• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

Replacing my MXR bass envelope filter...

Which envelope filter would you choose to complement an EHX Bassballs?

  • Mad Professor Snow White

    Votes: 2 7.7%
  • Emma Discumbobulator

    Votes: 5 19.2%
  • 3Leaf Proton

    Votes: 15 57.7%
  • EBS Bass IQ

    Votes: 4 15.4%
  • Keeley Neutrino

    Votes: 0 0.0%

  • Total voters
    26
I've never noticed this with my v2 Proton. I do have "stuff" upstream of it, but the only thing that's always-on is a Fairfield Barbershop ME set to unity gain so it shouldn't have much of an impact in terms of input gain. I do run the input gain on the Proton fairly high, but there's still plenty of room to go and achieving a unity gain output has always been easily achieved.
It might be just me, but I need to heat up the signal a little to get the sounds I want with the switch in down mode. It's just fine in up mode. But then again I like my filters pretty obnoxious!
 
It might be just me, but I need to heat up the signal a little to get the sounds I want with the switch in down mode. It's just fine in up mode. But then again I like my filters pretty obnoxious!

That might be the difference. I almost always run mine with the sweep set to 'up' rather than 'down' and generally shoot for a pretty normal/traditional envelope sound.
 
  • Like
Reactions: Planespotter
I like slurpy, wet deliciousness that is capable of getting right to the edge of being obnoxious yet remains controllable.

You should check out the vintage EHX Mini Q-Tron. It's a big box and has an unwelcome volume boost, but it could be modded and rehoused! I've tried the MXR, Proton, Groove Regulator, Wonderlove, Trutron 3X, Neutrino, Enigma and the original Q-Tron, and the Mini is the greasiest of the lot!
 
Yep, found mine on eBay for $80 which is the main reason I bought it, too good of a deal to pass up.
$80 is a steal for all the Q-Balls can do, including a bunch of fixed filter and pseudo-synth tones.

Since you saved so much money, send it to Analogman and have them mod the Distortion trim pot to the outside. It makes the pedal even more versatile and useful, and the mod cost me about $70, including shipping both ways. Turnover time was about a week. I also had them add a volume control later.
 
  • Like
Reactions: Gyver
This is how my MXR sounds now:
What do you mean by "now?"
Are you referring back to your previous post in this thread:

I would keep the MXR because it's hard to find the sweet spot.
Try decreasing the Sensitivity starting at 12 o'clock and very gentrly blending the FX signal, you might get better results.
I was considering replacing it but I changed my mind with that settings

Just curious as I really like your sound in that demo you posted.


Also, and as an aside, here's Ed Friedland doing a great job of demoing the MRX (in case someone has missed it):

 
What do you mean by "now?"
Are you referring back to your previous post in this thread:



Just curious as I really like your sound in that demo you posted.


Also, and as an aside, here's Ed Friedland doing a great job of demoing the MRX (in case someone has missed it):



Yes, I was referring to my previous post.

I was setting the Sensitivity too high and I see that is the way most people use it. That way I get a liquid sound instead of bubbles. I like bubbles.

The settings for that demo are:
Dry at 10 o'clock
FX at 11 (when I turn on the pedal I usually attack the strings harder)
SENSat 10
Q at 2 o'clock
DECAY at noon (I think it doesn't affect much with this settings)

I will still be trying to improve that sound.