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Ric-o-sound with one amp

Thinking about this, the Boss LS2 basically is a simple mixer.

You can run the treble pickup through one signal chain, say a good tubey overdrive like a Darkglass b3k, and into LS2 channel A return.

Run the bass pickup through a separate signal chain, or just clean, into LS2 channel B.

Adjust the A and B level knobs to taste, and run the output into your amp. With just two pedals it all fits on one small board, and you can add more if you like. I'm thinking of going this route myself for gigs where I can't bring two amps.
 
Thinking about this, the Boss LS2 basically is a simple mixer.

You can run the treble pickup through one signal chain, say a good tubey overdrive like a Darkglass b3k, and into LS2 channel A return.

Run the bass pickup through a separate signal chain, or just clean, into LS2 channel B.

Adjust the A and B level knobs to taste, and run the output into your amp. With just two pedals it all fits on one small board, and you can add more if you like. I'm thinking of going this route myself for gigs where I can't bring two amps.

Totally off topic - I apologize - but I just have to say that I love your avatar. There's a guy here in Phoenix that has a license plate that reads "KHAAAAN". I laughed out loud when I saw it, as I recognized it immediately.
 
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You can make your own passive inline mixer for next to nothing, and it will look just like a Y splitter cable. No batteries, nothing to plug in, no extra knobs to fool with. It is just a piece of cable.
1) Buy two jacks, two 1k resistors, a plug, and three feet of wire.
2) Connect the shaft/ground leads of the jacks and plug together (green).
3) Connect the tip/hot lead of each jack to a 1k resistor (black).
4) Connect the other lead of the resistors together and connect that the tip/hot lead of the plug (red).
5) Wrap the whole thing up with electrical tape.
Rs5Qw0M.jpg
 
You can make your own passive inline mixer for next to nothing, and it will look just like a Y splitter cable. No batteries, nothing to plug in, no extra knobs to fool with. It is just a piece of cable.
1) Buy two jacks, two 1k resistors, a plug, and three feet of wire.
2) Connect the shaft/ground leads of the jacks and plug together (green).
3) Connect the tip/hot lead of each jack to a 1k resistor (black).
4) Connect the other lead of the resistors together and connect that the tip/hot lead of the plug (red).
5) Wrap the whole thing up with electrical tape.
Rs5Qw0M.jpg
Might as well just use the mono out on the RIC.
 
Might as well just use the mono out on the RIC.
No, it has two jacks: One for the output of the bridge pickup chain, and the other for the output of the neck pickup chain. The two signals then get combined and go to a single amp.

The resistors prevent the signal from one chain applying voltage back through the other chain.

It's not shorting the pickups together. That wouldn't require any resistors because Ricks are passive.
 
Totally off topic - I apologize - but I just have to say that I love your avatar. There's a guy here in Phoenix that has a license plate that reads "KHAAAAN". I laughed out loud when I saw it, as I recognized it immediately.

Thanks. I picked it at random. After the whole Nobody banned protest I didn't want to go back to my plain old camera avatar. Not yet, anyway. Besides, I don't have an awesome "I build my own Rickenbacker Lemmy clone" avatar so I have to make do with "Admiral" Kirk...
 
No, it has two jacks: One for the output of the bridge pickup chain, and the other for the output of the neck pickup chain. The two then get combined and go to a single amp.

It's not shorting the pickups together. That wouldn't require any resistors.
One jack is mono with both summed, the other is stereo. You don't use both at the same time.
 
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Some of you are totally overthinking this gear wise. Just get the LS-2, run one pickup into a pedal preamp or eq pedal (a Sansamp Paradriver is my weapon of choice) and the other into the front of your amp. Then, blend the signal from the pedal and your effects send (or preamp out) from the amp in the LS-2 and run it into the effects return (or power amp in) on your amp.
 
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You can make your own passive inline mixer for next to nothing, and it will look just like a Y splitter cable. No batteries, nothing to plug in, no extra knobs to fool with. It is just a piece of cable.
1) Buy two jacks, two 1k resistors, a plug, and three feet of wire.
2) Connect the shaft/ground leads of the jacks and plug together (green).
3) Connect the tip/hot lead of each jack to a 1k resistor (black).
4) Connect the other lead of the resistors together and connect that the tip/hot lead of the plug (red).
5) Wrap the whole thing up with electrical tape.
er
I assume this will also work with 3 inputs? That's what I need to combine the "Stereo" output of my Alembic Series I with the "mono" non Series basses. :-)
 
Hey guys, I have a question about using either the Morley, BOSS LS2, a mixer, or the passive solution @superheavydeathmetal showed above to feed the Ric-O-Sound into one amp/cab.

Let's say I set the neck and bridge pickup levels the same so the mix was a perfect 50/50 mix of the two pickups/channels, if for one song I wanted to lower the volume of one of the pickups/channels, would this lower the overall volume coming out of the cabinet, or would the output level stay the same but the mix would simply favor the pickup that wasn't turned down?

Ideally, I'd want to do this with the bass's individual pickup volume pots.
 
I know this is an old thread but this is exactly what I am looking for so thanks superheavydeathmetal if you're still on this board! I have seen a lot of posts that state you *must* have 2 amplifiers, but if you just want to apply different effects to each pickup then a 2nd amp is not necessary. I just want to add a little OD grit to the bridge pickup, so I am going to split the 2 pickups via the stereo jack from the bass and send the bridge pickup signal to an OD pedal and then into Input 1 on the 2 channel mixer that superheavydeathmetal suggested. The neck pickup just goes straight in to the 2nd input on the summing mixer, and then the summing mixer's output goes into my amp. Easy!

Andy

You can make your own passive inline mixer for next to nothing, and it will look just like a Y splitter cable. No batteries, nothing to plug in, no extra knobs to fool with. It is just a piece of cable.
1) Buy two jacks, two 1k resistors, a plug, and three feet of wire.
2) Connect the shaft/ground leads of the jacks and plug together (green).
3) Connect the tip/hot lead of each jack to a 1k resistor (black).
4) Connect the other lead of the resistors together and connect that the tip/hot lead of the plug (red).
5) Wrap the whole thing up with electrical tape.
View attachment 2455902
 
I realize this is an old thread but I need some help from my expierenced cats. I'm don't know a ton about amps going direct pre amp power amps recording etc... I'm in a touring act that goes overseas to europe alot. We usually have to rent gear and bring the least amount possible. This gig requires my bass to have distortion. Sort of a type o negative vibe. I love going stereo with distortion it's sounds great having a distorted amp or channel and a clean amp or channel and blending the two. Personally I'm a huge Chris Squire fan and that's the tone Im after. I have a early 70s Rick 4001 I put an original vintage horseshoe pickup in the bridge alongside a original toaster in the neck. Being from the 70s it has Rick O Sound and that's how I want to use it. I heard Chris put gain on his toaster and kept the Horseshoe pickup clean. So here's my question on and problem. Like I said bringing gear is difficult overseas on tour. We usually rent the gear. I have an EBS endorsement but I can't always rely on getting exactly what I want. Getting two separate amp heads and speakers probably won't always work. I thought about getting 2 seperate 2x10s since they are easier to carry and running each into a seperate head. Then running through the ricksound my toaster into one head with a 2x10 can and my Horseshoe into the other head and 2x10 cabinet. Everything is always miked up as these are usually big venues. But like I said the gear I get is not always reliable. I might not be able to always get two heads and cabs. Hears my question. Can I use my Rick O Sound output to run say my Horseshoe into my bass amp and then run my toaster through a pedal pre amp or something like that then going direct into the pa or sound system so all I need is one amp. One amp and using a separate DI into the sound system without an amp for a stereo sound. I hope that makes sense. It's that possible and can I make the direct into the PA sound good with a pre amp or something not to big and easy to travel with ? Like maybe a tech 21 geddy lee sansamp straight into the direct box into the venue sound system or PA ? What do you guys recommend to get a good direct sound into the venue PA/sound system ? Could I get my distorted sound to sound good through the direct into the venue output ? And use my bass amp for a good clean bass sound ? Or vice versa run distortion through my amp and go clean through the direct box into the venue pa sound system. Which pickup do you think would sound best through the direct box into the PA ? Basically I want to go stereo using one amp and a direct box into the venue PA as my second channel to go stereo. Using one with distortion the other clean with some light delay and effects. Maybe using a pedal pre amp or something not to bulky to fly with to put before going direct so I have some control over the direct sound on stage and can make the direct sound as good as possible. Also should I anticipate sound guys getting upset I'm doing this for any reason ? Any reason to think a venue wouldn't allow me to do this ? As you can tell I don't know much about amps and all that from the long winded paragraph it took to explain my situation. If anyone has an easier way that sounds better I would be beyond grateful. Traveling overseas I'm stuck with the amp that is there and distortion is a must so I really badly want to go stereo through my rick o sound for a chris Squire or Paul D'Armour from Tool Vibe. But any extra gear to go direct a direct box or pre amp has to be manageable to bring on a plane and lug back and forth. Hope somebody out there can understand my ramblings and help me. I would be extremely grateful. Thanks for your patience reading this. All the best
 
Hey JackBass,

I've done a fair bit of research and experimenting since my post above about using just one amp with the Rick-O-Sound, and like you, I wanted to add a bit of dirt to my bridge pickup and leave the neck pickup clean to get closer to Geddy Lee's older Ricky sound.

My Ricky is a Rickenfaker, so first I had to rewire the electronics from a mono output to the Rick-O-Sound wiring and 2 output jacks, which I completed with the help of some online wiring diagrams, a stereo 1/4" jack and a dual-mono switching 1/4" jack. I also purchased a stereo 1/4" cable. But I needed a gadget to split the signal from the 1/4" stereo cable to 2 mono signals from each pickup. I found this gadget from Rattlesnake Cables.

TRS to Dual Mono Splitter | Rattlesnake Cable Company (rattlesnakecables.com)

It's a super solid, well-built gadget, and they provide great tech support! I had a couple of questions and I got replies back in less than half and hour.

Now that I had the signal split from the 2 pickups, I sent the bridge signal to an OD pedal. Currently I am using a Bad Monkey OD pedal but I have pre-ordered the Tech21 MP40 pedal for this task. The neck pickup signal was left untouched.

Now comes the tricky part. How to recombine these 2 mono signals into a single output that could go to 1 amp? I read so many posts saying you must have 2 amps, so I wondered if my idea would really work.

In my tote bin full of old forgotten gadgets I had an old Rolls active mini mixer with 4 inputs and 1 output. You could use a simple ABY combining box, but the cool thing about using a mini mixer is that you can adjust the volume level of the 2 signals so their volumes are more even after being recombined. I connected the output from the bridge pickup's OD pedal to mixer channel 1, and the neck pickup signal to channel 2. The output from the mixer went to my amps' input. And hey, it worked! Well, there was one problem. One of the pickups was out of phase, so when the pickup selector was in the middle position the sound was very thin. The bridge pickup was brand new and custom-made so I left it alone. I checked the neck pickup to see if I could flip the magnet but the bottom plate was riveted to the top chrome shield, so instead I just reversed the wiring. Not recommended, but until I figure out a way to flip the magnet without destroying the neck pickup, this is my only option. Reversing the wiring of the neck pickup fixed the phasing problem and now I had the Rick-O-Sound option working properly and it sounds fantastic. Tight clean lows from the neck combined with a little dirt from the bridge pickup. Just what Dr. Geddy ordered!

Now that I've got the basic foundation stuff working, I'd like to add other pedals, and I want to be able to use my Jazz bass with the same amp, so I am building a pedal board that will have the Rattlesnake splitter box, an OD pedal for each bass, an ABY pedal so I can switch between basses, and a shared tuner, compressor and noise gate. Here's a map of what that will look like:

IMG_9367.jpg


I'll post more pics when I get the pedalboard completed, but I hope that gives you an idea of how you can slim down your rig so you can use the Rick-O-Sound with just one amp!

Andy

I realize this is an old thread but I need some help from my expierenced cats. I'm don't know a ton about amps going direct pre amp power amps recording etc... I'm in a touring act that goes overseas to europe alot. We usually have to rent gear and bring the least amount possible. This gig requires my bass to have distortion. Sort of a type o negative vibe. I love going stereo with distortion it's sounds great having a distorted amp or channel and a clean amp or channel and blending the two. Personally I'm a huge Chris Squire fan and that's the tone Im after. I have a early 70s Rick 4001 I put an original vintage horseshoe pickup in the bridge alongside a original toaster in the neck. Being from the 70s it has Rick O Sound and that's how I want to use it. I heard Chris put gain on his toaster and kept the Horseshoe pickup clean. So here's my question on and problem. Like I said bringing gear is difficult overseas on tour. We usually rent the gear. I have an EBS endorsement but I can't always rely on getting exactly what I want. Getting two separate amp heads and speakers probably won't always work. I thought about getting 2 seperate 2x10s since they are easier to carry and running each into a seperate head. Then running through the ricksound my toaster into one head with a 2x10 can and my Horseshoe into the other head and 2x10 cabinet. Everything is always miked up as these are usually big venues. But like I said the gear I get is not always reliable. I might not be able to always get two heads and cabs. Hears my question. Can I use my Rick O Sound output to run say my Horseshoe into my bass amp and then run my toaster through a pedal pre amp or something like that then going direct into the pa or sound system so all I need is one amp. One amp and using a separate DI into the sound system without an amp for a stereo sound. I hope that makes sense. It's that possible and can I make the direct into the PA sound good with a pre amp or something not to big and easy to travel with ? Like maybe a tech 21 geddy lee sansamp straight into the direct box into the venue sound system or PA ? What do you guys recommend to get a good direct sound into the venue PA/sound system ? Could I get my distorted sound to sound good through the direct into the venue output ? And use my bass amp for a good clean bass sound ? Or vice versa run distortion through my amp and go clean through the direct box into the venue pa sound system. Which pickup do you think would sound best through the direct box into the PA ? Basically I want to go stereo using one amp and a direct box into the venue PA as my second channel to go stereo. Using one with distortion the other clean with some light delay and effects. Maybe using a pedal pre amp or something not to bulky to fly with to put before going direct so I have some control over the direct sound on stage and can make the direct sound as good as possible. Also should I anticipate sound guys getting upset I'm doing this for any reason ? Any reason to think a venue wouldn't allow me to do this ? As you can tell I don't know much about amps and all that from the long winded paragraph it took to explain my situation. If anyone has an easier way that sounds better I would be beyond grateful. Traveling overseas I'm stuck with the amp that is there and distortion is a must so I really badly want to go stereo through my rick o sound for a chris Squire or Paul D'Armour from Tool Vibe. But any extra gear to go direct a direct box or pre amp has to be manageable to bring on a plane and lug back and forth. Hope somebody out there can understand my ramblings and help me. I would be extremely grateful. Thanks for your patience reading this. All the best
 
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