'all inspired me, so I answered a CL ad and I'm going to a reading big band this Monday night. I'm pretty apprehensive, as I've never played with a big band or even seen the bass part to a big band chart... I think I'm a decent reader, but I'm obviously not going to be as good as experienced horn players. Is there a place online I can find big band bass charts, or excerpts?

Awesome. Let us know how it goes.
 
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Y'all inspired me, so I answered a CL ad and I'm going to a reading big band this Monday night. I'm pretty apprehensive, as I've never played with a big band or even seen the bass part to a big band chart... I think I'm a decent reader, but I'm obviously not going to be as good as experienced horn players. Is there a place online I can find big band bass charts, or excerpts?

Yes, good on you for taking the chance! Since you've never done it, just go into the situation with an open mind. Getting out of your comfort zone like this will help you grow as a player and as a person.

Regarding the charts... I seem to recall another thread here on TB regarding "what does a chart look like". I don't know of any online archives with parts. If you can read something out of a Chuck Sher fakebook ("New Real" series), I think you'll have a good starting point for what a big band chart might look like. I mention those books specifically because there are charts there with written intros / outros, solo changes with slashes, specific written figures, and so on. Basically, all the stuff you might see on a big band chart.
 
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Yes, good on you for taking the chance! Since you've never done it, just go into the situation with an open mind. Getting out of your comfort zone like this will help you grow as a player and as a person.

Regarding the charts... I seem to recall another thread here on TB regarding "what does a chart look like". I don't know of any online archives with parts. If you can read something out of a Chuck Sher fakebook ("New Real" series), I think you'll have a good starting point for what a big band chart might look like. I mention those books specifically because there are charts there with written intros / outros, solo changes with slashes, specific written figures, and so on. Basically, all the stuff you might see on a big band chart.
Thanks. We'll see how it goes. I used to play in a jazz quartet, but that was real book stuff, almost no reading. I also used to play violin in orchestras, but that was straight classical reading, pretty different from the jazz chart thing.

I have volume 3 of the Sher Real Book, I'll take a look at that.

A certain kindly TBer gifted me with some PDF's to practice with, and I'm seeing some of the pitfalls - horn keys, hand-scribbled parts, repeats that go back a page or two, etc... Thank you, kind sir!

I'm also not really prepared equipment-wise. I don't have any small cabs any more. I just bought a used Berg EX112ER, it should be here next week (too late for the first meeting with this band). So I'm going to take my Barefaced Four10. Light, but big. Hopefully I don't get too much stinkeye. :)
 
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Here's an example of what you might run into in a big band.

upload_2017-3-25_18-35-19.png


upload_2017-3-25_18-36-40.png


upload_2017-3-25_18-37-28.png
 
In a quick scan of the first 200 or so pages of the New Real 3, these pages jumped out in particular.

p31-32
p79, the bass clef staff
p83, generally speaking, but maybe not that treble clef section!
p225

Good luck, and let us know how the gig goes!
 
Had a rehearsal with the reading band. It was great! They have a box for each instrument with 500+ numbered charts, and each person chooses one and then they read it down. I chose an arrangement of Night in Tunisia. Some of them are pretty hard (half note is 160 bpm???). I got lost a few times, but sometimes the drummer, piano player, and I swung and grooved like crazy. So much fun. They enjoyed playing with me too, which was very gratifying. I'm going again next week, and the band leader said they have a couple of performances in July (that's how they pay the part district back for letting them use the room in which they rehearse), and he'd like me to play in them. Man, I could feel the playing part of my brain getting bigger just doing the one rehearsal.

@elgecko - Thanks for this thread, and thanks to you and @Leo Smith for helping and encouraging me. It was hard and I screwed up quite a bit, and it was just what I needed. :)
 
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