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Review: GHS Balanced Nickels 4M-NB

I have a set of mediums on the way for my 4 string P bass, which I keep tuned down a half step, and a set of lights for my 35” 5 string P. Once the DR Nickel Lo-Riders on both of those basses wear out, I’ll try these GHS Balanced.
 
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Roundwound G Strings. They are such attention whores. The loudest and brightest of the set. As the rest of the set settles in, not the G string. Unruly & incorrigible, it stays up late and parties with drunken sailors.

Not so with GHS Balanced Nickels. Enter the civilized G. Smooth & Sophisticated. Sweet Singing & Harmonious. A true team player. A well trained voice in a professional choir. Perhaps the very best sounding G string I have ever heard with only the GHS Pressurewound G in contention.
 
Enter the civilized G. Smooth & Sophisticated. Sweet Singing & Harmonious. A true team player. A well trained voice in a professional choir. Perhaps the very best sounding G string I have ever heard with only the GHS Pressurewound G in contention.

Well put - I couldn't agree with you more! The 40-G I have in the light set is the best-behaved G I've ever played. So well-balanced with the rest!
 
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Well put - I couldn't agree with you more! The 40-G I have in the light set is the best-behaved G I've ever played. So well-balanced with the rest!
Ahhh, that's right! The 0.040 G vs the 0.044 G in the 4M Balanced Nickels and both Pressurewound sets.
I could walk into any recording studio with these strings on my Precision and play anything that didn't demand flats. For that I have my hot rod Precision with GHS Precision flats. Either way GHS is the professional's choice.
 
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I could walk into any recording studio with these strings on my Precision and play anything that didn't demand flats. For that I have my hot rod Precision with GHS Precision flats. Either way GHS is the professional's choice.

The only thing I don't like about GHS Balanced Nickels is that they are not GHS Precision Flats. And vice-versa. Ah well!
 
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I could walk into any recording studio with these strings on my Precision and play anything that didn't demand flats. For that I have my hot rod Precision with GHS Precision flats.

The only thing I don't like about GHS Balanced Nickels is that they are not GHS Precision Flats. And vice-versa. Ah well!

I don't know about the Precision Flats, but I would dare say the rich, full-bodied yet smooth, balanced and flavorful "dark roast" tone of the BNs can easily replace my Fender 9050 flats. :thumbsup:;)
 
Shhhhh! Don't Ask. Don't Tell.
I know you've always been a proponent of the Fender 7150s, how do you find the GHS balanced nickels compare to the 7150's? I use 7150's on my Jazz bass and while I like them I'm always open to something a little different and by the descriptions of the balanced nickels on this thread, they sound like they are seriously right up my alley.
 
As someone who has never ever in 15+ years used a string set lighter than 45-105 (bigger is better, right?!?! :p), what are the virtues of a lighter gauge string?

Is it all in the tension/feel, or is there a tonal difference as well?

There is definitely a difference in feel and tension (carpal tunnel helps push you in that direction), but there's also a twang and snarl factor - when you dig into light strings, they "twang" - the pitch moves up a bit at the beginning of a note. They also have more upper mids - the snarl - it's easier to control bouncing them off the frets just the right amount for that.
 
I know you've always been a proponent of the Fender 7150s
Ahhhh No. 7250's and their kissing cousin 8250's yes. They are both good solid everyday roundwound stringsets. Very generic along with D'Addario XLs. Sound decent and are well worth the price of admission.

It's when you want something better for about a buck a string more. That's when you choose GHS Balanced Nickels.